Director
Una reinterpretación en clave realista del cine de adolescentes, una profunda inmersión en la zona oscura del abuso sexual a través de la historia de Gili, una chica que para subir en la escala social empieza a citarse con los compañeros de su nuevo colegio. El primer largometraje de Jonathan Gurfinkel, un realizador en activo en el campo de la publicidad, el documental y la televisión desde 1994.
Amir
Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.
