Ming Jin Woo

Zahara (Asmara Abigail), a stateless refugee, lives on a small remote island in Malaysia, where she makes a living selling turtle eggs. One day, Samad (Bront Palarae), claiming to be a university researcher, visits the island, wanting to employ Zahara to show him around. As the day goes on, Zahara and Samad become entangled in a dangerous dance of duplicity and deception.

Zahara (Asmara Abigail), a stateless refugee, lives on a small remote island in Malaysia, where she makes a living selling turtle eggs. One day, Samad (Bront Palarae), claiming to be a university researcher, visits the island, wanting to employ Zahara to show him around. As the day goes on, Zahara and Samad become entangled in a dangerous dance of duplicity and deception.

Zahara (Asmara Abigail), a stateless refugee, lives on a small remote island in Malaysia, where she makes a living selling turtle eggs. One day, Samad (Bront Palarae), claiming to be a university researcher, visits the island, wanting to employ Zahara to show him around. As the day goes on, Zahara and Samad become entangled in a dangerous dance of duplicity and deception.

Moon Lee, a celebrated award-winning actress, has become a full-time mom and divorcée since retiring. Desperate to regain her sense of self, she jumps at the chance to work with her long-time collaborator, director Roger Woo, again. Only this time, he casts her as the lead in a do-your-own stunts martial arts film. The role requires extensive training and though Moon is at first uncertain, she leaves her young son in the care of Roger’s assistant and commits herself to back-breaking training. As soon as she starts to gain some confidence, Roger breaks the news to her: the only way the film can move ahead is to cast her ex-husband, Julliard, as the male lead.

After Hassan discovers Zidik living alone on the streets, he takes him in and cares for him like a son. Zidik now works together with Hassan in the junkyard but both men are stuck in the past. 15 years ago, they lost their loved ones to a virus that turned people violent. Hassan often "forgets" that the virus killed his wife, while Zidik still remembers his sister attacking his mother and his father sacrificing himself to save Zidik. He also often thinks of Zooey, the girl he met at the orphanage he briefly stayed at before being kicked out by the evil Kak Lily. Meanwhile, Dr. Rahman, a disgraced scientist who previously managed to contain the virus, manufactures a new strain of zombie virus to create chaos. Amid this new zombie outbreak, Zidik encounters a zombified Zooey who tries to attack him but she slowly begins to remember who he is. Zidik then gets taken prisoner by Dr. Rahman when the doctor discovers that he is immune to the virus.

Local filmmaker Woo Ming Jin and his crew traversed across Peninsular Malaysia and Singapore to find 'Seruan Merdeka' (1947) - the first film made in Malaya post-WWII, and also the first film in the history of Malaysian cinema to feature a biracial cast of Malays and Chinese. While tracking the film's whereabouts, Woo met many locals along the way, whom he interviewed in an effort to find out more about the country's history.

Local filmmaker Woo Ming Jin and his crew traversed across Peninsular Malaysia and Singapore to find 'Seruan Merdeka' (1947) - the first film made in Malaya post-WWII, and also the first film in the history of Malaysian cinema to feature a biracial cast of Malays and Chinese. While tracking the film's whereabouts, Woo met many locals along the way, whom he interviewed in an effort to find out more about the country's history.

Local filmmaker Woo Ming Jin and his crew traversed across Peninsular Malaysia and Singapore to find 'Seruan Merdeka' (1947) - the first film made in Malaya post-WWII, and also the first film in the history of Malaysian cinema to feature a biracial cast of Malays and Chinese. While tracking the film's whereabouts, Woo met many locals along the way, whom he interviewed in an effort to find out more about the country's history.

Local filmmaker Woo Ming Jin and his crew traversed across Peninsular Malaysia and Singapore to find 'Seruan Merdeka' (1947) - the first film made in Malaya post-WWII, and also the first film in the history of Malaysian cinema to feature a biracial cast of Malays and Chinese. While tracking the film's whereabouts, Woo met many locals along the way, whom he interviewed in an effort to find out more about the country's history.

