Boris Stepantsev
Nacimiento : 1929-12-07, Moscow, RSFSR, USSR [now Russia]
Muerte : 1983-05-21
Historia
Boris Pavlovich Stepantsev (7 December 1929 — 21 May 1983) was a Soviet and Russian animation director, animator, artist and book illustrator, and creative director of the Multtelefilm animation department of the Studio Ekran. As a child Boris Stepantsev (born Stepantsov) fell in love with animated films "because there was nothing funnier in the whole world" and decided to dedicate his life to comedy animation. He graduated from the Moscow Art School and in 1946, right after the end of war, joined animation courses at Soyuzmultfilm where he watched many movies, including films by Disney that served as a major inspiration for him.
[from Wikipedia]
Director
A landmark four disc Box Set - Unearthed from Moscow's legendary Soyuzmultfilm Studios, the 41 films in ANIMATED SOVIET PROPAGANDA span sixty years of Soviet history (1924 - 1984), and have never been available before in the U.S.
Screenplay
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Writer
The fly, flying over the field, found a coin. Pleased with this fact, she went to the bazaar to buy a samovar and invite her friends to celebrate her birthday. But then a misfortune came - a spider burst into the festival and stole our fly. None of the guests decided to join the spider in a duel, except for a small, but brave gnat. Fortunately, everything worked out, and fly and gnat made a harmonious pair.
Director
The fly, flying over the field, found a coin. Pleased with this fact, she went to the bazaar to buy a samovar and invite her friends to celebrate her birthday. But then a misfortune came - a spider burst into the festival and stole our fly. None of the guests decided to join the spider in a duel, except for a small, but brave gnat. Fortunately, everything worked out, and fly and gnat made a harmonious pair.
Screenplay
Short Soviet puppet animation based on Gogol's novel Dead Souls.
Director
Short Soviet puppet animation based on Gogol's novel Dead Souls.
Screenplay
Adaptación animada del cuento de hadas "El Cascanueces y el Rey Ratón", escrito en 1816 por E.T.A. Hoffmann, y convertido en 1892 en el famosísimo ballet "El Cascanueces" por el compositor ruso Tchaikovsky y los coreógrafos Ivanov y Petipa. La joven Marie recibe la noche de Navidad un cascanueces que cobra vida y se convierte en un príncipe encantado, quien la lleva a un reino mágico poblado por muñecas y juguetes en donde deberá derrotar al Rey Ratón, un roedor de muchas cabezas. El film cuenta con la música de Tchaikovsky.
Director
Adaptación animada del cuento de hadas "El Cascanueces y el Rey Ratón", escrito en 1816 por E.T.A. Hoffmann, y convertido en 1892 en el famosísimo ballet "El Cascanueces" por el compositor ruso Tchaikovsky y los coreógrafos Ivanov y Petipa. La joven Marie recibe la noche de Navidad un cascanueces que cobra vida y se convierte en un príncipe encantado, quien la lleva a un reino mágico poblado por muñecas y juguetes en donde deberá derrotar al Rey Ratón, un roedor de muchas cabezas. El film cuenta con la música de Tchaikovsky.
Director
Subtle coloring and an impressionistic approach to landscape distinguish this patriotic animated short set to music. After a flourishing Soviet hamlet is destroyed by Nazi planes, the sole survivor is confronted by a hulking Nazi commando in a tank. The military man tries to cajole the young violinist into repeating a jaunty harmonica melody at gunpoint but the boy strikes up a noble song of resistance instead. Stepantsev's film may romance the idea of martyrdom but it does so with a gravity not often found in similar films.
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Director
A Soviet cult cartoon, so untypical for a Western viewer, especially, a little one. A boy named Malysh ("A Little One") suffers from solitude being the youngest of the three children in a Swedish family. The acute sense of solitude makes him desperately want a dog, but before he gets one, he "invents" a friend - the very Karlson who lives upon the roof. So typical for the Russian culture spirit of mischief, which is, actually, never punished, and the notion that relative welfare not necessarily means happiness made the book by Astrid Lindgren and its TV adaptations tremendously popular in the Soviet Union and nowadays Russia and vice versa - somewhat alienated to the Western reader and viewer (see User's comments below). However, both the book and the cartoon are truly universal - entertaining and funny for the children and thought-provoking and somewhat sad for grownups.
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A paint-on-glass animated film (one of the first of its kind) about a dying falcon and a stupid snake.
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A paint-on-glass animated film (one of the first of its kind) about a dying falcon and a stupid snake.
Director
Director
A schoolboy gets into a fairy tale with the help of a librarian and DIY book. But life in the magical land is not as easy as it seems.
Director
Corto de animación soviético.
Director
A boy finds his way into the Little Red Riding Hood cartoon in order to save the girl from the Big Bad Wolf.
Director
Murzilka sets forth for the known picture of Fyodor Pavlovich Reshetnikov "Again two". A boy considers that two on geography was put him unfairly. Murzilka examines him. Outliving the row of adventures, a student gives one's word to reform.
Director
The fabulous journalist Murzilka, while on vacation, receives a telegram from the magazine's editor-in-chief in which Murzilka is instructed to make a photo portrait of a good boy or child inventor for the cover of the new issue.
Animation
Two dogs, Polkan and Shavka, watched a flock of sheep by the river. Suddenly, they notice a hare, chase after him and run into the forest, where they meet face-to-face with three wolves. Shavka, chickening out, backs away, and the brave Polkan takes the fight. In a fierce fight, he manages to defeat one wolf, but from wounds he loses consciousness.
