Saburô Nagaoka

Películas

Blood End
BLOOD END is one of the great unknown films from Japan's golden era of the late 1960's. Starring NAKADAI Tatsuya in one of his best roles, this is the story of the Mito Tengu Group who attempted to overthrow the Shogunate at the beginning of the Bakumatsu Period. Their political aspirations led to countless assassinations, as well as senseless killing of innocent people who got in their way. Sentaro (NAKADAI), a farmer who's been severely beaten for his outspoken defiance of the government and the high taxes during a time of famine is befriended by one of the group's leaders, KADA Gentaro (KATO Go) and joins up. This is the masterpiece of director YAMAMOTO Satsuo (who is best known for the first film in the NINJA, BAND OF ASSASSINS series) the erstwhile 'Leftist' director, who used his films to make his political points. Stunning fight choreography, and ultra-violence make this one of the bloodiest films of that era. A powerful film Rare classic!
Shinobi no Mono 2: Vengeance
[Period covered: 1582-1594]. As the film opens, the warlod Nobunaga Oda rides to Iga Ayanokuni shrine. He is asked if he thinks he has destroyed all the ninja who opposed him and answers that he suspects that there may be more. A servant brings water and tests it first. The paige dies and we hear gunshots as two ninja flee the scene. His suspicions confirmed, Nobunaga oversees the execution of captured ninja and decides that, in the future, he needs a much crueler method of execution. The daimyo Hideyoshi comes to visit.
La historia de Zatoichi continúa
Segunda de las veintiséis películas basadas en el personaje de Zatoichi interpretado por Shintarô Katsu. En esta segunda entrega, Zatoichi se encuentra a un hombre, el cual carece de un brazo por culpa de un ataque de Zatoichi, celoso de él ante la posibilidad de perder a su amada...
Street of Ronin
Hatamoto
Based on the famous novel by Yamagami Itaro, this is the story of a group of ronin living in abject poverty in the latter days of the Edo period. Starring the great Konoe Jushiro, Ronin Gai is populated by an ensemble of colorful characters, social outcasts who patronize a restaurant and bar on the outskirts of Edo. Among them are masterless samurai reduced to drunkenness and debauchery. One disgraced and disillusioned former warrior gets a chance at redemption when he is hired to retrieve a famous knife from a corrupt lord. This is the third version directed by Makino Masahiro and is considered a true classic.