Jiří Weiss

Emil (Vaclav Chalupa as a teen, Ondrej Vetchy as an adult) has been naughty, and his family is at a loss about what to do with him. He's been dallying with the family maid. They decide to ship him off to spend time with his uncle Ernst Michel Piccoli), who married his family maid. The boy has a good relationship with his uncle, and a touching picture of Czech family life just at the advent of World War II emerges. Since Emil and Ernst are both Jewish, they are eventually carted away by the Nazis.

Emil (Vaclav Chalupa as a teen, Ondrej Vetchy as an adult) has been naughty, and his family is at a loss about what to do with him. He's been dallying with the family maid. They decide to ship him off to spend time with his uncle Ernst Michel Piccoli), who married his family maid. The boy has a good relationship with his uncle, and a touching picture of Czech family life just at the advent of World War II emerges. Since Emil and Ernst are both Jewish, they are eventually carted away by the Nazis.

The protagonist (Rudolf Hrusinsky) is a dull, fat, shy government clerk indulging in voyuerism and ego fantasies. In love with another clerk (Kveta Fiolova), he is urged on in his pursuit by a commiserate executive. The story is told in a flashback sequence as the cuckolded Hrusinsky attempts suicide by gassing himself in his bathtub. The "Murder" of the title is not a murder as such, rather the murder that Hrusinsky remembers planning upon discovering his wife's unfaithfulness with his supposed friend and advisor. Both plots failing in his mind, he loses himself in fantastic reveries of his funeral and of hypocritical mourners. ' Deciding (perhaps) that this is not the way out either, he gives up the attempt and imagines a life of reconciliation and eventual affluence.

The protagonist (Rudolf Hrusinsky) is a dull, fat, shy government clerk indulging in voyuerism and ego fantasies. In love with another clerk (Kveta Fiolova), he is urged on in his pursuit by a commiserate executive. The story is told in a flashback sequence as the cuckolded Hrusinsky attempts suicide by gassing himself in his bathtub. The "Murder" of the title is not a murder as such, rather the murder that Hrusinsky remembers planning upon discovering his wife's unfaithfulness with his supposed friend and advisor. Both plots failing in his mind, he loses himself in fantastic reveries of his funeral and of hypocritical mourners. ' Deciding (perhaps) that this is not the way out either, he gives up the attempt and imagines a life of reconciliation and eventual affluence.

The protagonist (Rudolf Hrusinsky) is a dull, fat, shy government clerk indulging in voyuerism and ego fantasies. In love with another clerk (Kveta Fiolova), he is urged on in his pursuit by a commiserate executive. The story is told in a flashback sequence as the cuckolded Hrusinsky attempts suicide by gassing himself in his bathtub. The "Murder" of the title is not a murder as such, rather the murder that Hrusinsky remembers planning upon discovering his wife's unfaithfulness with his supposed friend and advisor. Both plots failing in his mind, he loses himself in fantastic reveries of his funeral and of hypocritical mourners. ' Deciding (perhaps) that this is not the way out either, he gives up the attempt and imagines a life of reconciliation and eventual affluence.

En una tienda de comestibles en Praga, Alena, una atractiva joven, tiene una aventura con Vorell, el gerente de la tienda, un hombre casado. Aunque es plenamente consciente de que Vorell es un sinvergüenza que ha estado robando licor de la tienda, la necesidad física de Alena por él es tan grande que no puede romper su relación. Al llevar a cabo un inventario, se descubre que 80 botellas de brandy contienen té. Cuando los dos auditores de la compañía, Kurka y Bazant, interrogan a los empleados, Alena sale corriendo de la tienda, presa del pánico. Kurka, un hombre intolerante cuyo sentido del deber ha destrozado su matrimonio, inmediatamente culpa a Alena. Cuando Alena, totalmente perturbada, recurre a Vorell para pedirle consejo, este le sugiere con total falta de sensibilidad que asuma ella la culpa, ya que la pondrían en libertad condicional, mientras que él, en caso de ser acusado, sería enviado a prisión...

En una tienda de comestibles en Praga, Alena, una atractiva joven, tiene una aventura con Vorell, el gerente de la tienda, un hombre casado. Aunque es plenamente consciente de que Vorell es un sinvergüenza que ha estado robando licor de la tienda, la necesidad física de Alena por él es tan grande que no puede romper su relación. Al llevar a cabo un inventario, se descubre que 80 botellas de brandy contienen té. Cuando los dos auditores de la compañía, Kurka y Bazant, interrogan a los empleados, Alena sale corriendo de la tienda, presa del pánico. Kurka, un hombre intolerante cuyo sentido del deber ha destrozado su matrimonio, inmediatamente culpa a Alena. Cuando Alena, totalmente perturbada, recurre a Vorell para pedirle consejo, este le sugiere con total falta de sensibilidad que asuma ella la culpa, ya que la pondrían en libertad condicional, mientras que él, en caso de ser acusado, sería enviado a prisión...

