Heloísa Passos

Nacimiento : 1967-05-06, Curitiba, Paraná, Brazil

Películas

Skin of Glass
Cinematography
The Edifício Wilton Paes de Almeida, nicknamed the “Pele de Vidro (Skin of Glass)” for its windowed façade, was the first building of its kind in South America, a shiny symbol of Brazil’s promising future.
A Assembleia - Brasil
Director
Eneida
Cinematography
Eneida
Producer
Eneida
Writer
Eneida
Director
Eneida
La mentira más brillante
Director of Photography
"Un diamante es para siempre", eso es lo que siempre nos han contado. También que es el símbolo del amor eterno o "el mejor amigo de las mujeres", pero ¿qué valor tiene un diamante ahora que los diamantes sintéticos, exactamente iguales, han inundado el mercado de las piedras preciosas?
La mentira más brillante
Co-Producer
"Un diamante es para siempre", eso es lo que siempre nos han contado. También que es el símbolo del amor eterno o "el mejor amigo de las mujeres", pero ¿qué valor tiene un diamante ahora que los diamantes sintéticos, exactamente iguales, han inundado el mercado de las piedras preciosas?
Fortaleza Hotel
Director of Photography
Pilar, a young hotel maid, has her path crossed by Shin, a middle-aged South Korean guest. The plans of both go wrong and, despite everything that separates them, they end up getting closer and establishing a relationship of solidarity.
Unremember
Director of Photography
Teenager Joana feeds her soul with literature and rock. In 1979, when amnesty is granted in Brazil, she's forced to move with her family from Paris back to the country she barely remembers. Back in the city she was born in, and where her father was forcedly disappeared, she recovers pieces of memory from a fragmented childhood in Rio de Janeiro. Not everything is real, not everything is imagination. And as she remembers, Joana must write her own story in the present tense.
Building Bridges
Director
Heloisa receives a gift: a collection of super-8 films with images of enormous cataracts that once comprised the Seven Falls (Sete Quedas), a natural paradise destroyed by the construction of the world's largest hydroelectric plant, in the early 1980s. The construction of the plant, at the height of the Brazilian military regime, awakens memories of a past immersed in a political authoritarianism. The film starts from the relationship between Heloisa, the filmmaker, and her father, Alvaro, an engineer who had his moment of glory during the Brazilian military dictatorship. They question the political trajectory of Brazil.Projections and maps become the first bridges to connect with the past. However, it is the inescapable present that really strikes Alvaro and Heloisa as they position themselves on opposite sides.
Nalu on the Border
Director of Photography
Nalu lives with Ruben, her father, in a small country town near the Brazilian border with Uruguay. When Ruben realizes that his daughter is becoming a woman, an ambiguous closeness begins to develop between them.
Birdie
Director
Birdie used to live in the tree, but his nest’s been broken and he’s now living on the streets of Rio de Janeiro with all he needs to survive: two abandoned dogs and the cart from which he sells tropical fruits and a lot of dreams.
5 Vezes Chico: O Velho e sua Gente
Cinematography
Five directors with five completely different cinematic styles go on an affectionate journey through each one of the five states bathed by the gigantic São Francisco River. Faith, passions, legends and the search for survival in the riverside communities of this river full of colors, which cuts through the dry hinterlands and flows into the exuberant sea of Northeastern Brazil.
Girl Rising
Director of Photography
El documental cuenta la historia de nueve niñas de diferentes partes del mundo ue fueron forzadas a casarse en matrimonios contra su voluntad, sufren esclatitud inventil u otro tipo de injusticias similares. Pese a estos obstáculos las niñas salieron adelante, con la esperanza de obtener una educación, aprender una carrera y romper barreras.
Rânia
Director of Photography
Rânia is a teenage girl who lives on Santa Teresinha hill in the city of Fortaleza. Her busy days are also occupied by the dream of being a dancer. Rânia's best friend, Zizi, introduces her to 'Sereia da Noite', a local joint where fun, dance, money and sex rock the night. When Rânia meets the choreographer Estela, she will be torn between the possibility to make money in the nightclub and the will to become a "real dancer".
Bete & Deise
Director of Photography
Van Oldenborgh's practice explores social relations through an investigation of gesture in the public sphere. Bete & Deise brings about a meeting between veteran telenovela actress and political activist Bete Mendes and Deise Tigrona, one of the most powerful voices in Baile funk, whose song Injeção was the basis for M.I.A.'s Bucky Done Gun.
