John Paizs
Nacimiento : , Winnipeg, Manitoba, Canada
Historia
From Wikipedia, the free encyclopedia
John Paizs (born in 1957) is a director, writer and actor from Winnipeg, Manitoba, Canada. In 1985 his much-celebrated independent comedy Crime Wave was presented at the Toronto International Film Festival. He was the male lead and also wrote and directed the film. He worked on several TV series, but has not made another feature film until 1999's Top of the Food Chain, a stylish, low-budget sendup of Golden Age '50s science fiction movies. John is currently the Director in Residence at the Canadian Film Centre.
Description above from the Wikipedia article John Paizs, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director
In an isolated small town in the Pacific Northwest, Sylvia's teenaged life of juggling two boyfriends and an overprotective father is turned upside down when she discovers she has a bizarre virus which has randomly plagued the women in her community for decades and shamefully forced those afflicted into hiding. Sylvia undergoes a horrifying physical transformation, and she finds herself drawn into a persecuted underworld where she begins an astonishing journey of freakish self-discovery. Marker is a classic coming-of-age tale with a horror twist, which pits its heroine against her oppressors - the town's non-afflicted - in a battle for self-determination--and survival.
Director
Las cosas no van bien para los vecinos de Excepcional Vista: desde que la fábrica del pueblo cerró, casi todos sus habitantes se han marchado. Y los que se quedan van a servir de alimento a unos voraces alienígenas.
Interviews with Guy Maddin and his pals are included in this documentary about the Canadian film-maker's life and movies. Features clips from most of Maddin's films up to Twilight of the Ice Nymphs, including Careful and Archangel.
A recently-deposed Central American dictator re-locates to a small town in Northern Manitoba and starts a new repressive regime.
Production Design
A young director intent on making "the greatest color crime movie ever" can't seem to finish his script--he has a beginning and an end, but he can't quite figure out the middle. The daughter of his landlord, excited to have a real "movie person" living nearby, tries to help by putting him in touch with a man who wants to collaborate on a script--the strange "Dr. Jolly"
Art Direction
A young director intent on making "the greatest color crime movie ever" can't seem to finish his script--he has a beginning and an end, but he can't quite figure out the middle. The daughter of his landlord, excited to have a real "movie person" living nearby, tries to help by putting him in touch with a man who wants to collaborate on a script--the strange "Dr. Jolly"
Graphic Designer
A young director intent on making "the greatest color crime movie ever" can't seem to finish his script--he has a beginning and an end, but he can't quite figure out the middle. The daughter of his landlord, excited to have a real "movie person" living nearby, tries to help by putting him in touch with a man who wants to collaborate on a script--the strange "Dr. Jolly"
Editor
A young director intent on making "the greatest color crime movie ever" can't seem to finish his script--he has a beginning and an end, but he can't quite figure out the middle. The daughter of his landlord, excited to have a real "movie person" living nearby, tries to help by putting him in touch with a man who wants to collaborate on a script--the strange "Dr. Jolly"
Producer
A young director intent on making "the greatest color crime movie ever" can't seem to finish his script--he has a beginning and an end, but he can't quite figure out the middle. The daughter of his landlord, excited to have a real "movie person" living nearby, tries to help by putting him in touch with a man who wants to collaborate on a script--the strange "Dr. Jolly"
Writer
A young director intent on making "the greatest color crime movie ever" can't seem to finish his script--he has a beginning and an end, but he can't quite figure out the middle. The daughter of his landlord, excited to have a real "movie person" living nearby, tries to help by putting him in touch with a man who wants to collaborate on a script--the strange "Dr. Jolly"
Steven Penny
A young director intent on making "the greatest color crime movie ever" can't seem to finish his script--he has a beginning and an end, but he can't quite figure out the middle. The daughter of his landlord, excited to have a real "movie person" living nearby, tries to help by putting him in touch with a man who wants to collaborate on a script--the strange "Dr. Jolly"
Director
A young director intent on making "the greatest color crime movie ever" can't seem to finish his script--he has a beginning and an end, but he can't quite figure out the middle. The daughter of his landlord, excited to have a real "movie person" living nearby, tries to help by putting him in touch with a man who wants to collaborate on a script--the strange "Dr. Jolly"
Writer
An amusing melange of '60s spy thrillers and other classics. Super secret agent Nick attempts to liberate a top secret microchip from the clutches of multimillionaire Quinton Frost. Paizs pokes fun at the jet set, the Cold War and Jean-Paul Sartre.
