Renato Tafuri

The film chronicles the melancholy journey of two celebrity look-alikes chasing their dream of la dolce vita in Italy. Romanian Marilyn Monroe impersonator Ileana and Bulgarian Elvis double Nicolaj win a look-alike contest in Bucharest in which the prize is a summer engagement in a nightclub on Italy's Adriatic coast. The two strangers take off together, communicating in the broken Italian they picked up from TV. When a bureaucratic hitch with Ileana's passport cuts them off at the airport, they cross the border illegally by car, travelling through a part of Yugoslavia devastated by war. They accept hospitality at a military outpost, but the suicide of a colonel there casts suspicion on Ileana. Beaten and afraid, they continue their odyssey across the harsh sunless no-man's-land gradually scarring them both and clouding their hopes. They finally reach Italy, but all is not as promised.

The life of a rootless insurance agent starts falling apart.

Antonio, a policeman (carabiniere), has an order to take two children (Rosetta and her brother Luciano) from Milan to Sicily to an orphanage. Their mother has been arrested for forcing Rosetta (11 years old) to work as a prostitute. First the relation between Antonio and the children is tough, but it relaxes so they become temporary friends.

En plena Edad Media, los Caballeros Teutónicos, "frailes guerreros de crueldad legendaria", exterminaron un poblado de brujas, enterrándolas en una fosa común sobre la cual se erigirá una catedral, como barrera frente a las fuerzas del Maligno. Ya en nuestros días, algo sucede que tiene relación con dicho suceso...

Una psíquica se ve atrapada por la energía de una operadora de teléfonos fallecida. Sus amigos comienzan a morir de manera misteriosa y un investigador se propone encontrar las causas de muerte.

A Betty , una joven cantante de ópera, le ofrecen la oportunidad de debutar como protagonista en el "Macbeth" de Verdi, al sufrir un accidente la cantante principal. La obra tiene fama de maldita y, de hecho, empiezan a producirse, en torno a Betty, una serie de extrañas muertes, que vendrían a confirmar tal superstición.

Unos actores ensayan un drama inspirado en hechos reales. El sádico asesino protagonista ha escapado de la institución mental.

Una editorial católica que proyecta hacer una serie sobre la vida de Cristo busca un actor cuyo rostro se adapte a los gustos actuales. Don Filippo, el jefe de la editorial, descubre ese rostro en un autoestopista al que lleva en su coche junto a una desafiante terrorista. El nuevo rostro de Jesús se reproduce en miles de carteles que adornan los muros de Roma. (FILMAFFINITY)

Rosa (Marina Suma) is a low-level worker who decides to quit a nowhere job and turn to prostitution instead, all the while living with a boyfriend who is dealing drugs for his financial support. Entering into the picture is a homosexual friend who wants a child of his own and is willing to donate a good apartment to the couple if Rosa will marry her boyfriend and bear a child. She does get pregnant, but by that time has had it with the constant presence of the homosexual, and is having second thoughts about her pregnancy.

Oprimida por su marido, su amante y su madre obsesiva, una burguesa de Milán se encuentra en la Estación Central con un compañero de la infancia.

A young poet falls in love with a sophisticated woman who hates poetry. But the poet wants to win her with poetry — and a bit of help from his mum.

The film documents the trade union battle of the workers of the Apollon printing house in Rome, occupied for a few months after the management decided to fire all the personnel and sell the land on which the factory was standing. In the form of a docu-fiction, the events of the long occupation are reconstructed, which began on June 4, 1967 and ended in December 1968. The workers play themselves and various other roles, but they are also co-authors of the film, which is not a simple chronicle of events, but an analytical reading of the reality of the factory, the story of the conquest of instruments of struggle and democracy, with the indication of strategies of attack on the bosses' power. The narrative voice of Gian Maria Volonté gives continuity to the story and comments on the events.