Seiichi Ôta

Películas

Female Ninjas Magic Chronicles 3: Sacred Book of Sexual Positions
Art Direction
the third episode in the TV original of Female Ninjas Magic Chronicles.
Female Ninjas Magic Chronicles
Art Direction
The female ninjas need to protect their particular master's unborn infant from enemies. They use all types of intimate tricks to obtain the work done.
Sure Death 4
Art Direction
Habiendo sido degradado por no haber evitado el asesinato de uno de sus superiores, Mondo es sorprendido por un grupo de matones enmascarados que pronto son atacados a su vez por una fuerza invisible. Comienza a sospechar del trabajo de los asesinos, pero ¿de qué lado están?
Sure Death! 3
Art Direction
Third movie in the Hissatsu (Sure Death!) Series. Chasing the killer of a lawman, a group of assassins fall foul of a group of blackmarket financiers who dispatch their own hitmen to dispose of them.
The Homeless
Art Direction
The Homeless is a picaresque tale in the truest sense of the word. Two inmates are simultaneously released from jail, but go their separate ways, only to cross paths again in the nearest brothel. There they make the acquaintance of a would-be prostitute with a childlike mind and serious problems with the yakuza. They help her escape from the mob-infested cathouse and decide to guide her on her quest for sunken contraband somewhere off the coast, whose location only she knows, but which the yakuza are very eager to learn about. It is a remake of the French film The Last Adventure (1967).
Hanzo the Razor: The Snare
Production Design
Hanzo y sus ayudantes detienen a un par de ladrones que confiesan haber saqueado un cadáver. Al encontrar el cuerpo deduce que ha sufrido un aborto y sus investigaciones le llevan a un convento regido por sádicas monjas que se dedican a ofrecer novicias a nobles para ser torturadas de mil maneras.
La conspiración de Zatoichi
Art Direction
Vigésimo quinta de las veintiséis películas basadas en el personaje de Zatoichi interpretado por Shintarô Katsu. Después de más de veinte años, Zatoichi regresa a su pueblo natal donde conocerá a una hermanastra. Por otro lado, un viejo amigo de la infancia, se está aprovechando de los granjeros del pueblo para enriquecerse. Una vez más Zatoichi tratará de imponer la justicia con sus propios medios.
Zatoichi desesperado
Art Direction
Vigésimo cuarta de las veintiséis películas basadas en el personaje de Zatoichi interpretado por Shintarô Katsu. Zatoichi se cruza en un inestable puente con una señora mayor, que cae al vacío justo delante de Zatoichi. Este hecho marca profundamente a Zatoichi creando en él un sentimiento de culpabilidad que le lleva a buscar a su hija para compensarla.
New Hoodlum Soldier Story: Firing Line
Art Direction
Zatoichi en general
Art Direction
Vigésimo tercera de las veintiséis películas basadas en el personaje de Zatoichi interpretado por Shintarô Katsu. Zatoichi se encuentra en su camino a una mujer embarazada que acaba de ser atacada por un bandido. Las cosas se complican y Zatoichi debe hacer de comadrona en ese momento, pero la mujer muere durante el parto, y Zatoichi se encarga de llevar el bebé a su familia. Una vez encuentra a la familia del bebé, descubre que la mujer embarazada llevaba 20 ryus que debía pagar al jefe de una banda para que su cuñada no fuera obligada a ingresar en un burdel.
Island of Horrors
Art Direction
Two women are ferried to a small prison colony on the remote and barren prison island, where they and their fellow inmates are forced to perform perilous slave labor along the island’s treacherous cliffs, overseen by both an unforgiving sun and a crew of abusive male wardens. Meanwhile, the arrival of a newcomer among the island’s administrators, a disgraced policeman who is also the son of Nagasaki’s governor, creates dissension between the officials that, along with an untimely outbreak of bubonic plague on the island, ultimately sets the stage for a daring escape attempt on the part of the prisoners.
Haunted Castle
Art Direction
This period thriller concerns a very famous cat known as the "monster cat of Nabeshima". This cat, a symbol of vengeance in human disguise, takes revenge for the death of its master as well as for the corruption in the feudal system.
Sleepy Eyes of Death 13: The Full Moon Swordsman
Production Design
Inspector General Kanjuro Sano conspires with the future shogun twin brother. They replace Ieyoshi Tokugawa with his twin, but it becomes a problem when suspicion arises and Nemuri Kyoshiro gets involved.
