Mart Kivastik

With his last breath Uu's friend entrusts him with the secret of how to go to the past. Uu is an engineer and doesn't believe in miracles, but the trick works. In the past there is a pleasant, eternal summer, long hair, girls and Jenkki chewing gum. In his real life, it is autumn, his friends are bitter, the girls are married and his father is seriously ill. At the end of the day, however, Uu has to decide in which time to live his life - in the summer of the past or in the autumn of the present.

With his last breath Uu's friend entrusts him with the secret of how to go to the past. Uu is an engineer and doesn't believe in miracles, but the trick works. In the past there is a pleasant, eternal summer, long hair, girls and Jenkki chewing gum. In his real life, it is autumn, his friends are bitter, the girls are married and his father is seriously ill. At the end of the day, however, Uu has to decide in which time to live his life - in the summer of the past or in the autumn of the present.

There are two people who wake up in the same bed one morning, and neither of them has a clue who the other is. Viivi would like to run away and the man is sleeping like a log. Unlike Viivi and Andu themselves, the viewers know both very well. They know that Viivi has the worst day in her life and that Andu is a dweeb, but not completely hopeless; a rather good-hearted man. They are both hopelessly lonely people hoping that maybe there's someone somewhere - So they might as well meet.

There are two people who wake up in the same bed one morning, and neither of them has a clue who the other is. Viivi would like to run away and the man is sleeping like a log. Unlike Viivi and Andu themselves, the viewers know both very well. They know that Viivi has the worst day in her life and that Andu is a dweeb, but not completely hopeless; a rather good-hearted man. They are both hopelessly lonely people hoping that maybe there's someone somewhere - So they might as well meet.

There are two people who wake up in the same bed one morning, and neither of them has a clue who the other is. Viivi would like to run away and the man is sleeping like a log. Unlike Viivi and Andu themselves, the viewers know both very well. They know that Viivi has the worst day in her life and that Andu is a dweeb, but not completely hopeless; a rather good-hearted man. They are both hopelessly lonely people hoping that maybe there's someone somewhere - So they might as well meet.

Mati, a 70-year-old bibliophile, cannot cope with his wife's death. As loneliness and indifference overrun his thoughts, he contemplates suicide until he meets a younger man who sparks his interest in life.

Mati, a 70-year-old bibliophile, cannot cope with his wife's death. As loneliness and indifference overrun his thoughts, he contemplates suicide until he meets a younger man who sparks his interest in life.

Tom, a wide-eyed, innocent sixteen year-old, finds himself an unwitting accomplice in a deadly game of vengeance and death when he befriends Artur - a Chechen man, hell bent on revenging the torture and murder of his family - on the streets of Tallinn.

The first film in the Seto language in the world speaks about the brightest heroine of a small people, the folk singer Hilana Taarka, a woman who lived her whole life as an outcast in a small chimney-less hut; as an unmarried mother of children in poverty, begging her bread, doing odd jobs and singing. She always sang the truth, sometimes bitter, sometimes funny, sometimes cruel. She was feared, despised and coveted. Taarka sang throughout her remarkable life, throughout her fate, from a small Seto village to international fame. And she sang well. Really well. Taarka became the Mother of the Song, a legend. But as a woman, as a member of the community, the Seto people never really accepted her. Taarka - a despised woman and a worshiped singer.