How African artists have spread African culture all over the world, especially music, since the harsh years of decolonization, trying to offer a nicer portrait of this amazing continent, historically known for tragic subjects, such as slavery, famine, war and political chaos.
Algeria from above is the first documentary made entirely from the sky on Algeria. Through the eye of the famous Yann Arthus-Bertrand this documentary vividly depicts this great country, and its vibrant cultural and natural treasures. From North to South and from West to East, it shows us the entirety of Algeria, lives in the large hectic coastal cities, Atlas mountains, oases of the Sahara or gentle hills of the Sahel. With a rich past that seems to have crossed all civilizations, and a territory where all natural environments amalgamate, Algeria appears here in all its diversity and its unity.
The movie takes place in a poverty-stricken, rent-controlled neighborhood on the outskirts of Paris. Algerian immigrants, many of whom are in France illegally, the place has earned the nickname of "100%Arabica". It's a rough neighborhood - crime is rampant, gangs of juvenile delinquents roam the streets, and the police are afraid to patrol the area. When the out-of-touch mayor decides that he wants to restore order to the area, he offers a subsidy to Slimane, the imam of the local mosque. If Slimane can get people off the streets, the mayor will continue the payments. Soon the byways of 100%Arabica are almost peaceful - but not because of something Slimane has done. The reason is that a new Rai Band, Rap Oriental, has taken the neighborhood by storm...
Victorine (Grinberg) vive en los suburbios de Marsella y lleva una vida rutinaria y sombría. Sueña con vivir y amar, con que su madre deje de hacer tonterías, con que su padre alcohólico (Marcello Mastroianni) deje de beber. Paul (Oliver Martinez), su primer amor, muere asesinado. Cuando encuentra a Maurice, enseguida tiene dos hijos. Y la vida continúa igual para Victorine.
Algiers. From the port to the souks, passing through the Jardin d'Essai, Dominique Cabrera transports us to the land where she was born, on the other side of the Mediterranean "where the sea is saltier". If most of the pieds-noirs left Algeria in the summer of 1962, some -a minority- remained. By going to meet them, the director makes her own inner journey.
