K. Shankar

Vetri Vinayagar is 1996 Tamil Hindu devotional film directed by K. Shankar[1][2] and produced by M. Sarojini Devi. The film script was written by K. P. Arivanantham. Its music was composed by M. S. Viswanathan. The film stars K. R. Vijaya, Radha Ravi, Urvasi, Nizhalgal Ravi, and Delhi Ganesh.[3] The film was dubbed in Hindi as Jai Ganesh Deva and Telugu as Om Ganapathi.

Vetri Vinayagar is 1996 Tamil Hindu devotional film directed by K. Shankar[1][2] and produced by M. Sarojini Devi. The film script was written by K. P. Arivanantham. Its music was composed by M. S. Viswanathan. The film stars K. R. Vijaya, Radha Ravi, Urvasi, Nizhalgal Ravi, and Delhi Ganesh.[3] The film was dubbed in Hindi as Jai Ganesh Deva and Telugu as Om Ganapathi.

Vetri Vinayagar is 1996 Tamil Hindu devotional film directed by K. Shankar[1][2] and produced by M. Sarojini Devi. The film script was written by K. P. Arivanantham. Its music was composed by M. S. Viswanathan. The film stars K. R. Vijaya, Radha Ravi, Urvasi, Nizhalgal Ravi, and Delhi Ganesh.[3] The film was dubbed in Hindi as Jai Ganesh Deva and Telugu as Om Ganapathi.

Meenatchi Thiruvilaiyadal

Velundu Vinaiyillai (Tamil: வேலுண்டு வினையில்லை) is a 1987 Indian Tamil film, directed by K. Shankar and produced by S. Valliammai. The film stars Vijayakanth, Ambika, M. N. Nambiar and Jaiganesh in lead roles. The film had musical score by M. S. Viswanathan.

Raja Rishi is a 1985 Indian Tamil film directed by K. Shankar and produced by N. Sakunthala. The film stars Sivaji Ganesan, Prabhu Ganesan, M. N. Nambiar and Nalini in lead roles. There is a touching scene where moved by the penance of Sage Vishvamitra, formerly King Kaushika; God Shiva grants him the status of brahmarishi and totally compassionate, Rajarishi sings the Gayatri Mantra.

Miruthanga Chakravarthi is a 1983 Indian Tamil film, directed by K. Shankar and produced by Sakunthala N. The film stars Sivaji Ganesan, K. R. Vijaya, Prabhu and M. N. Nambiar in lead roles. The film had musical score by M. S. Viswanathan.

Bala Nagamma is a 1981 Telugu and Tamil Indian feature film directed by K. Shankar for A.Khader's K.B.Creations. The film stars Sarath Babu and Sridevi in the lead roles.

Mangala Vaathiyam is a 1979 Indian Tamil-language film, directed by K. Shankar and produced by Gopikrishnan son of M. S. Viswanathan. The film stars Kamal Haasan, Sripriya, Y. G. Mahendran and Nagesh in lead roles. The film had musical score by M. S. Viswanathan.

Because it was humbled that by his betrothed, Murugan a nice provincial, puts itself to find in the capital, an even more beautiful and more intelligent wife who will be the liked for what he is : A simple man of the campaign. He will not be at the end of his surprises but will finally find the one person in a million of the name of Mainaga.

Because it was humbled that by his betrothed, Murugan a nice provincial, puts itself to find in the capital, an even more beautiful and more intelligent wife who will be the liked for what he is : A simple man of the campaign. He will not be at the end of his surprises but will finally find the one person in a million of the name of Mainaga.

Rangan is a servant at the house of Nagalingam, a rich and ruthless man. While he strives to fight against his employer's misdeeds, the latter's sister falls in love with him.

Rangan is a servant at the house of Nagalingam, a rich and ruthless man. While he strives to fight against his employer's misdeeds, the latter's sister falls in love with him.

1975 film from India

Brothers Moti and Raja share a joint household until Moti's wife gets Raja thrown out.

