Kabir Lal

Películas

Blurr
Co-Producer
With progressive blindness setting in, Gayatri has to find answers to her twin sister's unlikely death. As the lines of reality keep getting blurred, is she ready to look the truth in the eye?
Heropanti 2
Director of Photography
Babloo es un genio de la informática e Inaaya es un multimillonario hecho a sí mismo. Los dos se enamoran, pero debido a circunstancias imprevistas, de repente se separan porque el señor del cibercrimen, Laila, lo quiere muerto.
Bhaiaji Superhitt
Director of Photography
A kind-hearted goon decides to get his wife back by making a film on their love story, while his arch nemesis tries to thwart his plans.
Welcome Back
Director of Photography
Un par de gángsters reformados intentan encontrar un marido para su hermana recién descubierta, pero surgen complicaciones debido a identidades equivocadas
Double Di Trouble
Cinematography
The film is based on Comedy of Errors, Shakespeare's well-known play, takes a Desi avatar when father-son pair discover their mirror images in a different city. The riot of laughter begins when the people around this duplicate duo keep confusing between the two!
Love Express
Cinematography
Series of rumors and the incompatibility of both the bride and groom throw a train-bound wedding party out of gear.
Naughty @ 40
Cinematography
Laxminarayan Kapoor lives a wealthy lifestyle in London along with his religious wife, Maya; son Ravinder; and two nephews, Sandeep and Randeep. While the nephews have adapted themselves to the country and women, Ravinder is still a virgin at 40, and is a sleep-walker. After getting his leg pulled constantly, he asks his father to get him married, and is introduced to a statuesque beauty - who rejects him after discovering his sleep-walking disorder. His parents then get him married to Gauri, and he hopes to end his celibacy, in vain albeit, as she turns out to be child-like and naive. Frustrated, unable to get intimate he befriends a Caucasian female, Sharon, and decides to marry her. Watch what response he gets, and the impact this has on everyone.
Yamla Pagla Deewana
Cinematography
Dharmendra and Bobby play a crooked father-son pair based in Varanasi. Sunny plays a Canada based upright man who gets to know after two decades that he has a father and brother in Varanasi. The film is about Sunny's journey to his past.
Yuvvraaj
Director of Photography
Three brothers fight and play games with each other to inherit their father’s wealth.
Yaadein
Director of Photography
When Ronit meets Isha, both are attracted to each other and fall in love. They want to surprise Ronit's parents and Raj, and they accordingly decide to share this news with Raj, only to find out that Raj has been actively involved in trying to get Ronit married to Monishka Rai.
Reencuentro con el destino
Director of Photography
Rohit es un cantante pobre y Sonia es hija de un hombre muy rico. Tras perderse en un viaje de crucero, ambos se enamoran al quedarse unos cuantos días en una isla desierta, hasta que son rescatados. Los amigos de la pareja ayudan a Rohit para que pueda salir adelante con su situación económica y así puedan casarse. Pero antes de llegar a esta meta, Rohit muere repentinamente. El padre de Sonia la envía a vivir con sus primos en Nueva Zelanda para superar su angustia. Allí conoce a Raj, cuyo parecido físico con Rohit es sorprendente. Kaho Naa... Pyaar Hai
Taal
Director of Photography
Manav Mehta (A. Khanna) conoce a Mansi (A. Rai), la hija de un cantante llamado Tara Babu (A. Nath). Ambos se enamoran, el padre de ella aprueba la relación, y entonces la pareja viaja a Bombay para presentarse ante la familia de Manav. Sin embargo, a su llegada son rechazados y tratados como ciudadanos de segunda clase. Mansi quiere marcharse, y tras una crisis en la relación, conoce a Vikrant (A. Kapoor), un hombre que la ayuda a desarrollar su carrera. Empiezan a verse con regularidad y pronto deciden contraer matrimonio. Mientras tanto, Manav no ha perdido la esperanza de casarse con Mansi, a pesar de la oposición ahora de las dos familias.
Pardes
Director of Photography
Kishorilal wants an Indian bride for his westernised son. He gets him engaged to Ganga, his friend's daughter, and brings her to USA. But she shares a deeper bond with Arjun, Kishorilal's foster son.
Bhairava Dweepam
Director of Photography
Bhairava Dweepam (Telugu: భైరవ ద్వీపం) is a very successful Tollywood folk movie that was released by the banner of Chandamama Vijaya Combines in the year 1994. The movie was starred by Nandamuri Balakrishna, Roja Selvamani, Rambha, Kaikala Satyanarayana, Manorama, K. R. Vijaya, Babu Mohan, Giri Babu, Subhalekha Sudhakar, B. Padmanabham, Vijayakumar, Suthi Velu and many more. Produced by B. Venkatarama Reddy, Music by Madhavapeddi Suresh, Story, Screenplay & Direction by Singeetam Srinivasa Rao.
Rang
Cinematography
Yogi Joshi (Kamal Sadanah) is the hardworking middle class student who goes to college with the traditional Pooja (Ayesha Julka), who is the daughter of a single-father. Pooja has been in love with Yogi for quite some time, but Yogi seems to see her as a good friend. Yogi's father (Bharat Kapoor) works at the factory owned by the successful Indu Singh (Amrita Singh). Indu admits her daughter into the same college as Yogi and Pooja. She is a trustee of the college and is assured by the Principal that Kajal is in good hands. Kajal (Divya Bharti) goes to college and tries to park in Pooja's spot, but Pooja cuts her off. The two get in an altercation and to show Pooja how much power Kajal has, she drives her jeep into the corridors of the college and stops right in front of Pooja and her friends, including Yogi.
Rasathi Varum Naal
Director of Photography
Aditya 369
Director of Photography
Aditya 369 is a time machine, invented by an absent-minded professor Ram Das. Krishna, a young post-graduate, Hema and a smuggler, Raja, want to procure the machine for their own reasons.
Dharmathma
Director of Photography
Un Paarvayil
Screenplay
Un Paarvayil
Director
Antardrishti
Writer
A woman with deteriorating eyesight (Rituparna Sengupta) is haunted by the death of her blind sister (Rituparna Sengupta). The official verdict was suicide, but she is plagued by disorientation and convinced that somebody is lurking in the house.
Antardrishti
Director
A woman with deteriorating eyesight (Rituparna Sengupta) is haunted by the death of her blind sister (Rituparna Sengupta). The official verdict was suicide, but she is plagued by disorientation and convinced that somebody is lurking in the house.