Irene von Alberti

Rome in 65 AD, Emperor Nero‘s tyrannical regime has reached its zenith, Nero‘s self-indulgence and excessiveness brings up the opposition against him, conspiracies threaten his power. By all means Nero tries to defend his despotic claim of sovereignty. The famous philosopher Seneca has been Nero‘s teacher, mentor and close advisor since childhood, he is significantly involved in his ascent. Nevertheless, Nero gets weary of Seneca and Nero uses a foiled attack on his life to falsely accuse Seneca of being an accomplice.

Contemporary cinema’s preeminent chronicler of architecture and its intersection with the ever-present crisis of 20th-century modernity, Heinz Emigholz returns with an alternately mournful and sly treatise on how the presence—and, in some cases, absence—of municipal and communal building architecture is inseparable from capitalist ideology. Focusing mainly on cities and provinces in Argentina, Germany, and Bolivia, Emigholz’s latest film is a work of quiet observation and historical excavation. From slaughterhouses in Salamone to the flooded former spa city of Epecuén to the newly built Humboldt Forum in Berlin, the film demonstrates the effect of capital on public spaces, where creation and destruction go hand in hand, and as always, Emigholz makes the journey one of intellectual force and cinematic beauty.

His buildings are garish, colorful and completely overloaded. Columns and glittering chandeliers everywhere, and way too much of everything. The Bolivian civil engineer and architect Freddy Mamani Silvestre (*1971) builds houses in El Alto for a nouveau riche upper class of the Aymara, the largest indigenous ethnic group in Bolivia.

An archaeologist and a weapons designer, who knew each other in a previous life as a filmmaker and a psychoanalyst, meet at an excavation site in the Negev desert and begin a conversation about love and war, which they continue in the Israeli city of Be’er Sheva. A series of encounters with alternating actors in different roles ensues, which leads the viewer through the cities of Athens, Berlin, Hong Kong and São Paulo. Among those appearing are: an old artist who meets his younger self; a mother who lives with her two grown-up sons, a priest and a policeman; a Chinese and a Japanese woman; a curator and a cosmologist.

Using unpublished and newly digitalised archive footage and film material, Bettina Böhler has brilliantly assembled this film about the life and work of the exceptional artist Christoph Schlingensief, who died in 2010.

Desesperado, hambriento, aterido de hipotermia y huido de su pelotón, el soldado raso Willi Herold encuentra un uniforme de capitán y decide cambiar su identidad. A partir de entonces actúa como un alto rango en una misión secreta encomendada por el mismísimo Führer. Su suplantación le conducirá a los placeres y los infiernos de su nueva personalidad proactiva, hasta formar un grupo de soldados perdidos que actuarán a sus órdenes sembrando el horror entre la población inocente, actuando con impunidad en su viaje a la degradación moral, el mesianismo nazi y la perversión de la barbarie.

"What is to be done?" three women with artistic and creative professions in temporary living conditions are wondering. They are sharing a flat in an old building close to Berlin Central Station. The area is one of the city's last remaining gaps between buildings. They decide to end their flat share as soon as the first trenches will be dug. With mixed feelings they are heading towards the time when their spontaneous life comes to an end, which means they have to make one or more (life) decisions eventually. The current flat is a symbol for their own life scripts so far: unformed and all bets are off but it already starts to be uncomfortable. They spend the remaining days in their flat with friends, celebrations, discussions and the strong feeling for the dawning of a new era.

Una semblanza del desencanto y del fin del amor a través de dos parejas, dos historias separadas por treinta años. Grecia, 1984. Kenneth, inglés, y Theres, alemana. Mochila al hombro, se ganan su sustento cantando en un parque. Cuando Kenneth tiene que partir porque su madre está en el hospital, algo difícil de recuperar se rompe. Treinta años más tarde, Ariane, actriz de televisión, deja a su marido tras una crisis matrimonial. En el Berlín de 2014, ambas historias confluirán.