Brothers Moti and Raja share a joint household until Moti's wife gets Raja thrown out.

A rickshaw puller tries to save an innocent college girl from being trafficked by an evil man, who is protected by a corrupt lawyer. In the process of doing so, he stumbles upon several dark secrets.

In this musical melodrama from 1972, optimistic and determined truck driver Shehzada (Rajesh Khanna) sets out to prove that his mother deserves to be accepted back into the wealthy family that drove her away decades ago. With help from his soon-to-be wife, Chanda (Rakhee Gulzar), Shehzada embarks on a mission to reverse his maternal grandmother's cruel decision to disown her own daughter. Karan Dewan, Madan Puri and Pandharibai co-star.

In this musical melodrama from 1972, optimistic and determined truck driver Shehzada (Rajesh Khanna) sets out to prove that his mother deserves to be accepted back into the wealthy family that drove her away decades ago. With help from his soon-to-be wife, Chanda (Rakhee Gulzar), Shehzada embarks on a mission to reverse his maternal grandmother's cruel decision to disown her own daughter. Karan Dewan, Madan Puri and Pandharibai co-star.

A man, desperate to earn money, lies to his wealthy employer that he is not married. His boss' daughter, who was unwell, gets better and eventually falls in love with him. Trouble begins when the wife and kids arrive at the village.

Bandgi is a 1972 Bollywood romance film directed by K. Shankar. The film stars Vinod Mehra & Sandhya Roy in lead roles.

Hindi language film from 1971

An evil man kills Vengaiyan's father and enslaves all his people. Vengaiyan is ignorant and wild but Jeeva helps him evolve into a valiant and wise man, who then swears to right his people.

Ashok and Kishore are two roommates living in a hostel. While Ashok takes to crime and dishonesty, Kishore is honest to a fault. When Kishore finds that his dad has been taking bribes, he leaves home angrily. Ashok and he disagree on a number of issues, mainly involving honesty, and both agree to meet each other after a period of three years, and see what life has had an effect for them.

Ashok and Kishore are two roommates living in a hostel. While Ashok takes to crime and dishonesty, Kishore is honest to a fault. When Kishore finds that his dad has been taking bribes, he leaves home angrily. Ashok and he disagree on a number of issues, mainly involving honesty, and both agree to meet each other after a period of three years, and see what life has had an effect for them.

Sekhar is separated from his twin, Anand, after getting abducted and grows up to be a criminal. When Sekhar is injured in an encounter, the police ask Anand to impersonate him and bring down his gang.

Sekhar is separated from his twin, Anand, after getting abducted and grows up to be a criminal. When Sekhar is injured in an encounter, the police ask Anand to impersonate him and bring down his gang.

Indian film starring Jaishankar, Manorama and Muthuraman

Prince Bhanu Pratap returns from a decade in a foreign country, together with his friend Kapil. His father, the King (Raja)has married again after Bhanu Pratap's mother passed away, and has a son by his new wife Maharani (Queen) Kalavanti. The Queen's brother Narpat Singh has designs upon the throne and enrols his sister the Maharani in his plot, by promising to unseat Bhanu Pratap and install her son as the heir. Prince Bhanu Singh has been tipped off, so he starts to behave like a CLOWN prince, instead of acting as the CROWN prince, in an attempt to flush out the schemers. This is a complex story of Royalty in India, in the post Independence (from the British) era, before democracy took root. It is a story of love, Indian values and to some extent superstitions and the conflict between values, superstition and modern views of the world they lived in.

Ramdas is a trusting individual, and trusts everybody around him. When times turn bad for him, he entrusts the life of his son, Bansi, to his trusted employee, Ronaklal, and departs. He regularly sends money to Ronaklal to provide for the upkeep of his son, but Ronaklal uses this money to educate his son, Deepak, keeps Bansi uneducated, and makes him do a lot of manual work. Years pass by, Ronaklal is now crippled, and is dependent on Bansi, as Deepak has left him, got married to a wealthy girl, and lives with his in-laws. Ronaklal is unable to show his face to Ramdas, and avoids him, and Bansi has grown up without knowing who his real father is. Will Ronaklal be able to tell Ramdas the truth when he returns, or will be just let Deepak be the sole heir to all the estate and the property?

