Yukiko Shimazaki

Una noche, mientras estaba en el observatorio de la Torre Marina, el vendedor de cosméticos Ichiro Iki entabló una conversación con una joven desconocida, Akiko. Invita a Ichiro a un hotel donde hacen el amor, pero parte sin siquiera intercambiar nombres. Una semana más tarde, tienen un segundo encuentro casual en el observatorio y regresan a su hotel, donde Akiko le ruega a Ichiro que le dé a su hermana Kyoko el infierno absoluto. Akiko se resiente de su hermana por dar una conferencia sobre castidad, mientras que se dedica a la actividad promiscua ...

An early Okamoto yakuza film, though it's not in the Underworld series (along with The Last Gunfight and The Big Boss) despite being alternatively known as "Death of the Boss." While Okamoto did not write this film and took on the project because he was assigned and "just doing [his] job" according to an interview with Chris Desjardins in Outlaw Masters of Japanese Film, he did express a general excitement about working in action cinema (which shows through in this film's energy.)

Yuzo Kayama plays the protagonist, a whale-hunting cannon manufactuing supervisor, whose brother is an automobile tester for Komatsu Motors which has a fatal accident. As his brother investigates the "Accident" with his old college friend (makoto Sato), now a reporter... They stumble across murder, espionage and cover-ups. High-class night club, femme fatale, and a "Blueprint of Murder" all adds up to a bigger plot then first expected.

Gang of robbers quarrel about the loot, but when one of them gets killed, his younger brother seeks them out to ice them one by one.

A historical drama that depicts the touching beauty of world obsession and human love in the style of light comedy, in the center of which is a young man who has a master license menkyo kaiden in the art of swordsmanship, but weak against lies and women. A remake of Bungaku no Issue, shot by Sadao Yamanaka in 1933.

Chuji Kunisada runs into strange adventures which tests his skill as a samurai as he untangles intrigue and murder against the backdrop of the majestic Mount Akagi.

Japanese film.

Un profesor de psicología universitario, Yamamoto, y su mujer Fumiko son padres de dos niños. Uno de ellos, Yudo, sufre de parálisis infantil y es objeto de burlas por parte de sus compañeros de escuela. Inspirados en la fuerza de voluntad de su hijo, la pareja decide emplear todos sus ahorros para fundar una escuela especial en la cual otros niños con el mismo problema puedan recibir atenciones y construir la necesaria autoconfianza con la cual enfrentar la vida.

Una banda de forajidos atemorizan a los habitantes de un pequeño pueblo, saqueándolos periódicamente sin piedad. Para repeler estos ataques, los aldeanos deciden contratar a mercenarios. Finalmente, consiguen los servicios de 7 guerreros, 7 samurais dispuestos a defenderlos a cambio, tan solo, de cobijo y comida.

Dai-ni-bu: Aijô ruten: Kiyoshi Saeki directed movie

Dai-ichi-bu: Dôkai-wan no rantô - Kiyoshi Saeki directed movie.

Based on Philippines war experiences. Military doctor Leutenant Hanada deserts with a local girl. The officer in command orders Lieutenant Uji to shoot Hanada. Uji takes a sharpshooter called Takagi and tracks him. At first Uji cannot forgive Hanada but as Uji is isolated from the main force he too starts to think of desertion.

Once an average and seemingly ordinary Tokyo girl, she suddenly finds herself as a TV star owing to her discovery by a casting company, which noticed photographs that her cousin had sent. When another actress falls ill she is given the role instead. Her first film is a success propelling the young actress to popularity, her own fans, money and a house. While everything looks dandy from the outside not all is well within the family however.

Situada poco después de la Segunda Guerra Mundial, El almuerzo cuenta las dificultades matrimoniales entre el salaryman Hatsunosuke y su mujer Michiyo. Se centra en la crisis emocional de una ama de casa aburrida. El tedio de su vida doméstica -consumida por la repetición de labores como cocinar y limpiar- aumenta con la visita de la sobrina de su marido, Satoko. Su llegada y la excesiva atención que le presta su marido, provocan el aumento de la infelicidad de Michiyo, forzada a enfrentarse con su futuro

Though recognized worldwide almost exclusively for his colorful kaiju fare, director Ishirō Honda (Godzilla, Rodan, Mothra) was a natural humanist with a particular understanding of the relationship between people and their social environs. His debut fiction feature, The Blue Pearl (Aoi Shinju) – virtually unseen in the west until now – depicts the melodramatic, but keenly-observed interplay between a young man from Tokyo and two ama (pearl divers; literally “women of the sea”) in a superstitious coastal town. Though raised within the same tradition-bound crucible, the two women – Noe and Riu – are portrayed as diametric opposites; the former meek but affectionate, the latter strong-willed but jaded by a tryst with metropolitan life. Nonetheless, Honda provides equal weight to their desires and their ambitions to break free from the social mold imposed upon them from birth.

A romantic melodrama about the shifting relationship between Ryosuke and Miki as their precarious employment and social circumstances shift around them.

Adaptation of a novel by Yojiro Ishizaka, originally released in two parts.