Anna Muylaert
Nacimiento : 1964-04-21, São Paulo, São Paulo, Brazil
Historia
Anna Muylaert (born April 21, 1964) is a Brazilian screenwriter and television and film director. She is known for her fourth film, The Second Mother, which entered the 2015 Sundance Film Festival and Panorama at Berlinale film festival, where the film received the Audience Award.
Editor
The film narrates, from an intimate point of view, the daily life of President Dilma Rousseff in her official residence, the Palácio do Alvorada, while awaiting the verdict of the impeachment process. Portraying the hallways of the palace, designed by Oscar Niemeyer, we see the coming and going of political meetings, the daily routine of the kitchen, the exchange of guards, whispers and phone calls. We feel the growing tension of officials, advisers and former ministers.
Director
The film narrates, from an intimate point of view, the daily life of President Dilma Rousseff in her official residence, the Palácio do Alvorada, while awaiting the verdict of the impeachment process. Portraying the hallways of the palace, designed by Oscar Niemeyer, we see the coming and going of political meetings, the daily routine of the kitchen, the exchange of guards, whispers and phone calls. We feel the growing tension of officials, advisers and former ministers.
Producer
Writer
Director
In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.
Producer
A gritty observation of precarious romance, debauchery, and heartbreak between addicts living in a São Paulo hotel.
Associate Producer
Elias is a handsome young deputy manager in a garment factory in São Paulo. When he’s not working, he enjoys casual encounters in the big city. The arrival of a young African, Fernando, on the production line piques his interest and Elias finds himself increasingly drawn into socialising with his work colleagues.
Producer
Después de descubrir la verdad, que fueron robados por la mujer que él creía que era su madre cuando era niño, Pierre (cuyo verdadero nombre es Felipe) debe hacer frente a todas las consecuencias de las acciones de su madre y conocer a su familia biológica.
Screenplay
Después de descubrir la verdad, que fueron robados por la mujer que él creía que era su madre cuando era niño, Pierre (cuyo verdadero nombre es Felipe) debe hacer frente a todas las consecuencias de las acciones de su madre y conocer a su familia biológica.
Director
Después de descubrir la verdad, que fueron robados por la mujer que él creía que era su madre cuando era niño, Pierre (cuyo verdadero nombre es Felipe) debe hacer frente a todas las consecuencias de las acciones de su madre y conocer a su familia biológica.
Producer
Val es una interna que se toma su trabajo muy en serio. Sirve a un adinerado matrimonio de São Paulo día y noche, y cuida a su hijo adolescente, al que ha criado desde su infancia. El orden de este hogar parece inquebrantable, hasta que un día llega desde su ciudad de origen la inteligente y ambiciosa hija de Val, Jessica, a la que había dejado al cuidado de unos familiares en el norte de Brasil 13 años atrás. La presencia de la joven pone en peligro el balance de poder en la casa. Esta nueva situación pondrá en tela de juicio las lealtades de Val y la obligará a valorar lo que está dispuesta a perder.
Screenplay
Val es una interna que se toma su trabajo muy en serio. Sirve a un adinerado matrimonio de São Paulo día y noche, y cuida a su hijo adolescente, al que ha criado desde su infancia. El orden de este hogar parece inquebrantable, hasta que un día llega desde su ciudad de origen la inteligente y ambiciosa hija de Val, Jessica, a la que había dejado al cuidado de unos familiares en el norte de Brasil 13 años atrás. La presencia de la joven pone en peligro el balance de poder en la casa. Esta nueva situación pondrá en tela de juicio las lealtades de Val y la obligará a valorar lo que está dispuesta a perder.
Director
Val es una interna que se toma su trabajo muy en serio. Sirve a un adinerado matrimonio de São Paulo día y noche, y cuida a su hijo adolescente, al que ha criado desde su infancia. El orden de este hogar parece inquebrantable, hasta que un día llega desde su ciudad de origen la inteligente y ambiciosa hija de Val, Jessica, a la que había dejado al cuidado de unos familiares en el norte de Brasil 13 años atrás. La presencia de la joven pone en peligro el balance de poder en la casa. Esta nueva situación pondrá en tela de juicio las lealtades de Val y la obligará a valorar lo que está dispuesta a perder.
The series “Mundo da Lua”, produced by TV Cultura in the 90s in Brazil, returns in another logbook by Lucas Silva e Silva. The documentary “Diário de Bordo de uma Viagem à Infância” is the meeting of those who were in front of and behind the cameras, telling the backstage of the series, and also the fans who followed on TV.
Screenplay
Produced for TV Cultura within the project Telefilmes IV: Music and City, this made-for-TV film follows the story of Erica, a 14-year-old teenager growing up in Brazil, who has to learn how to deal with her British mother who is going off the rails. Living amidst an anxiety that switches between fear and love for her mother, Erica tries to find her way in a ship that seems to be sinking rapidly. It is in this moment that she picks up a guitar, and in her relationship with it, finds a way to re-shape her reality.
Director
Produced for TV Cultura within the project Telefilmes IV: Music and City, this made-for-TV film follows the story of Erica, a 14-year-old teenager growing up in Brazil, who has to learn how to deal with her British mother who is going off the rails. Living amidst an anxiety that switches between fear and love for her mother, Erica tries to find her way in a ship that seems to be sinking rapidly. It is in this moment that she picks up a guitar, and in her relationship with it, finds a way to re-shape her reality.
Writer
A high class lady from Brazil falls into a fake kidnapping scam when she answers a stranger’s phone call. Believing that one of her daughters has been kidnapped, she is guided by a terrifying voice for 12 hours through the cities of Sao Paulo and Rio de Janeiro.
