Bliss Chevalier

Nacimiento : 1865-11-15,

Muerte : 1951-07-25

Películas

El Chico
Extra in Wedding Scene (uncredited)
Una mujer londinense, sumamente pobre, se ve en la necesidad de abandonar a su hijo en una casa de millonarios, aunque por una serie de circustancias el niño terminará siendo cuidado por un vagabundo que se convierte así en su padre. Cinco años después, y con la madre convertida en una popular cantante, el destino tratará de separarlos...
You Can't Believe Everything
Mrs. Morton Danforth
Patricia Reynolds, the belle of the summer resort she is visiting with her friend, Amy Powellson, attracts the attention of Arthur Kirby, whom Amy loves. On an evening drive, Arthur tries to kiss Patricia , whereupon she leaps from the car and walks home. While Amy, disguised in Patricia 's clothing, accompanies Arthur to a roadhouse, Patricia , walking near the beach, sees her invalid friend, Jim Wheeler, jump into the ocean intending to kill himself. After rescuing him, Patricia persuades Jim to visit a specialist, but when she later is accused of spending the night with Arthur, she refuses to defend herself in order to conceal Jim's attempted suicide.
Betty Takes a Hand
Mrs. Hamilton Hines
Discovering that her father, Peter Marshall, had been defrauded by a business partner named James Bartlett, Betty goes to Los Angeles to visit her aunt, Mrs. Hamilton Haines, whose late husband had a hand in ruining Peter. Tom, Bartlett's son, has arranged a yachting trip for Mrs. Haines and her daughter Ida, and Ida, deciding that her cousin is too pretty to come along, persuades Betty to stay behind. Tom, on the way to the yacht after a quarrel with his father, passes the Haines mansion and, noticing a sign advertising room and board, stops. Meeting Betty who is posing as Miss Haines, Tom moves in and falls in love with his landlady. When Betty accidentally meets Tom's father, the old man is so captivated that he offers her $5,000 to marry his son. After Tom and Betty are married, when both fathers discover their in-laws' true identities they are first indignant but later are reconciled.