Gert Voss

Importantes instituciones alemanas y algunos miembros del gobierno están involucrados en una conspiración cuyo fin es encubrir los crímenes de los nazis durante la Segunda Guerra Mundial (1939-1945).

A social satire in which a chauffeur accidentally becomes the editor of an online newspaper.

Thomas and Hanna, a deliriously happy couple in their late 30s, buy an old house in the country with plans to fix it up over the summer. Hanna is looking forward to their time together – so when Thomas invites his older brother, Friedrich, who is deeply depressed over the failure of both his business and his marriage, to join them, she is disappointed by the intrusion. Easygoing, charming, and talkative, Thomas seeks to counterbalance the cloudier mood with an impetuous frenzy of activity, but Hanna retreats into sullenness and retaliates by bringing in her nubile young godchild Augustine until things smooth themselves out. Augustine’s youthful sexiness has anything but a soothing impact on Thomas, however, whose adolescent impulses linger just below the surface.

This is the 2003 production of Thomas Bernhards play "Elisabeth II. - Keine Komödie", directed by Thomas Langhoff. It was the first time this play took place in Austria, at the famous Burgtheater Vienna.

Biografía del escritor francés Honoré de Balzac (1799-1850), centrada, sobre todo, en su relación con las mujeres. A pesar de sus rudos modales, ajenos a cualquier sofisticación, y de su poco agraciado aspecto físico, Balzac ejerció una irresistible fascinación sobre ellas. No obstante, sólo dos mujeres fueron realmente importantes en su vida: su madre Charlotte, una mujer fría, manipuladora y autoritaria, que nunca le dio el amor que necesitaba; y la bella y encantadora Eva Hansa, a la que Balzac siguió por Suiza, Alemania y Rusia en una cruzada sin tregua para ganar su corazón.

Georg, who is happy with his job as a scientist, with his loving wife and with his three children, hears one day that an accident has happened in a chemical plant nearby. All of a sudden, he finds himself face to face with one of the victims. The man, whose face has been eaten away by the sour gas that escaped from the plant, is staring at him in despair. Does Georg really see the man or is this a mere hallucination? Is he becoming insane or is he more alert to the dangers of the world than the common man?

A film based on the Battle of Teutoburg Forest in the year 9 AD between the Romans and a coalition of Germanic tribes.