Amleto Palermi

Alberto es un humilde vendedor de periódicos de Roma, fascinado con la clase alta. Su sueño es llegar a ser uno de esos aristócratas que constantemente observa en los diarios. Finalmente conoce al conde Max, un viejo aristócrata, que le aconseja pasar las vacaciones en Cortina D'Ampezzo, donde él pasaba largas temporadas. Una vez allí, Alberto es confundido con el conde. Remake de "Bajo aristocrático disfraz". (1937) (FILMAFFINITY)

Giovanna leaves her husband and son for a short holiday and casually finds an old boyfriend in trouble.

The noble Pantaleo Di Santa Paola has just died, and the preamble to his will is a confession in which he claims that in his youth he had a relationship with a circus rider that produced twin sons.

The noble Pantaleo Di Santa Paola has just died, and the preamble to his will is a confession in which he claims that in his youth he had a relationship with a circus rider that produced twin sons.

Mastro Agostino Miciacio, zapatero, portero y devoto de San Juan degollado, trata de averiguar quien ha estado robando el aceite que mantiene las velas encendidas al santo. Por otro lado, no aprueba al novio de su hija y se opone a su matrimonio.

Mastro Agostino Miciacio, zapatero, portero y devoto de San Juan degollado, trata de averiguar quien ha estado robando el aceite que mantiene las velas encendidas al santo. Por otro lado, no aprueba al novio de su hija y se opone a su matrimonio.

Seduced and abandonned by her fiance, Maria Ferrante leaves home to avoid any scandal. She is trying to find work and place to stay but one misfortune after another comes into her life Venice Film Festival 1940

Seduced and abandonned by her fiance, Maria Ferrante leaves home to avoid any scandal. She is trying to find work and place to stay but one misfortune after another comes into her life Venice Film Festival 1940

This film was not based on the famous one-act opera of Pietro Mascagni but rather on the original story by the Sicilian writer Giovanni Verga. It's the story of Santuzza, her love Turiddu, and his passion for the married Lola that leads to his death in a duel when Lola's husband Alfio exacts satisfaction.

An aging count courts a beautiful singer who is also wooed by his son-in-law.

Vittorio De Sica, heir to a large sum of money and owner of a newspaper vending stall, makes enough money out of his business to take a vacation at a fashionable resort. He is given a cruise ticket by an aristocrat who is an old school friend, and is mistaken for the aristocrat when he uses a camera that has his friends name on it. Assia Noris plays a maid who falls in love with him because of who he is and not who others think he is. Happy ending comes when De Sica marries Noris, who is more real than the pampered society belles he has been partying with.

It is only the prospect of having a child that draws the otherwise strictly urban new wife, Suzanne, to a family farm, she really doesn't care for the countryside of for her in laws.

Directed by Amleto Palermi

The Confessions of a Woman (Italian: Le confessioni di una donna) is a 1928 Italian silent drama film directed by Amleto Palermi.[1] The film relates a woman falling into high-class prostitution, and her eventual redemption. It is set in Palermo.

Based on the play Henry IV by Luigi Pirandello. Conrad Veidt plays Count di Nolli, a nobleman who, after a head injury, imagines he is the medieval emperor. His friends and relatives choose to play along, dressing up as medieval courtiers, but is di Nolli truly mad, or just pretending? The art direction was by Hermann Warm. It was shot on location in Italy. 6 acts, 1856 meters.

Based on the play Henry IV by Luigi Pirandello. Conrad Veidt plays Count di Nolli, a nobleman who, after a head injury, imagines he is the medieval emperor. His friends and relatives choose to play along, dressing up as medieval courtiers, but is di Nolli truly mad, or just pretending? The art direction was by Hermann Warm. It was shot on location in Italy. 6 acts, 1856 meters.

Carmine Gallone and Amleto Palermi’s The Last Days of Pompeii 1926 stages in sumptuous colour tinting the epic fall of the ancient city buried by Mount Vesuvius’ eruption. Adapted from Edward Bulwer-Lytton’s love story, the film was innovative in its special effects and an early major box-office hit. A beautiful tinted restoration print was prepared using photochemical processes by Centro Sperimentale di Cinematografia-Cineteca Nazionale in the mid-1990s and the premiere screening of the restoration print was held in the amphitheatre in Pompeii, followed by a screening at the major restoration festival ‘Il Cinema Ritrovato’ in Bologna in 1998.

Italian silent film.

A silent precursor to the Indiana Jones adventures. Sydney played a double role as an American billionaire who has robbed a precious jewel from an Eastern temple and as a penniless painter who substitutes the other, not knowing that the Khama devotees are plotting a merciless revenge. Two kind souls, however, are watching over the menaced painter and help him out of many dangers; one is his girlfriend (Dolly Morgan).

Carnevalesca with the beautiful Lydia Borelli is divided in to 4 parts, the white carnival, the innocent and pure childhood, the blue carnival love & youth, the red carnival the violent and destructive passion, the black carnival, death and madness.