Cinematography
Blurring the line between fiction and reality, aspiring fashion photographer Shawn Regruto--obsessed with documenting every part of his life--assembles his personal and professional home-video footage into a feature film. Ironically, amidst this fast-paced environment of New York's nightlife scene, is the purest of love stories between Shawn and Athena, an accomplished model in her own right, who becomes the focus of Shawn's story. As the tale unfolds, the chronicle reveals the darker side of a world where young people are exposed to glamour and fortune at an early age, in ways that often lead them down a path of self-destruction. Part documentary, part autobiography, part reality TV, Shawn's film serves as a behind-the-scenes exploration of the glamorous, reckless life of Manhattan's young and beautiful, caught up in a metropolis of drugs, clubs, and fashion models.
Director of Photography
Película dirigida por Al Pacino basada en la obra de Shakespeare, “Ricardo III”. ‘Looking for Richard’ es una historia sencilla cuya intriga no pasa desapercibida. Una exploración sobre la mente de Shakespeare y su significado. Un viaje a Inglaterra permite conocer el lugar de nacimiento de Shakespeare y algunos rasgos significativos sobre la vida del escritor.
Director
A documentary following Christy Turlington and other models during spring fashion week in Milan, Paris and New York.
Director of Photography
Documental sobre el mundo de la moda, en especial sobre Isaac Mizrahi y la presentación de su colección de otoño en 1994. En él aparecen las top model de los años 90: Kate Moss, Linda Evangelista, Cindy Crawford, Naomi Campbell, Christy Turlington, etc.
Sound
A pioneer in the world of rock-'n'-roll guitar, Chuck Berry has created a legacy that spans decades. Berry performs some of his greatest hits and all-time favorites in this concert video that was filmed on September 13, 1969 at 'Toronto Rock'n'Roll Revival.' The Concert includes the songs "Rock and Roll Music," "Long Live Rock and Roll," "Johnny B. Goode," "Promised Land," "Carol," "Hoochie Koochie Man," "Maybellene," "Too Much Monkey Business," "Reelin' and Rockin'," "Sweet Little Sixteen" and "In the Wee, Wee Hours."
Director of Photography
Documental que se acerca a singulares momentos de la vida profesional y privada de la famosa cantante pop durante la "Blonde Ambition" Tour de 1990. (FILMAFFINITY)
Director of Photography
A humourous telling of the history of the comic book superhero.
Director of Photography
Penn & Teller's Cruel Tricks for Dear Friends is a straight-to-video release by magicians Penn & Teller on Lorimar Home Video in 1987. The tape features seven different swindles or tricks that the home viewer can use to fool their friends. The tape was a companion piece to their best selling book of the same name. All of the tricks involve using a portion of the videotape.
Cinematography
Documentary about the famed Hollywood director.
Camera Operator
The Concert in Central Park is a live album by Simon & Garfunkel. On September 19, 1981 the folk-rock duo reunited for a free concert on the Great Lawn of New York's Central Park attended by more than 500,000 people. They released a live album from the concert the following March (Warner Brothers LP 2BSK 3654; CD 3654). It was arranged by Paul Simon and Dave Grusin, and produced by Paul Simon, Art Garfunkel, Phil Ramone and Roy Halee. The concert was also shot on videotape, televised by HBO in 1982, and subsequently released on various home video formats. The VHS and DVD contain two songs that were omitted from the live album: "The Late Great Johnny Ace" and "Late in the Evening (Reprise)". "Johnny Ace" was disrupted by a fan rushing the stage who came very close to attacking Paul. This incident was both frightening and coincidental, as the song is an elegy upon the murder of John Lennon just one year earlier.
Sound
In 1970, right after the triumphant premiere of Stephen Sondheim’s groundbreaking concept musical Company, the renowned composer and lyricist, his director Harold Prince, the show’s stars, and a large pit orchestra all went into a Manhattan recording studio as part of a time-honored Broadway tradition: the making of the original cast album. What ensued was a marathon session in which, with the pressures of posterity and the coolly exacting Sondheim’s perfectionism hanging over them, all involved pushed themselves to the limit.