Kanto Woman Infamy
Art Direction
Yokai Monsters: Spook Warfare
Art Direction
Segunda parte de la reconocida "Yokai Monsters" rodada en el mismo año. En 2005 tuvo un remake dirigido por Takashi Miike.
Lone Wolf Isazo
Art Direction
Isazo is a traveling gambler and living legend in the world of yakuza, known for his swordsmanship and bravery, his impeccable manners, and his brilliant talent in gambling. One late fall at an inn in Kiso Fukushima, Isazo befriends a young boy whose mother turns out to be his old love Yoshino, with whom he was not unable to consummate a marriage due to the class differences between them.
A Killer's Key
Art Direction
Raizô Ichikawa reprises his role as the restaurant-cook-turned-contract-killer in this sequel to Kazuo Mori's stylish 1967 thriller A Certain Killer.
Young Boss, Fugitive
Art Direction
A Certain Killer
Art Direction
A former soldier, reduced to working at a restaurant post-war, becomes a contract killer for the yakuza gangs he's in contact with.
Shinobi no mono 8: The Three Enemies
Art Direction
[Period Covered: 1570-1573] Towards the end of the Tenmon Era, Shogun Ashikaga`s powers were weakening by the day and many were there who planned to overthrow him. It was the beginning of the Sengoku (Warring States) period. Three men attack a gunpowder maker in a farmhouse, the first chopping off his arm with his sickle-&-chain weapon, the second blinding him with sword, the third giving the killing blow. His son Kojiro Kosume escapes the attackers as everything he has known up to then explodes into conflagration. He grows up & enters the start of the Tokugawa Era, intent on avenging his father.
Shinobi no mono 7: Mist Saizo Strikes Back
Art Direction
[Period covered: 1616] Kirigakure Saizo (Mist Saizo) returns for the final time as he sets out to assassinate Tokugawa Ieyasu in order to avenge the death of Lord Sanada Yukimura. But first he must contend with Ieyasu’s own ninja group led by the powerful Fuma Daijuro, who has a score to settle with the men of Iga that dates back 280 years to the war between the Genji and the Heike at the Battle of Dan-no-Ura. Tremendous fighting and great plot twists highlight this exceptional look into the lives of the mysterious ninja of Japan.
Zatoichi and the Doomed Man
Art Direction
Blind swordsman Zatoichi, jailed briefly, is implored by another prisoner to aid him in proving his innocence of a crime for which he is sentenced to death. Zatoichi is reluctant to get involved, because he knows how often such involvement has led to trouble in the past. But events conspire to thrust him repeatedly into involvement, and gradually he comes to believe in the man's innocence and determines to free him.
Shinobi No Mono 6: The Last Iga Spy
Art Direction
[Period covered: 1637-1651] This is one of the most complicated plots of any of the Shinobi no Mono films! This film tells the story of Saizo’s son, Kirigakure Saisuke, who after seeing his father die at the Battle Of Shimabara, grows up to be an expert ninja. Before he dies, “Mist” Saizo tells his children Saisuke, and Yuri that they are not really brother and sister. She, in fact, is the daughter of the late lord Sanada Yukimura, and must be saved from the shogun’s forces. In the chess match of spy versus spy, can Saisuke defeat the shogun’s chief strategist, Matsudaira Izunokami at his own game? Showing many exciting ninja tactics, it is not to be missed.
The Gambling Samurai
Art Direction
駿河遊侠傳 賭場荒し
Art Direction
Shinobi no Mono 3: Resurrection
Art Direction
[Period covered: 1595-1600] Third film in the famous shinobi no mono series. We last saw ninja Ishikawa Goemon (Raizo Ichikawa), as he was about to be boiled alive. But a good ninja is both hard to find, and even harder to kill. With the help of the enigmatic Hattori Hanzo, Goemon lives to skulk another day, and sets his sights on bringing down the warlord who tried to turn him into soup – Toyotomi Hideyoshi. And as always, in the background, the suble hand of Tokugawa Ieyasu is pulling strings as he plots to rule all of Japan!
Zatoichi el fugitivo
Art Direction
Cuarta de las veintiséis películas basadas en el personaje de Zatoichi, interpretado por Shintarô Katsu. En esta cuarta entrega, un clan yakuza pone precio a la cabeza de Zatoichi, por lo que muchos irán a por "el fugitivo" para ganarse una buena recompensa. Mientras tanto, Zatoichi se reencuentra con un viejo amor, Tane, pero esta ha rehecho su vida con otro hombre.
