Friedrich Karl Praetorius

En los años 30, un comediante y actor de cabaret alemán, Hans Zeisig, llega al legendario Hotel Lux, el "paraíso perdido" de Moscú. Allí es confundido con Hansen, el astrólogo personal de Hitler.

Bettina Hinrichs, who owns a flower shop, has been nominated to act as Schöffin (a german version of jury member) at court. Robert Wrengler is accused to have murdered his wife with a letter bomb. Bettina Hinrichs has mixed feelings about her duty: How can she decide who is telling the truth? Should she believe the tears of the bereft widower or the accusations of his brother-in-law? Her life is turned upside down even more when she finds out that a detective is following her and her daughter, uttering threats in case she makes the wrong decision. And what about Peter, the nice guy she met by accident right after the trial started - is he really on her side? Weighed down by doubt, she finds Wrengler guilty - but that's not the end of it all.

A harmless speeding ticket from Italy can sometimes have huge consequences - this experience must make construction manager Otto Schlegel, as he returns after a romantic weekend with his secret lover Renate from the south. There is an election campaign in the city, as no one may allow a misstep. As if that were not enough trouble, Schlegel has a new employee who wants to prove himself as a cover-up: Renate's husband Michael. But the press has already received weather. But the witty Schlegel does not let it get that easy. He struggles to keep his post and his great love Renate ...

Two very different love stories cross each other in warm and magical way. A humanistic and yet mysterious film about love and death near the German/Danish border.

Bea es una joven arqueóloga que empieza a salir con un hombre atractivo y muy atento. No tardará en descubrir que, tras sus atenciones, se esconde una obsesión por acelerar la relación. Así, dos semanas después de iniciar su historia de amor, él le pide matrimonio y no aceptará que su proposición sea rechazada. Bea, por su parte, se siente realmente agobiada y decide dar por terminada la relación...

The Threepenny Opera proclaims itself "an opera for beggars," and it was in fact an attempt both to satirize traditional opera and operetta and to create a new kind of musical theater based on the theories of two young German artists, composer Kurt Weill and poet-playwright Bert Brecht. The show opens with a mock-Baroque overture, a nod to Threepenny's source, The Beggar's Opera, a brilliantly successful parody of Handel's operas written by John Gay in 1728. In a brief prologue following the overture, a shabby figure comes onstage with a barrel organ and launches into a song chronicling the crimes of the notorious bandit and womanizer Macheath, "Mack the Knife." The setting is a fair in Soho (London), just before Queen Victoria's coronation. In this production, Weill champion HK Gruber led the Ensemble Modern in a performance of Weill's complete original score, the first time it had been heard in Germany in many years. This production was broadcast on German television (3sat).

A comedy directed by Franz Josef Gottlieb.

Two pilots fly newly hatched chickens from Germany to Egypt. One of the chickens causes a stir.

The relationship of a married couple in their 40s is broken when the mother has an affair with her teenage daughter's boyfriend.

This film of a glitzy showbiz world by director Peter Keglevic in his first feature-length effort recounts the saga of a married torch singer whose numerous lovers are meant to steady her nerves and a saxophone player who loves her but cannot get his own act together. Singing and cinematography are pluses.

A german movie about witches

En 1925, en Alemania, Fritz Haarmann, es un ladrón homosexual y furtivo, con una licencia especial de la policía. Vende carne en el mercado negro. También mata a los niños y jóvenes, bebe su sangre, cose sus cuerpos y tira sus partes en un río. Ciertamente, lo que vende en el mercado negro es carne humana... Nueva reedición de la historia de "El Vampiro de Düsseldorf", acentuando en este caso su trasfondo de crítica social y explicitando sus elementos sádicos, homosexuales y canibalescos.