A cinematographic poetry that portrays the artistic link between the French filmmaker André S. Labarthe and his disciple, the Uruguayan filmmaker Gabriela Guillermo. The letters that were written over the years testify, not only to the mutual affection and admiration, but also their will to one day make a movie together. After trouble in the production due to the teacher's delicate health and his subsequent death, we witness in the winter landscapes the creative complicity between both filmmakers.
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A “Cinéma, de notre temps” series episode directed by french film critic André S. Labarthe, originally aired 22 November 2018.
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A rich industrialist is brutally kidnapped. While he physically and mentally degenerates in imprisonment, the kidnappers, police and the board of the company of which he is director negotiate about the ransom of 50 million euro.
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A short documentary in the Chaplin Today series about Chaplin's "Monsieur Verdoux." Includes an interview with Claude Chabrol, whose 1963 film "Landru" concerns the same serial killer that inspired Chaplin's film.
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Intimate portrait of Abel Ferrara: the result is an eccentric road movie, with the restless film maker as a charming, shabby guide around New York by night.
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The police are tracking a man who shoots at people. But the young sister of a detective finds that he's not the mad vigilante portrayed in newspapers.
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The film contains the interviews with Pierre Klossowski and Jacques Pimpanneau.
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La historia de un triángulo amoroso, en que todos los componentes llegan a conocerse íntimamente, hasta el punto que todas sus fantasías y fingimientos salen a la desagradable luz de la realidad. (FILMAFFINIT)
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Martin Scorsese behind a flatbed commenting on excerpts from his film Taxi Driver.
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Aimé Césaire - Le Masque des mots is a portrait of the Martinican writer who calls himself a rebellious negro and for whom the poetic act represents an act of freedom.
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Documental que forma parte de la serie francesa "Cineastas de nuestro tiempo". En esta entrevista de Guy L. Coté realizada en 1967 y presentada en la TV francesa en 1972, Norman McLaren relata su trayectoria pionera dentro del cine de animación, que se inició en el Londres de los años 30, llegando a Montreal tras pasar antes por Nueva York. La plasmación que de ello hace André S. Labarthe, derivada de las mismas formas de las propias películas de McLaren, acaba por ofrecer una original propuesta documental.
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A documentary about the dancer Sylvie Guillem on her daily round of classes, rehearsals and peformances.
