Mônica Martelli

This film is for those who really miss Paulo Gustavo! 'SON OF A MOTHER' shows the delightful complicity between the actor and Dona Déa, his inspiration to create Dona Hermínia. With never-before-seen footage, the film follows the funny and exciting backstage of the artist's last tour. Get ready to laugh, cry and remember why Paulo Gustavo is unforgettable.

With the help of her best friend, Fernanda now has to deal with the perks of being married, or perhaps unmarried.

With the help of her best friend, Fernanda now has to deal with the perks of being married, or perhaps unmarried.

With the help of her best friend, Fernanda now has to deal with the perks of being married, or perhaps unmarried.

Fernanda, 39 años, periodista, es una mujer ejemplar del tercer milenio, libre en sus elecciones, independiente... y con dificultades de encontrarse un marido. Igual que sus compatriotas, Fernanda dejó a un lado la vida personal para dedicarse a la carrera, y ahora cree que su vida afectiva está en una situación de emergencia. Estar soltera a los 39 es muy distinto de estar soltera a los 29, pues “óvulos tienen fecha de caducidad”.

Fernanda, 39 años, periodista, es una mujer ejemplar del tercer milenio, libre en sus elecciones, independiente... y con dificultades de encontrarse un marido. Igual que sus compatriotas, Fernanda dejó a un lado la vida personal para dedicarse a la carrera, y ahora cree que su vida afectiva está en una situación de emergencia. Estar soltera a los 39 es muy distinto de estar soltera a los 29, pues “óvulos tienen fecha de caducidad”.

Fernanda, 39 años, periodista, es una mujer ejemplar del tercer milenio, libre en sus elecciones, independiente... y con dificultades de encontrarse un marido. Igual que sus compatriotas, Fernanda dejó a un lado la vida personal para dedicarse a la carrera, y ahora cree que su vida afectiva está en una situación de emergencia. Estar soltera a los 39 es muy distinto de estar soltera a los 29, pues “óvulos tienen fecha de caducidad”.

After another spat with her kids, Dona Hermínia decides to take some time off from them and hides away in her aunt's house, where she reminisces about her kids in an age when they still needed her.

Riding High is a psychological thriller about a crime that has become common in today’s Rio de Janeiro. The film takes us into the most dramatic day in the life of Julia, a housewife who is kidnapped in her armored car by Case and Sapeca, two young men from Rio’s slums. What seems at first sight to be a conflict between rich and poor turns into a much more complex plot linking the characters’ past and present.

Olímpia loves her bosses, Inês and Eduardo. Eduardo loves Inês, his wife, who loves Eduardo, her husband. Inês is a friend of Lígia´s, who loves her husband Cristiano. Cristiano loves Lígia, his wife. Vera loves Cláudio, her husband, who doesnt love Vera. Inês thinks that Eduardo is having an affair with Salete, Cristiano thinks that Lígia is having an affair with Ricco, Vera thinks that Cláudio has an affair with Inês and Eduardo thinks that Inês has an affair with Cláudio. The action takes place in a middle class condo where Olímpia, a clumsy maid, carries out the most unbelievable confusions, making everybody believes that love is a game in which one always cheats.

Matteo is a Roman barber whose business is full of debts. He decides to escape from this depressing reality by accepting his sister Angelina's invitation to Brazil.