Günter Neumann

Nacimiento : 1913-05-19, Berlin, Germany

Muerte : 1972-10-17

Películas

Glorious Times in the Spessart
Writer
The countess is married, and the ghosts are still in the Spessart. Her husband becomes an astronaut and the story involved time travelling and space travelling starts.
Snow White and the Seven Jugglers
Script
The Haunted Castle
Screenplay
The ghosts of thieves help a beautiful young countess save her inherited castle from modern developers in this comic horror/musical.
Beautiful Adventure
Writer
The teacher Dorothee Durand, young and single, travels from England to the picturesque south of France to find the remaining remnants of her family. Her search takes her to Nimes, where she meets the likewise single Marius, a hotelier, who immediately falls in love with the beautiful woman. And so it turns out that after traveling through half of France, Dorothy not only finds her relatives, but also ...
Der Engel, der seine Harfe versetzte
Screenplay
A comedy directed by Kurt Hoffmann.
Aren't We Wonderful
Screenplay
Kurt Hoffmann′s satire concerning Germany′s development during the first half of the 20th century tells the story of two schoolmates - Hans and Bruno. They could not be more different. While Hans is ambitious and must always work hard for his career, it seems that the happy go lucky Bruno is carefree.
The Spessart Inn
Screenplay
Countess Franziska "is kidnapped" by a band of robbers. However, her father is not willing to pay the ransom so Franziska changes sides.
Drei Tage Mittelarrest
Writer
Fireworks
Screenplay
The quiet life of an extended family is shaken up when a circus comes into town.
Nicht stören! – Funktionärsversammlung
Writer
Agitprop short made in West Germany.
The Berliner
Writer
Long before he played the corpulent Goldfinger, German actor Gert Froebe was a scarecrow-skinny comedian. In Berliner Ballade, Froebe makes his screen debut as Otto, a feckless Everyman who tries to adjust to the postwar travails of his defeated nation. Stymied by black-market profiteers and government bureaucrats, Otto begins fantasizing about a happier life at the end of that ever-elusive rainbow. Director R. A. Stemmle doesn't have to strive for pathos: he merely places his gangly star amidst the ruins of a bombed-out Berlin, and the point is made for him. Filmed in 1948, Berliner Ballade was later released in the U.S. as The Berliner.
Paradies der Junggesellen
Writer