Director
A high class lady from Brazil falls into a fake kidnapping scam when she answers a stranger’s phone call. Believing that one of her daughters has been kidnapped, she is guided by a terrifying voice for 12 hours through the cities of Sao Paulo and Rio de Janeiro.
Writer
La trama se centra en contar la travesía emprendida por la familia Villas-Bôas, concretamente de dos de sus integrantes, quienes deberán llevar a cabo una importante misión en tierras brasileñas con el objetivo de conseguir las metas que se propusieron cuando eran tan sólo unos críos. No será una tarea nada sencilla, puesto que tendrán que recorrer un largo y duro camino si desean hacerse un pequeño hueco en los anales de la historia a nivel nacional y mundial.
Producer
In São Paulo, Brazil, the lonely 40-something guitar teacher Baby lives a tedious life in a low middle-class apartment. She is addicted to her only companions: cigarettes. Baby has a constant conflict with her two sisters, over a couch she inherited from their deceased aunt. When Max, a restaurant musician, moves to the next door apartment, Baby has a crush on him and sees a chance to have a life again. Soon they start having a love affair, and Baby decides to quit smoking. However, her abstinence will be tough to deal with, when she notices Max still misses his ex-wife.
Writer
In São Paulo, Brazil, the lonely 40-something guitar teacher Baby lives a tedious life in a low middle-class apartment. She is addicted to her only companions: cigarettes. Baby has a constant conflict with her two sisters, over a couch she inherited from their deceased aunt. When Max, a restaurant musician, moves to the next door apartment, Baby has a crush on him and sees a chance to have a life again. Soon they start having a love affair, and Baby decides to quit smoking. However, her abstinence will be tough to deal with, when she notices Max still misses his ex-wife.
Director
In São Paulo, Brazil, the lonely 40-something guitar teacher Baby lives a tedious life in a low middle-class apartment. She is addicted to her only companions: cigarettes. Baby has a constant conflict with her two sisters, over a couch she inherited from their deceased aunt. When Max, a restaurant musician, moves to the next door apartment, Baby has a crush on him and sees a chance to have a life again. Soon they start having a love affair, and Baby decides to quit smoking. However, her abstinence will be tough to deal with, when she notices Max still misses his ex-wife.
Writer
Three metropolitan stories entwine in São Paulo. Would-be actress Marina arrives in the city looking for independence, falls madly in love with Justine, a bisexual rock singer, and is swept up into her wild, edgy lifestyle. Marina shares a flat on Avenida Paulista with Suzana, a mysterious transsexual lawyer who begins a relationship with a male colleague who is unaware of her condition. Jay lives a few floors above them. He is a frustrated writer trying to give a meaning to his life by idealizing a stunningly beautiful prostitute, whom he transforms into a sort of muse. Following the frenetic pace of the city, the three "Paulista" characters will experience the euphoria of passion and its downside.
Producer
Writer
Screenplay
Brasil, 1970. El país está sometido a una dictadura militar desde 1964; mientras tanto, en México, la selección brasileña de fútbol trata de ganar su tercera Copa del Mundo. Mauro, un niño de 12 años, cuyos padres deben irse de "vacaciones", como tantos otros izquierdistas, queda al cuidado de un abuelo, en Sao Paulo, pero él sólo sueña con que Pelé y compañía consigan el preciado título.
Writer
The story of Orisbela, a young and religious woman who comes from Portugal to Brazil to marry Francisco de Albuquerque, a rude sugar-cane plantation owner, in 1570.
Writer
Durval and his mother Carmita live at the back of "Durval Discos", a record store they own in São Paulo, specializing in vinyl records. They lead a boring and unattractive life, until the day Durval hires a maid, Celia, to help his mother with the housekeeping. However, on her second day, Celia goes away leaving a 5-year-old child behind, Kiki, and a note promising to be back in a couple of days. Durval and Celia are charmed by the child at first, but soon they see some sad news about Celia and Kiki on TV that will change the whole situation.
Director
Durval and his mother Carmita live at the back of "Durval Discos", a record store they own in São Paulo, specializing in vinyl records. They lead a boring and unattractive life, until the day Durval hires a maid, Celia, to help his mother with the housekeeping. However, on her second day, Celia goes away leaving a 5-year-old child behind, Kiki, and a note promising to be back in a couple of days. Durval and Celia are charmed by the child at first, but soon they see some sad news about Celia and Kiki on TV that will change the whole situation.
Writer
En Castelo Rá-Tim-Bum Nino,de 300 años de edad, parece que tiene ocho o nueve años. Descrito por Graeber como un "homólogo brasileño" a Harry Potter, Nino trata de escribir un libro de hechizos para atraer a niños normales para que jueguen con él, pero su tía y su tío no le dejan. Por su parte, Losangela, un familiar, comienza conspirar con los promotores inmobiliarios con la esperanza de derribar mansión de la familia de Nino. (FILMAFFINITY)
Writer
Associate Producer
Screenplay
Director
Director
A cinematographic poem made of a long travelling by fifteen characters, in search of an asynchronous marriage with sound.
Writer
Set in an imaginary world where gender stereotypes are inverted, that is, women occupy positions of power while men are raised to be socially submissive. Emerging issues are addressed, not just machismo, but racism, classism and corruption, rooted in the patriarchal culture of Brazil and the world.
Director
Set in an imaginary world where gender stereotypes are inverted, that is, women occupy positions of power while men are raised to be socially submissive. Emerging issues are addressed, not just machismo, but racism, classism and corruption, rooted in the patriarchal culture of Brazil and the world.