En una tienda de comestibles en Praga, Alena, una atractiva joven, tiene una aventura con Vorell, el gerente de la tienda, un hombre casado. Aunque es plenamente consciente de que Vorell es un sinvergüenza que ha estado robando licor de la tienda, la necesidad física de Alena por él es tan grande que no puede romper su relación. Al llevar a cabo un inventario, se descubre que 80 botellas de brandy contienen té. Cuando los dos auditores de la compañía, Kurka y Bazant, interrogan a los empleados, Alena sale corriendo de la tienda, presa del pánico. Kurka, un hombre intolerante cuyo sentido del deber ha destrozado su matrimonio, inmediatamente culpa a Alena. Cuando Alena, totalmente perturbada, recurre a Vorell para pedirle consejo, este le sugiere con total falta de sensibilidad que asuma ella la culpa, ya que la pondrían en libertad condicional, mientras que él, en caso de ser acusado, sería enviado a prisión...

Wandering through the forest, a woodcutter finds a golden fern whose seed turns into a beautiful woman - they fall in love. After getting drunk in a village feast, he gets to sign up to the army. The fairy gives him a shirt to wear and asks him to swear he will never abandon it. At the war front, he falls in love with the the colonel's daughter and will have to perform various feats to get her attention.

Wandering through the forest, a woodcutter finds a golden fern whose seed turns into a beautiful woman - they fall in love. After getting drunk in a village feast, he gets to sign up to the army. The fairy gives him a shirt to wear and asks him to swear he will never abandon it. At the war front, he falls in love with the the colonel's daughter and will have to perform various feats to get her attention.

During his work assignment in Tamani Kingdom, Czech worker Lojza saves a local man from dying in the desert. Two years later, it turns out the saved man was also the Taman king; and he has decided to name Lojza, a communist, his royal heir.

In a remote Slovak village in the closing days of World War II, a schoolteacher and his young wife find a wounded Russian parachutist in their front yard just as the Germans are coming in to occupy their village. As his wife readily becomes involved with anti-Nazi partisans, the schoolteacher collaborates with the Germans in fear.

In a remote Slovak village in the closing days of World War II, a schoolteacher and his young wife find a wounded Russian parachutist in their front yard just as the Germans are coming in to occupy their village. As his wife readily becomes involved with anti-Nazi partisans, the schoolteacher collaborates with the Germans in fear.

Pavel, un joven estudiante que vive en Praga en 1942, decide esconder a Hanka, una chica judía que huye de las fuerzas alemanas, en el ático del edificio en el que vive. (FILMAFFINITY)

Pavel, un joven estudiante que vive en Praga en 1942, decide esconder a Hanka, una chica judía que huye de las fuerzas alemanas, en el ático del edificio en el que vive. (FILMAFFINITY)

The title of this highly-regarded Czech drama translates as Wolf Trap. Set in the 1920s, the story revolves around an ambitious young provincial politician (Miroslav Dolozai) who enters into a marriage of convenience with a smotheringly possessive -- and much older -- woman (Jirina Sejbavola). Hoping to temporarily escape his overbearing wife's clutches, the husband strikes up a friendship with her young ward (Jana Brejchova). The relationship blossoms into a deep abiding love, but the jellyfish husband can't bring himself to declare his ardor to the girl. Even after the death of the wife, the husband hasn't the intestinal fortitude to admit his passion, and the results are bleak indeed for the unfortunate ward. Director Jiri Weiss does a masterful job staging his story of frustration and denial against a backdrop of post-WWI bourgeois banality.

The title of this highly-regarded Czech drama translates as Wolf Trap. Set in the 1920s, the story revolves around an ambitious young provincial politician (Miroslav Dolozai) who enters into a marriage of convenience with a smotheringly possessive -- and much older -- woman (Jirina Sejbavola). Hoping to temporarily escape his overbearing wife's clutches, the husband strikes up a friendship with her young ward (Jana Brejchova). The relationship blossoms into a deep abiding love, but the jellyfish husband can't bring himself to declare his ardor to the girl. Even after the death of the wife, the husband hasn't the intestinal fortitude to admit his passion, and the results are bleak indeed for the unfortunate ward. Director Jiri Weiss does a masterful job staging his story of frustration and denial against a backdrop of post-WWI bourgeois banality.