La nueva historia de Zatoichi
Art Direction
Tercera de las veintiséis películas basadas en el personaje de Zatoichi interpretado por Shintarô Katsu y la primera realizada en color de toda la saga. En esta tercera entrega, Zatoichi es perseguido por varios enemigos que buscan cobrarse su vida. Mientras tanto se reencuentra con su maestro, Banno, pero todo se complica cuando la hermana de Banno y Zatoichi se enamoran.
La historia de Zatoichi continúa
Art Direction
Segunda de las veintiséis películas basadas en el personaje de Zatoichi interpretado por Shintarô Katsu. En esta segunda entrega, Zatoichi se encuentra a un hombre, el cual carece de un brazo por culpa de un ataque de Zatoichi, celoso de él ante la posibilidad de perder a su amada...
Seven Miles to Nakayama
Art Direction
When a corrupt magistrate rapes Oshima, Masa (Raizō Ichikawa) avenges her by killing the officer, becoming thereby a fugitive, haunted and grief-stricken by the fact that Oshima committed suicide. Going underground in the gambling world, perpetually hiding from the law, Masa eventually meets a young woman named Onaka, who looks exactly like Oshima. Tales having two look-alike heroines are a commonplace in Japanese period films, a plot affectation inherited from the kabuki theater. Based on a novel by Shin Hasegawa, Nakayama shichiri was already twice filmed in 1930, one version directed by Namio Ochiai, and from which less than 40 minutes survive, the other directed by Kyotaro Namiki. Both are silent films, preserved by the Makino film institute.
The Phantom Samurai
Art Direction
Koina no Ginpei
Art Direction
The Blind Menace
Art Direction
This is the story of a blind masseur who tricks people, steals, and kills; he is the anti-Zatoichi
Samurai Vendetta
Art Direction
Two amiable samurai wind up on opposite sides of the vendetta between Lord Asano's retainers and the family of Lord Kira that led to the famous revenge of the 47 Ronin.
The Lord Pretends
Production Design
A Thousand Flying Cranes
Art Direction
Gambler and the Princess
Production Design
Film directed by Kenji Misumi.
Nuregami kenpo
Art Direction
Akado Suzunosuke vs. the Birdman with 3 Eyes
Art Direction
Suzunosuke faces perhaps his wildest foes. This evil gang is lead by a one-eyed birdman and other demonic creatures.
Hanatarō Jumon
Art Direction
Mangorō Tengu
Art Direction
Flowery Hood 2
Art Direction
Sisters of Destiny
Art Direction
Flowery Hood
Art Direction
Iroha Elegy
Art Direction
The Magical Warrior
Art Direction
Rikitaro and Osayo are popular entertainers who throw knives. They are sweethearts. At one day They help Ocho, who is a beautiful pickpocket when she is attacked by Ronin. in Asakusa, However, they come to be surrounded by doubtful Ronin after that. Moreover, Rikitaro is called to stop by Kajima of Edo-Karo of Nihonmatsu-Han. He calls him a young lord and treats Rikitaro as one, because his young lord, Tetsunojo is missing. Kuni-Garo makes a plan to carry out. Kikumaru, the younger brother of the mother difference in him instead of Tetsunojo, Since Rikitaro is just like Tetsunojo, then, they are convinced that it is Tetsunojo of Rikitaro. Rikitaro and Osayo decide to help Kajima and Tetsunojo. Finally they success to crush Kikumarsu's group.
The Magistrate
Art Direction
The Ghost Cat of Ouma Crossing
Art Direction
A kabuki actress is murdered. Her pet cat laps its mistress's blood and becomes a demon possessed by the vengeful murder victim.
The Great White Tiger Platoon
Art Direction
The Great White Tiger Platoon was part of the Aizu clan's last ditch efforts to stop the advance of Imperial troops after the fall of the Tokugawa Shogunate. Meant to be a reserve unit as it was made of the young, 16-17 year old sons of Aizu samurai. Their story is one of the great tragedies of the Boshin War (1868-1869) as they were called into action. Getting cut off from the main body of their platoon, a group of 20 from the 2nd squad retreated to Iimori Hill, where they looked down upon fires surrounding Aizu Castle and thinking that the castle has fallen and all is lost, they choose to die as samurai by committing seppuku. A superb rendition of this true story that shows the true honor of the samurai.
Terrible Ghost Cat of Okazaki
Art Direction
The Lord of Okazaki is killed by his brother-in-law. Although the Lord's widow bears a child, she is also killed. Then, a ghost cat begins stalking in the castle.