Brandon Jovanovich

The exhilarating soprano Lise Davidsen makes her Live in HD debut in one of her signature roles, the mythological Greek heroine of Strauss’s enchanting masterpiece. The outstanding cast for this March 12 transmission also features mezzo-soprano Isabel Leonard as the Composer of the opera-within-an-opera around which the plot revolves, with soprano Brenda Rae as the spirited Zerbinetta and tenor Brandon Jovanovich as Ariadne’s lover, the god Bacchus. Marek Janowski conducts. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.

Get ready for Das Rheingold, the first chapter in Richard Wagner’s four-part epic, The Ring of the Nibelung. Travel to a world where gods, giants, and dwarves vie for control over the realms of myths and mortals.

A father’s blinding ambition and a daughter’s profound defiance drive the story forward in the cycle’s dramatic second installment. This Ring production is partly #MeToo, partly environmental—and almost entirely American.

Kristine Opolais “gives a vocally lustrous and achingly vulnerable performance” (New York Times) in the role that helped launch her international career, the mythical Rusalka, who sings the haunting “Song to the Moon.” Director Mary Zimmerman brings her wondrous theatrical imagination to Dvořák’s fairytale of love and longing, rejection and redemption, giving the work “an inspired staging” (Huffington Post). Brandon Jovanovich, Jamie Barton, Katarina Dalayman, and Eric Owens complete “a matchless cast” (New York Times), and Sir Mark Elder conducts “a magnificent rendering of the composer’s lush score (Huffington Post).

The soldier Wozzeck (Christian Gerhaher) flits through a world that he is unable to decipher. The doctor torments him with absurd medical experiments; the captain humiliates and ridicules him. And Wozzeck’s lover, Marie (Gun-Brit Barkmin), with whom he has a child, cuckolds him with the drum major. Wozzeck becomes a murderer, stabbing Marie to death. Georg Büchner’s drama fragment, on which Alban Berg based his first opera, is an unflinching case study of social injustice and human suffering. But it is also a grotesque piece that thrives on exaggeration – and in which only a fine line separates the unfathomable from the ridiculous. Accordingly, director Andreas Homoki forgoes all realism.

It is love at first sight when the knight Walther von Stolzing first meets the goldsmith’s daughter, Eva. But tradition trumps love in 19th-century Nuremberg. Her father has decreed there’s only one way to win Eva’s hand in marriage, and that’s to join Nuremberg’s guild of competitive singers—and beat them all in song.

Traicionado por Vesper, la mujer a la que amaba, 007 se plantea su nueva misión como algo personal. Durante su investigación, Bond y M interrogan a Mr. White, que les revela que la organización que chantajeó a Vesper es mucho más compleja y peligrosa de lo que imaginan. El servicio de inteligencia forense vincula a un traidor del Mi6 con una cuenta bancaria en Haití, donde Bond conoce a la bella pero combativa Camille, una mujer que tiene sus propios motivos para vengarse. Gracias a Camille, Bond descubre la existencia de Dominic Greene, despiadado hombre de negocios y miembro importante de la misteriosa organización.