Amor?
Cinematography
So Hard to Forget
Director of Photography
Julia es una profesora de literatura inglesa lesbiana de 35 años luchando contra la depresión de perder a su pareja, Antonia. Sintiéndose totalmente abandonada después de la enigmática separación, Julia es arrojada a un desesperado y doloroso proceso. Su vida y sus valores se tiñen de una melancolía insoportable y la medida de su vida se reduce a fragmentos fuera de foco. Su confusión interna y los conflictos impiden un proceso ahora necesario: de readaptarse a su nueva vida. Es imposible para ella ocultar su dolor cuando intenta narrar las emociones. (FILMAFFINITY)
Estação
Cinematography
O Amor Segundo B. Schianberg
Director of Photography
Trapped inside an apartment in Sao Paulo, an actor and a director of videos explore mutual love. Adapted from Benjamin Schianberg character, in this book Marcal Aquino, "I receive the worst news of your beautiful lips."
Waste Land
Director of Photography
Documental sobre el trabajo del artista brasileño Vik Muniz, centrado en una instalación en el Jardim Gramacho, uno de los mayores vertederos de basura del mundo, en la ciudad de Río de Janeiro.
I Travel Because I Have to, I Come Back Because I Love You
Cinematography
José Renato, a 35-year-old geologist, is sent out on a solitary expedition to the hinterlands of northeastern Brazil. The purpose of the trip is to assess possible routes for a canal that will connect the area with the only major river in the region. As the field trip progresses, it becomes clear that Renato shares with those places the same emptiness, sense of abandonment and isolation.
Bond
Cinematography
On January 19, 1982, Lilian lives her first disappointment. She is fifteen and after waiting for a long time, she realises that she has been abandoned. Lilian returns home alone and on her way she understands what pain is. On January 19, 1982, Elis Regina died at the age of 36. And the whole city understands what loss is. That day, Lilian and the city are the same.
Areia
Director of Photography
Cinematography
Self
Through conversations held with fifty four of the most distinguished cinematographers working in Brazil and abroad over the last forty years, the documentary explores the working environment, the new tools and the different styles of the professional who controls the light and the shades behind the camera.
A Mulher Biônica
Cinematography
Meninas
Director of Photography
Follow the story of four "mother-girls" who became pregnant very early.
Viva Volta
Director of Photography
A documentary on Brazilian trombone player Raul de Souza who, since 1996, has lived in Paris and suffers because he goes unnoticed, unrewarded in his native land. With the sound of his trombone for a background, the film takes him back to Bangu, in Rio de Janeiro, and retraces his trajectory.
Viva Volta
Screenplay
A documentary on Brazilian trombone player Raul de Souza who, since 1996, has lived in Paris and suffers because he goes unnoticed, unrewarded in his native land. With the sound of his trombone for a background, the film takes him back to Bangu, in Rio de Janeiro, and retraces his trajectory.
Viva Volta
Director
A documentary on Brazilian trombone player Raul de Souza who, since 1996, has lived in Paris and suffers because he goes unnoticed, unrewarded in his native land. With the sound of his trombone for a background, the film takes him back to Bangu, in Rio de Janeiro, and retraces his trajectory.
Gaijin: Ama-me Como Sou
Camera Operator
In 1908, Titoe leaves her country, Japan, to try her luck in Brazil. Her intention is just to get rich and return in five years. But life has other plans for her.
Children's Landscape
Executive Producer
Children's Landscape
Director of Photography
Visionários
Director of Photography
The Time I've Eaten Popcorn
Director of Photography
The Time I've Eaten Popcorn
Director
Rádio Gogó
Director of Photography
Vala Comum
Additional Photography
Documentary about the discovery of a ditch in a cemetery located in São Paulo, in which were found the carcass of Brazilian political prisoners who fought against the military dictatorship.
Vala Comum
Assistant Camera
Documentary about the discovery of a ditch in a cemetery located in São Paulo, in which were found the carcass of Brazilian political prisoners who fought against the military dictatorship.
Vala Comum
Associate Producer
Documentary about the discovery of a ditch in a cemetery located in São Paulo, in which were found the carcass of Brazilian political prisoners who fought against the military dictatorship.
Viver a Vida
Other
The daily routine of a streetwise office boy, waiting in long lines, having to deal with some fishy situations, listening to music, and meeting people.