Giuseppe Trepiccione

Biasutti and Perbellini have the same name, Fausto, and they both hate life in the big city. They meet by chance during a trip for amateur photographers, become friends and begin to cultivate together the dream of going to live in the countryside, keeping with the fruit of their efforts. When Biasutti inherits his grandmother’s old house in Valvana, in the hills of the north east, the dream can finally become reality: the welcome in the village, however, proves less warm than expected.

El final de la civilización ha llegado. Un padre y su hijo se encuentran entre los supervivientes. El hijo es criado como un niño salvaje, pues su padre considera que es la única forma de sobrevivir. Cuando el padre muere, el hijo decide emprender un viaje a lo largo del río, en busca de alguien que pueda leer el diario que su padre escribió a lo largo de su vida.

Giuseppina Pasqualino di Marineo, better known as Pippa Bacca, was a 34 years old Italian artist. She crossed 11 countries involved in wars, hitchhiking with another Milanese artist, Silvia Moro, both wearing a wedding dress. This was a performance for peace, trust and hoping to prove that if you rely on others, you’ll receive good things only. After travelling many roads, the two artists decided to split for a while in Istanbul, planning to meet again in Byblos. Pippa left then, alone, and nobody heard from her again.

Un misterioso hombre y una mujer dolida se conocen, aparentemente por casualidad, en una fría noche en Tesino, Suiza. Quizás es la soledad compartida la que los une, quizás una oscura proximidad con la muerte. Aún así, esta improbable relación fundada en el secreto y la simulación comienza a dar sus frutos.

Nápoles. Nicola y sus amigos tienen quince años. Quieren ganar dinero, comprar ropa de diseño y motos nuevas. Juegan con armas y recorren la ciudad para hacerse con el poder en el distrito de Sanità. Se aman como una familia, no temen a la cárcel ni a la muerte, sabiendo que su única posibilidad es arriesgarlo todo, ahora. Ellos experimentan la guerra con la irresponsabilidad de la adolescencia, pero sus actividades criminales pronto les llevarán al sacrificio irreversible del amor y la amistad.

We are all equal before the law, but some are just more equal than others.

Dora, raises her two children with the help of her eccentric family, free-spirited best friend, and a charming poet-turned- nanny.

Exclusively made of documentary archive footage, the film captures the parable of the young people who took part in the extra-parliamentary political battles in Italy between 1967 and 1977 and whom, with their passions and dreams as well as their violent acts, followed the idea of a revolution in an attempt to “storm Heaven.”

Young and in prison for theft, Daphne falls in love with Josh, another inmate. Their love story exists through secret letters and fleeting conversations.

2035, United States of Europe. Some humans are not sustainable anymore.

Paolo es un borrachín infeliz deseoso de recuperar a su esposa, que ahora está con otro. De repente irrumpe en su vida Zoran, de 15 años, pariente que proviene de una tía lejana eslovena. “Pero, ¿es tonto?”, pregunta Paolo al notario mirando al joven. La principal cualidad de Zoran es que es infalible con los dardos. Tras una prueba en un club de dardos esloveno, Paolo ve en ese talento una oportunidad de negocio que podría cambiar su vida. Este insoportable chaval medio autista del Este, que él sigue llamando Zagor, podría hacerle rico si ganase los 60.000 euros del premio principal del campeonato mundial de dardos de Glasgow. (FILMAFFINITY)

Rabbi Benjamin Murmelstein (1905-1989) was head of the Jewish Council of the artificial ghetto of Terezín (Theresienstadt in German). The Nazis made him representative of the community destined for extermination. Victim of a tragic contradiction, after the Liberation he was tried and absolved from the accusation of collaborating with the Nazis; he moved to Rome, where he was ostracized by the Jewish community until he died. His son Wolf devoted his life to redeem his image, trying to paint a more complex picture of the role his father played in Terezín. The film reconstructs through the conversation between Wolf and the psychoanalyst David Meghnagi a son's relationship with the memory of his father, between the acceptance, the denial, and the thematization of a common and familiar tragedy.

Rosario Russo, de origen italiano, está perfectamente integrado en su nuevo hogar cerca de Frankfurt, donde dirige un restaurante y un hotel. Pasa desapercibido porque ha cambiado de identidad y habla un perfecto alemán, pero, con todo, su pasado no desaparece. Un día, su hijo Diego, olvidado y prófugo, aparece en la puerta de casa, y su pasado, de repente, vuelve a perseguirle. Ahora la ordenada y próspera vida de Rosario se precipita con memorias del pasado que resurgen y le envuelven.