Aalayamani is a tale of possessiveness and distrust towards one's partner and the eventual redemption by sacrifice. The story is an essential interplay of feelings and the shadows cast upon by darker feelings of one person and the effect it produces on himself and in his immediate circle of friends and family.

Raja, the son of a rich man who was cheated of his wealth by Jambu, grows up in an orphanage. He becomes a famous poet in the city with the help of Jambu's family, unaware of his past.

Raja, the son of a rich man who was cheated of his wealth by Jambu, grows up in an orphanage. He becomes a famous poet in the city with the help of Jambu's family, unaware of his past.

Paadha Kaanikkai (English: Offering to the feet) is a 1962 Tamil-language drama film directed by K. Shankar. The film features Gemini Ganesan, Savitri, M. R. Radha and Kamal Haasan in lead roles. The film, produced by G. N. Velumani, had musical score by Viswanathan–Ramamoorthy and was released on 28 September 1962.

Paadha Kaanikkai (English: Offering to the feet) is a 1962 Tamil-language drama film directed by K. Shankar. The film features Gemini Ganesan, Savitri, M. R. Radha and Kamal Haasan in lead roles. The film, produced by G. N. Velumani, had musical score by Viswanathan–Ramamoorthy and was released on 28 September 1962.

Dr. Arun lives with his brother, Madhu; dad Judge Ramkrishan; and mom Kamla in a palatial house. He decides to help the poor and the needy and in order to do this he re-locates to a small town, where he meets with a young nurse named Sumati and both fall in love with each other. Sumati lives with her mom, Laxmi, and has no father. When Kamla starts looking for a prospective bride for Arun, he informs her that he has given his heart to Sumati. Ramkrishan sends for Laxmi, who gladly accepts the invitation. After her meeting, Arun inquires about the results with his mom and dad, and is told to forget about Sumati and marry someone else. When Arun asks for a reason behind their refusal, they refuse to divulge any information. The question remains, why did his parents turn down Sumati's mom, and what exactly happened during that meeting with her?

Dr. Arun lives with his brother, Madhu; dad Judge Ramkrishan; and mom Kamla in a palatial house. He decides to help the poor and the needy and in order to do this he re-locates to a small town, where he meets with a young nurse named Sumati and both fall in love with each other. Sumati lives with her mom, Laxmi, and has no father. When Kamla starts looking for a prospective bride for Arun, he informs her that he has given his heart to Sumati. Ramkrishan sends for Laxmi, who gladly accepts the invitation. After her meeting, Arun inquires about the results with his mom and dad, and is told to forget about Sumati and marry someone else. When Arun asks for a reason behind their refusal, they refuse to divulge any information. The question remains, why did his parents turn down Sumati's mom, and what exactly happened during that meeting with her?

After Kattabomman's execution at Kayattar, his brother, Oomadurai, becomes the ruler of the town Sivaganga. Seeing this as an opportunity, the British attack and invade the town with a powerful army.

After Kattabomman's execution at Kayattar, his brother, Oomadurai, becomes the ruler of the town Sivaganga. Seeing this as an opportunity, the British attack and invade the town with a powerful army.

The story is based on the Sthala Purana of Gokarna Kshetram in Karnataka

The story is based on the Sthala Purana of Gokarna Kshetram in Karnataka

The story is based on the Sthala Purana of Gokarna Kshetram in Karnataka

R.K. Raju, a private investigator is assigned the task of locating the missing daughter of a wealthy Hindu couple. His investigation take him to different locales, and he comes across Miss Mary, the girl closely resembling the one he is looking for.

Telugu film from 1954

A thief breaks into a wealthy man's house unaware that the man is his father, who had abandoned his mother and him a long time ago.