When a rare earth plant is being built near a coastal town, its inhabitants fall into despair, fearful of its radioactive effects.

Village chief Tan is busy. His wife and best friend Lai have mysteriously disappeared and an undocumented worker is dead. While awaiting their return, Tan and Lai's daughter, Sandy, develop an unlikely friendship that opens old wounds and examines the nature of love and regret.

Village chief Tan is busy. His wife and best friend Lai have mysteriously disappeared and an undocumented worker is dead. While awaiting their return, Tan and Lai's daughter, Sandy, develop an unlikely friendship that opens old wounds and examines the nature of love and regret.

Village chief Tan is busy. His wife and best friend Lai have mysteriously disappeared and an undocumented worker is dead. While awaiting their return, Tan and Lai's daughter, Sandy, develop an unlikely friendship that opens old wounds and examines the nature of love and regret.

On his 21st birthday, MJ (Shaheizy Sam) was given his father’s trust to inherit their family’s Mamak restaurant empire. That means, MJ has to choose between his family business or following his own dream in opening a cupcake bakery.

An adaptation of the FIXI novel "Zombijaya" by Adib Zaini. The novel itself is inspired by AMC's television drama series "The Walking Dead". The film tells the tale of slacker Nipis who becomes a reluctant hero when a zombie outbreak robs him of the only life he knows.

A woman meets another identical to her...

A woman meets another identical to her...

An anthology of one-minute films created by 60 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

An anthology of one-minute films created by 60 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

A fisherman, a young mother, and a hallucination.

Members of a movie a production team are threatened by a vengeful entity.

Members of a movie a production team are threatened by a vengeful entity.

Unhappy farm worker Mei borrows some money from her boyfriend Seng, boards a ship to Japan and leaves him broken-hearted. But when she is deported, it is Seng that greets her at the harbour for a night of bitter reflection.

Unhappy farm worker Mei borrows some money from her boyfriend Seng, boards a ship to Japan and leaves him broken-hearted. But when she is deported, it is Seng that greets her at the harbour for a night of bitter reflection.

Ping Ping is 19 and wants to go to Japan to work in a car parts company. She's under the guardianship of her aunt, Madame Tien, who shuffles her between two jobs - working in a pig farm, and cleaning dishes in a rundown restaurant. Tien is also involved in a 'baby factory' scheme, pairing young women with migrant workers and then selling the babies for money. Both survive with each other in a love-hate symbiotic manner, until a truth about her aunt is revealed to Ping Ping.

Ping Ping is 19 and wants to go to Japan to work in a car parts company. She's under the guardianship of her aunt, Madame Tien, who shuffles her between two jobs - working in a pig farm, and cleaning dishes in a rundown restaurant. Tien is also involved in a 'baby factory' scheme, pairing young women with migrant workers and then selling the babies for money. Both survive with each other in a love-hate symbiotic manner, until a truth about her aunt is revealed to Ping Ping.

Ping Ping is 19 and wants to go to Japan to work in a car parts company. She's under the guardianship of her aunt, Madame Tien, who shuffles her between two jobs - working in a pig farm, and cleaning dishes in a rundown restaurant. Tien is also involved in a 'baby factory' scheme, pairing young women with migrant workers and then selling the babies for money. Both survive with each other in a love-hate symbiotic manner, until a truth about her aunt is revealed to Ping Ping.

Father and son wrestle with love in a small Malaysian fishing village. While father looks up an old lover he should have married years ago, his son faces a dilemma. Will he choose the girl he’s in love with, or the daughter of his boss?

Father and son wrestle with love in a small Malaysian fishing village. While father looks up an old lover he should have married years ago, his son faces a dilemma. Will he choose the girl he’s in love with, or the daughter of his boss?

Father and son wrestle with love in a small Malaysian fishing village. While father looks up an old lover he should have married years ago, his son faces a dilemma. Will he choose the girl he’s in love with, or the daughter of his boss?

