Lana Barić

After the death of her father, young scientist Ana struggles with an identity crisis, being the last member of a once large family. The changes inside her are suddenly reflected in reality – loneliness, crisis, emigration – and her scientific research on mystical symbols and human traces left in stone are mysteriously intertwined with her life.

Frustrated by the everyday rut and financial debts, taxi driver Andrija tries to find a way out by selling his family’s house in the country where his brother, a war veteran called Traktor, lives. He invites Traktor to move in with him and his wife Vesna.

Željka is a 40-year-old woman, living a quiet life in an isolated village. An unexpected visit will take her back to the past, shaking up her daily routine.

Željka is a 40-year-old woman, living a quiet life in an isolated village. An unexpected visit will take her back to the past, shaking up her daily routine.

Željka is a 40-year-old woman, living a quiet life in an isolated village. An unexpected visit will take her back to the past, shaking up her daily routine.

Jagoda is leaving her apartment.

After several miscarriages, Tereza's gynecologist, in an attempt to cheer her up, jokes she should try to conceive with a different partner. This remark shakes up her monotonous life and steers it in a new direction.

After several miscarriages, Tereza's gynecologist, in an attempt to cheer her up, jokes she should try to conceive with a different partner. This remark shakes up her monotonous life and steers it in a new direction.

Eva lives cut off from the outside world in het sterile blue apartment. She's allergic to just about everything. Are her allergies caused by a polluting multinational corporation, or is she so sensitive and vulnerable she's making herself ill?

Summer fruits are refreshing but high temperatures can make them go bad.

Zagreb, last days of the year. In an old apartment where every object belongs to the past, Tina is trying to revive the holiday rituals. As New Year's Eve is approaching, festivities and fireworks keep intruding into her private space.

The thematic framework of the anthology feature film DEEP CUTS is violence in all of its forms: as a destruction of intimacy, family, integrity, trust.

While researching or playing a role, an actor decides to quit acting and live the life of their character instead.

Colombian girl, who studies law in France, arrives to Sarajevo in order to write a study about the War Crimes Tribunal. Unexpectedly she finds herself in the center of the intimate tragedy of her new friend, a native woman.

A married couple organizes a travel to Australia for the whole family. They decide to travel by two planes out of the fear of potential plane crash. However, dividing the family in two groups will not be as easy as it seems.

Family tensions are slowly eroding what should have been a carefree summer for the young boy Jakov. A series of events ending in tragedy will incite his emotional revolt against the grown ups, but also his sense of guilt.

The Trampoline is not a romantic love story - it is a film about a powerful and sometimes double-edged love, and the darker side of a mother-daughter bond that has been stretched to breaking point.

One film made by 15 directors, Each one, after seeing the last minute of the previous one.

Three women of different ages and backgrounds meet in the waiting room of an ophthalmologist’s office. Overhearing the conversation of the two older women, the young woman Sasha learns of the tragedy they experienced in the war. The indifference she felt towards them until that moment is replaced by a sense of closeness and connection. However, the chance to share this is irreversibly lost.

Tres hijas, tres padres, tres generaciones, tres perspectivas sobre las relaciones que pueden variar enormemente. La película cuenta varias historias cuyo eje es la lucha por la supervivencia, el perdón y las nuevas oportunidades

Haunted by his dark past, a labourer in a small Croatian village has a series of fateful encounters over the course of a single night.

Can the thread of bad luck, violence and suffering which is braided deeply into the generations of one family be broken? Beba's mother is a woman of poor health and weak character. Beba's father is sullen and violent. Beba's brother is possessive and problematic. Beba's boyfriend is from a correctional institution. Has Beba's daughter any chance to break this vicious circle, has she got any chance to become a beloved, happy person?

Boris is a satisfied fifty-year-old man with a wife, a daughter, a son, and… A lover. Younger one, of course. But he suddenly runs out of luck and thinks up a new plan to get back his harmonic life. However, with each new move he becomes more tangled up in a web of unexpected situations, his baits fall on unforeseen places, and his marital triangle gets more and more angles…

Seventy-year-old teenagers running away from home. They are not running away from their parents, they are running away from the inevitable.

Amra is an attractive and talented teenager living in the outskirts of Zagreb. Her dirty rap music has made her quite popular in the neighborhood. She has plans to shoot a music video, but she is supposed to babysit her sister. Amra is not willing to sacrifice her big chance.

An abused wife leaves her husband, takes her child away and goes to live in a car.

Nine short films are connected into one whole, and they describe life in Croatia's capital of Zagreb.

El filme está compuesto de tres partes, respectivamente tituladas: Reino 1. Infierno; Reino 2: Purgatorio y Reino 3: Paraíso. El infierno, de una duración aproximada de siete u ocho minutos, se compone de distintas imágenes de guerra, sin orden cronológico o histórico. Aviones, tanques, buques de guerra, explosiones, fusilamientos, ejecuciones, poblaciones en fuga, campos devastados, ciudades destruidas, etc. Todo tanto en blanco y negro como en color. Las imágenes quedan mudas, acompañadas por cuatro frases y cuatro músicas (piano). El purgatorio, de aproximadamente una hora de duración, se desarrolla en nuestros días en la ciudad de Sarajevo -mártir entre otras - con ocasión de los Encuentro Europeos del Libro. Se trata de conferencias o de simples conversaciones sobre la necesidad de la poesía, de la imagen de uno mismo y el otro, de Palestina e Israel, etc., (FILMAFFINITY)