Emil Larsson

Suecia, 1849. Una familia sumida en la pobreza decide trasladarse a América con la esperanza de encontrar una vida mejor y más próspera. Aunque saben que el viaje será peligroso y grande la presión de enfrentarse a una nueva vida en una tierra extraña y salvaje, están decididos a triunfar.

Un artista ha escogido a un famoso actor masculino para que juntos, en el contexto de un largometraje, se deconstruyan a sí mismos y a sus papeles invasivos. Se involucran en un juego sin límites con su entorno en una exploración de la identidad, masculina y femenina.

Elvira va a un campamento de verano y está muerta de miedo de no hacer amigos. También comienzan a suceder cosas misteriosas, cosas que no se pueden explicar... a menos que creas en fantasmas.

Elvira va a un campamento de verano y está muerta de miedo de no hacer amigos. También comienzan a suceder cosas misteriosas, cosas que no se pueden explicar... a menos que creas en fantasmas.

Pottan is going to a riding camp, but ends up at a recycling center where she is taken care of by the strange staff. One day Pottan finds out that the staff are building a space rocket.

This deeply insightful drama traces the events of one sweltering Swedish summer, when the bond between an adolescent girl and her older neighbour frays as their relationship comes under the scrutiny of those who can't understand what they share.

There was a double homicide on the forgotten Swedish countryside several years ago. Two angry young men beat two young women to death, seemingly without any particular reason. The years passed but the images in our heads did not disappear. We tried to forget it, wrote screenplay after screenplay, but we always came back to those murders, and to telling the story about a part of Sweden that we never read about in newspapers, and that is populated by people whose thoughts and destinies rarely reaches beyond their village.

There was a double homicide on the forgotten Swedish countryside several years ago. Two angry young men beat two young women to death, seemingly without any particular reason. The years passed but the images in our heads did not disappear. We tried to forget it, wrote screenplay after screenplay, but we always came back to those murders, and to telling the story about a part of Sweden that we never read about in newspapers, and that is populated by people whose thoughts and destinies rarely reaches beyond their village.

There was a double homicide on the forgotten Swedish countryside several years ago. Two angry young men beat two young women to death, seemingly without any particular reason. The years passed but the images in our heads did not disappear. We tried to forget it, wrote screenplay after screenplay, but we always came back to those murders, and to telling the story about a part of Sweden that we never read about in newspapers, and that is populated by people whose thoughts and destinies rarely reaches beyond their village.

Niklas left the love of his life, Maja and years after they meet again.

Fourteen-year-old Emma goes to a party with friends of her brother's and ends up passed out on a bed with an older boy who takes advantage of the situation. Later her brother Markus senses that something is wrong, but Emma keeps her thoughts to herself. She has trouble dealing with her own emotions. But then she meets Aron, an easy-going guy who spends his days on a skateboard.

A documentary about young freelance foreign correspondents, stringers, in Eritrea. Without much journalistic experience, they will report on the war between Eritrea and Ethiopia to a not very interested world. As stringers, they only get paid per item or article. The film provides a unique insight into the war correspondent's everyday life. The fight against local bureaucrats and the corpses that remain on the battlefield, extreme stress alternated with long times of waiting. A movie by Patrick Bratt.