At an isolated fishing village of Malaysia, a woman’s relationship with her young daughter descends into a path of self-destruction and abuse when she begins to receive a series of strange and mysterious letters from her long-absent husband.

We often fall in love first, and then look for reasons, to justify why we love someone. To ask "why you love me?", is as silly as to ask "why you don't love me?". There is no reason, and there is no logic.

Fifteen short films with socio-economic subject matter by 15 directors of Malaysia's "New Wave" and "No Wave." 15Malaysia is a short film project. It consists of 15 short films made by 15 Malaysian filmmakers. These films not only deal with socio-political issues in Malaysia, they also feature some of the best-known faces in the country, including actors, musicians and top political leaders. You may think of them as funky little films made by 15 Malaysian voices for the people of Malaysia.

Follows the everyday life of Ali, a 15-year-old boy who has to come to terms with growing up with a single father and a nosey neighbour, seemingly eyeing for his affection. With the arrival of a new teacher, Miss Liew, Ali finds himself developing a crush on her. At the same time, he and his best friend, Hassan experience the awkward stage of being a teenager, spending their day fishing and getting bullied, and learning to deal with that.

Follows the everyday life of Ali, a 15-year-old boy who has to come to terms with growing up with a single father and a nosey neighbour, seemingly eyeing for his affection. With the arrival of a new teacher, Miss Liew, Ali finds himself developing a crush on her. At the same time, he and his best friend, Hassan experience the awkward stage of being a teenager, spending their day fishing and getting bullied, and learning to deal with that.

Follows the everyday life of Ali, a 15-year-old boy who has to come to terms with growing up with a single father and a nosey neighbour, seemingly eyeing for his affection. With the arrival of a new teacher, Miss Liew, Ali finds himself developing a crush on her. At the same time, he and his best friend, Hassan experience the awkward stage of being a teenager, spending their day fishing and getting bullied, and learning to deal with that.

Two men -- one elderly, one in his twenties -- are touched by tragedies linked to a single source in this drama from Malaysian filmmaker Woo Ming Jin.

Two men -- one elderly, one in his twenties -- are touched by tragedies linked to a single source in this drama from Malaysian filmmaker Woo Ming Jin.

A short burlesque. A playful film that doesn't only play with colour and vertigo. Albert is a security man and that isn't always an exciting job. Sometimes he enjoys the view from the roof of the building. A blue roof. One day a burglar manages to escape his attention and he gets the sack. The blue roof calls.

A group of men arrested for the terrorist bombing of a nightclub have to reenact their actions for the police and media.

A group of men arrested for the terrorist bombing of a nightclub have to reenact their actions for the police and media.

"Catching The Sea" is a 2005 short film by Woo Ming Jin about the lives of several people in a village after a mysterious disease strikes and kills their loved ones. Set in a dilapidating fishing island, the film is about reconciling death and moving on with life. A prequel/spin-off for Woo Ming Jin's subsequent feature "The Elephant and The Sea."

A group of men arrested for the terrorist bombing of a nightclub have to reenact their actions for the police and media.

In this black comedy about the disintegration of a love affair, a young woman's loneliness in the midst of Kuala Lumpur's metropolitan sprawl triggers a tenuous relationship with a naïve salesman who has a tendency to please and over-emote.

In this black comedy about the disintegration of a love affair, a young woman's loneliness in the midst of Kuala Lumpur's metropolitan sprawl triggers a tenuous relationship with a naïve salesman who has a tendency to please and over-emote.

A frustrated con-man is on the verge of befriending an equally lonely mute salesgirl.

A frustrated con-man is on the verge of befriending an equally lonely mute salesgirl.

Set against the backdrop of the violent Memali Incident in 1985. This psychological thriller is about a visiting handyman and his young daughter who experience mysterious visions in a remote village amid the fatal police raid against fundamentalists.