The title of this highly-regarded Czech drama translates as Wolf Trap. Set in the 1920s, the story revolves around an ambitious young provincial politician (Miroslav Dolozai) who enters into a marriage of convenience with a smotheringly possessive -- and much older -- woman (Jirina Sejbavola). Hoping to temporarily escape his overbearing wife's clutches, the husband strikes up a friendship with her young ward (Jana Brejchova). The relationship blossoms into a deep abiding love, but the jellyfish husband can't bring himself to declare his ardor to the girl. Even after the death of the wife, the husband hasn't the intestinal fortitude to admit his passion, and the results are bleak indeed for the unfortunate ward. Director Jiri Weiss does a masterful job staging his story of frustration and denial against a backdrop of post-WWI bourgeois banality.

A film about a boy who is protective of a runaway dog and the dog, who is protective of the boy.

A film about a boy who is protective of a runaway dog and the dog, who is protective of the boy.

Cold War Spy FIlm

Wild Beasts

Wild Beasts

Czech film tells the story of a border town in World War II. Family members and friends become enemies.

Czech film tells the story of a border town in World War II. Family members and friends become enemies.

The compilation documentary We Will Remain Faithful is a testimony to the Czechoslovak resistance during the Second World War. The film covers the period from the end of the First Czechoslovak Republic to the victorious Allied advance in 1944. Director Jiří Weiss compiled it from archival footage, his own authentic and subsequently staged war footage, and material from both Allied and enemy newsreels.

The compilation documentary We Will Remain Faithful is a testimony to the Czechoslovak resistance during the Second World War. The film covers the period from the end of the First Czechoslovak Republic to the victorious Allied advance in 1944. Director Jiří Weiss compiled it from archival footage, his own authentic and subsequently staged war footage, and material from both Allied and enemy newsreels.

The compilation documentary We Will Remain Faithful is a testimony to the Czechoslovak resistance during the Second World War. The film covers the period from the end of the First Czechoslovak Republic to the victorious Allied advance in 1944. Director Jiří Weiss compiled it from archival footage, his own authentic and subsequently staged war footage, and material from both Allied and enemy newsreels.

A dramatised account of Norwegian fishermen outwitting occupational forces during World War II, directed by Jiří Weiss and written by acclaimed author Laurie Lee.

A documentary edited by Jiří Weiss on the role of Soviet women in the Second World War

A documentary by Jiří Weiss on the Russian Air Force.

A documentary edited by Jiří Weiss on the role of Soviet women in the Second World War

A documentary by Jirí Weiss

In this reportage, film professionals offer the viewers a peek behind the scenes at the Barrandov studios. We see how sets are constructed and we find out what sorts of things are stored in the prop department. The friendly commentary describes the journey from camera negatives to a film on the big screen. We learn about film technology and take a glance into film laboratories and editing rooms. The film also presents unique footage from the filming of The White Disease, namely the dramatic scene with five hundred extras in which the Marshal announces his declaration of war.

In this reportage, film professionals offer the viewers a peek behind the scenes at the Barrandov studios. We see how sets are constructed and we find out what sorts of things are stored in the prop department. The friendly commentary describes the journey from camera negatives to a film on the big screen. We learn about film technology and take a glance into film laboratories and editing rooms. The film also presents unique footage from the filming of The White Disease, namely the dramatic scene with five hundred extras in which the Marshal announces his declaration of war.

In this reportage, film professionals offer the viewers a peek behind the scenes at the Barrandov studios. We see how sets are constructed and we find out what sorts of things are stored in the prop department. The friendly commentary describes the journey from camera negatives to a film on the big screen. We learn about film technology and take a glance into film laboratories and editing rooms. The film also presents unique footage from the filming of The White Disease, namely the dramatic scene with five hundred extras in which the Marshal announces his declaration of war.

Documentary about the people of Subcarpathian Ruthenia.

“The Carpathians are medieval!” one character bellows, and this tale of the tree-chopper Petro, his faithless wife Marijka, and various scheming businessmen and foremen does little to disprove the assertion. Interestingly filmed with a nonprofessional cast recruited from the region, Faithless Marijka may have a neorealist conceit, but its direction is utterly futuristic, filled with the lightning-fast montage techniques and low-angle camera of the Soviet avant-garde (along with its invigorating agitprop).

“The Carpathians are medieval!” one character bellows, and this tale of the tree-chopper Petro, his faithless wife Marijka, and various scheming businessmen and foremen does little to disprove the assertion. Interestingly filmed with a nonprofessional cast recruited from the region, Faithless Marijka may have a neorealist conceit, but its direction is utterly futuristic, filled with the lightning-fast montage techniques and low-angle camera of the Soviet avant-garde (along with its invigorating agitprop).