“Imagino un espacio aéreo en el que se ha lanzado una bomba, que aún no ha llegado a su blanco, y que ya es imposible detener. Me pregunto qué clase de tiempo existe entre el lanzamiento y la explosión. No es el futuro, pues la destrucción aún no ha tenido lugar. Ni es el pasado, pues todo será destruido en un instante”. Así empieza The Airstrip, y ese instante que describe es el modernismo –auge y caída– del que da cuenta a través de edificios en Berlín, París, Buenos Aires, Brasilia, Saipan, y más. Un film en el que da esquinazo a toda idea preconcebida sobre su serie arquitectónica, y en el que la guerra, lo personal, e incluso el surrealismo, caben

In April of 2013, American singer Patti Smith travels to the grave of French writer Jean Genet in Larache, Morocco. She brings him three stones, which she collected for him over 30 years ago.

The film juxtaposes/compares two museums: The Museum of Art, Ein Harod, Israel, which Samuel Bickels (1909-1975) built there in 1948, and The Menil Collection in Houston, Texas, built by Renzo Piano (b. 1937) 1986 . The method of natural lighting in Bickels‘s construction was the direct model for Piano, who adopted for his construction at the request of its patroness Dominique de Menil.

Charo seems like a typical Berlin teenager. She's a student surrounded by good friends and has her eye on the coolest guy in school. But no one knows that Charo has been living in Germany illegally for years, not even her best friend Laura. Problems start to arise when Charo's mother is caught by the police and wants to take Charo back to Columbia. Charo now needs to trust Laura with her secret because it's the only way she'll be able to fight for her future in Germany.

Amira, an aspiring young dancer, is cast out of her uncle's home in Tangiers when she refuses to either get married or become a housemaid. She finds refuge in the apartment of some girlfriends who earn their living as prostitutes. Pia and Tom, a young German couple, have come to Morocco seeking musical inspiration. When they meet her in a nightclub, Amira's sensual dancing inspires the thought of a potential love triangle that might help stimulate Pia's stagnant relationship with Tom. Amira, with ulterior motives, embraces the idea of an affair with Tom, hoping this might provide an opportunity to change her fate.

Amira, an aspiring young dancer, is cast out of her uncle's home in Tangiers when she refuses to either get married or become a housemaid. She finds refuge in the apartment of some girlfriends who earn their living as prostitutes. Pia and Tom, a young German couple, have come to Morocco seeking musical inspiration. When they meet her in a nightclub, Amira's sensual dancing inspires the thought of a potential love triangle that might help stimulate Pia's stagnant relationship with Tom. Amira, with ulterior motives, embraces the idea of an affair with Tom, hoping this might provide an opportunity to change her fate.

A movie about Berlin

Heinz Emigholz, the premiere purveyor of architectural oddities (Sullivan's Bridges, Goff in the Desert), meticulously documents 15 rooms of the enormous Villa Cargnacco in Lombardy, Italy, designed by proto-fascist poet Gabriele D'Annunzio (1863-1938). The controversial figure spent 17 years designing the Vittoriale, a state museum on Lake Garda, and furnishing the Villa Cargnacco, which is part of the grand complex. This unusual documentary resulted from a photography session in the villa, when four friends--cinematographers Irene von Alberti, Elfi Mikesch, Klaus Wyborny and Heinz Emigholz--simultaneously filmed the rooms and furnishings of the villa in their own specific styles.

The true story of Otomo, a black man seeking work and asylum in the German city of Stuttgart. However, all he finds is racism, police trouble and his final destiny.

Three short films based on short stories by expatriate American novelist Paul Bowles capture the sense of loss and alienation so common in his works. "Merkala Beach" follows the dissolution of a friendship after a pretty face enters the picture; "Call at Corazon" traces a newlywed couple's challenges while cruising up the Amazon River; and "Allal" chronicles the extraordinary transformation of an Indian boy who befriends a cobra.

Three short films based on short stories by expatriate American novelist Paul Bowles capture the sense of loss and alienation so common in his works. "Merkala Beach" follows the dissolution of a friendship after a pretty face enters the picture; "Call at Corazon" traces a newlywed couple's challenges while cruising up the Amazon River; and "Allal" chronicles the extraordinary transformation of an Indian boy who befriends a cobra.

A documentary about the eventful lives of famous Jewish photographers Grete Stern and Ellen Auerbach. The film interweaves artistic, professional and personal aspects.

A documentary about the eventful lives of famous Jewish photographers Grete Stern and Ellen Auerbach. The film interweaves artistic, professional and personal aspects.