Nick
An amusing melange of '60s spy thrillers and other classics. Super secret agent Nick attempts to liberate a top secret microchip from the clutches of multimillionaire Quinton Frost. Paizs pokes fun at the jet set, the Cold War and Jean-Paul Sartre.
Director
An amusing melange of '60s spy thrillers and other classics. Super secret agent Nick attempts to liberate a top secret microchip from the clutches of multimillionaire Quinton Frost. Paizs pokes fun at the jet set, the Cold War and Jean-Paul Sartre.
Writer
The further adventure of Nick, Paizs' silent hero sets off to college where he meets Brock West (Winnipeg journalist and rocker Peter Jordon, aka Rocky Roletti). Unwittingly, Nick becomes involved in attempts to restore old campus hangout and the dirty political tricks swirling a hard fought student election. The film successfully weaves the tone of 40s college hijinx movies through the clever spoof of current electoral trends, suggesting how easily old fashioned ethics can turn into fashion.
Director
The further adventure of Nick, Paizs' silent hero sets off to college where he meets Brock West (Winnipeg journalist and rocker Peter Jordon, aka Rocky Roletti). Unwittingly, Nick becomes involved in attempts to restore old campus hangout and the dirty political tricks swirling a hard fought student election. The film successfully weaves the tone of 40s college hijinx movies through the clever spoof of current electoral trends, suggesting how easily old fashioned ethics can turn into fashion.
Nick
The further adventure of Nick, Paizs' silent hero sets off to college where he meets Brock West (Winnipeg journalist and rocker Peter Jordon, aka Rocky Roletti). Unwittingly, Nick becomes involved in attempts to restore old campus hangout and the dirty political tricks swirling a hard fought student election. The film successfully weaves the tone of 40s college hijinx movies through the clever spoof of current electoral trends, suggesting how easily old fashioned ethics can turn into fashion.
Nick
Springtime in Greenland uses '50s cinematic conventions and attitudes to tell a story about the sophomoric inhabitants of a fictional utopia.
Writer
Springtime in Greenland uses '50s cinematic conventions and attitudes to tell a story about the sophomoric inhabitants of a fictional utopia.
Director
Springtime in Greenland uses '50s cinematic conventions and attitudes to tell a story about the sophomoric inhabitants of a fictional utopia.
Billy Botski
A young man meets his obsession, a ghostly '60's Playboy-bunny styled "Connie," and is never the same!
Writer
A young man meets his obsession, a ghostly '60's Playboy-bunny styled "Connie," and is never the same!
Director
A young man meets his obsession, a ghostly '60's Playboy-bunny styled "Connie," and is never the same!
Writer
Suspicious goings-on have been happening in the ruins of the Old City, threatening the very foundations of society. Agent Ed Zorax, posing as an estranged painter, is on the case!
Producer
Suspicious goings-on have been happening in the ruins of the Old City, threatening the very foundations of society. Agent Ed Zorax, posing as an estranged painter, is on the case!
Director
Suspicious goings-on have been happening in the ruins of the Old City, threatening the very foundations of society. Agent Ed Zorax, posing as an estranged painter, is on the case!
Director
A souped-up paean to sex, violence and all-around rowdy behavior.
Director
A little-known animated short about the hearty imagination of a young elephant.
Director
An enjoyable animated film done by drawing directly on the film in the tradition of Norman McLaren. Two circles, one male and one female, bounce, spin and stretch to lively music.
