Adam Burton

Películas

Rebeca
Manderley Ball Guest
Maximilian De Winter pierde a su esposa Rebeca cuando ésta es dada por muerta después de desaparecer en la costa. Con la intención de olvidar lo sucedido decide ir a Montecarlo, donde conoce a una joven empleada de la señora Van Hooper como dama de compañía. Ambos se enamoran y se casan rápidamente. Cuando se instalan en la mansión de Maxim, Manderley, la joven esposa se da cuenta de que la sombra de Rebeca aún sigue presente en la casa, en el ama de llaves y en los pensamientos de su marido...
Alicia a través del espejo
Goat (uncredited)
En una fiesta en casa de Lord Ascott, Alicia se encuentra con Ábsolem, que ahora es una mariposa monarca azul que ayuda a Alicia a regresar al fantástico mundo de Infratierra, donde encuentra a sus amigos: el Conejo Blanco, el Gato Sonriente, Lirón, la Liebre, los Tweedles y el Sombrerero Loco, pero éste, desafortunadamente, ya no es el mismo: ha perdido su “muchosidad”. Alicia tendrá entonces que ir a ver a Tiempo. Tiempo, una peculiar criatura mitad humano, mitad reloj, vive en un vacío infinito y posee la cronoesfera, una esfera metálica que permitirá a Alicia volver para salvar a la familia del Sombrerero.
Bloody Queens: Elizabeth and Mary
Thomas Randolph
A dramatisation based on the exchange of letters between Mary Queen of Scots and her cousin Elizabeth I, detailing the hatred and obsession in their bitter rivalry. Expert historians examine and interpret the royals' motives for the animosity that lasted more than two decades, and which threatened to tear apart the reigning monarch and her kingdom.
National Theatre Live: Everyman
Goods / Fellowship/Senses & Wits (Passion)
Everyman is successful, popular and riding high when Death comes calling. He is forced to abandon the life he has built and embark on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out. One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, it now explodes onto the stage in a startling production with words by Carol Ann Duffy, Poet Laureate, and movement by Javier De Frutos.
Other Side of the Game
Toby Morris
Tony Cole knows that for the last ten years he's been caught in a downward spiral. Selling drugs was never a crime, but it was never meant to be his career. Now he's frustrated with his mundane daily routine and can no longer live with the constant threat of getting caught. But Tony doesn't realise that his middle class customers will never accept him as anything but a drug dealer and that the criminal underworld will brutally hold onto its own. His plans for a legitimate future go fatally wrong, framing him for both theft and murder. Manipulated by those he trusts and deserted by those he loves, Tony has only twelve hours to save his life. His only choice is to sink deeper into a sordid world in a desperate attempt to claw his way back out.