Franck Landron

Franck Landron follows photographer Antoine d'Agata wherever he goes, to the edges of the world, in a discreet presence, camera in hand. He has been doing hours and hours of rushes, patiently, without hurrying or rushing, he wants this film as fair, as honest, and as long as it takes: it lasted six years.

Franck Landron follows photographer Antoine d'Agata wherever he goes, to the edges of the world, in a discreet presence, camera in hand. He has been doing hours and hours of rushes, patiently, without hurrying or rushing, he wants this film as fair, as honest, and as long as it takes: it lasted six years.

Franck Landron follows photographer Antoine d'Agata wherever he goes, to the edges of the world, in a discreet presence, camera in hand. He has been doing hours and hours of rushes, patiently, without hurrying or rushing, he wants this film as fair, as honest, and as long as it takes: it lasted six years.

Sophie and Olivier are a couple leading a straightforward life. They’re bakers in Paris and their lives are regulated by the constraints of their job. Sophie gets the feeling that her husband is no longer really interested in her. They then read a personal ad pinned to their bakery’s notice board and get in touch with Paul and Colette, a rather strange couple who want to sell their holiday home. They buy the house – without even taking a look at it first – little knowing that it’s located in a nudist colony.

Sophie and Olivier are a couple leading a straightforward life. They’re bakers in Paris and their lives are regulated by the constraints of their job. Sophie gets the feeling that her husband is no longer really interested in her. They then read a personal ad pinned to their bakery’s notice board and get in touch with Paul and Colette, a rather strange couple who want to sell their holiday home. They buy the house – without even taking a look at it first – little knowing that it’s located in a nudist colony.

Sophie and Olivier are a couple leading a straightforward life. They’re bakers in Paris and their lives are regulated by the constraints of their job. Sophie gets the feeling that her husband is no longer really interested in her. They then read a personal ad pinned to their bakery’s notice board and get in touch with Paul and Colette, a rather strange couple who want to sell their holiday home. They buy the house – without even taking a look at it first – little knowing that it’s located in a nudist colony.

Sophie and Olivier are a couple leading a straightforward life. They’re bakers in Paris and their lives are regulated by the constraints of their job. Sophie gets the feeling that her husband is no longer really interested in her. They then read a personal ad pinned to their bakery’s notice board and get in touch with Paul and Colette, a rather strange couple who want to sell their holiday home. They buy the house – without even taking a look at it first – little knowing that it’s located in a nudist colony.

After a New Year's Eve party, 30-year-old fashion designer Rebecca (Nathalie Schmidt) awakens alone in a strange automobile. Later, during a routine visit to her gynecologist, she learns that she's pregnant. Unable to recall anyone responsible, she attempts to find the father as she treks through Paris streets, quizzes her girlfriends, and visits a Belgian detective. With few leads, her search drags on for months.

After a New Year's Eve party, 30-year-old fashion designer Rebecca (Nathalie Schmidt) awakens alone in a strange automobile. Later, during a routine visit to her gynecologist, she learns that she's pregnant. Unable to recall anyone responsible, she attempts to find the father as she treks through Paris streets, quizzes her girlfriends, and visits a Belgian detective. With few leads, her search drags on for months.

Sandra, a schoolteacher, would like to control every moment of a life she finds too banal. Even if she seems to have found an ideal in love, she takes two lovers, in the person of Pierre, ordinary but in love, and of Blaise a splendid black photographer.