Éric-Emmanuel Schmitt
Nacimiento : 1960-03-28, Lyon, Rhône, France
Historia
Eric-Emmanuel Schmitt (born 28 March 1960) is a Franco–Belgian playwright, short story writer and novelist, as well as a film director. His plays have been staged in over fifty countries all over the world.
Eric-Emmanuel Schmitt's parents were teachers of physical education and sport, and his father later became a physiotherapist and masseur in paediatric hospitals. He was also a French boxing champion while his mother was a medal-winning runner. His grandfather was an artisan jeweller.
The "Classiques & Contemporains" edition of La Nuit de Valognes (Don Juan on Trial) claims that Schmitt depicts himself as a rebellious teenager who detested received wisdom and was sometimes prone to violent outbursts. According to Schmitt, however, it was philosophy that saved him and taught him to be himself and to feel that he was free. One day, his mother took him to the Théâtre des Célestins to see a performance of Edmond Rostand's Cyrano de Bergerac starring Jean Marais. Her son was moved to tears and the seeds of his passion for the theatre were sown. After the show, he told his mother that he wanted to "be like the man on the poster"; his mother thought he meant the actor, Jean Marais, but he replied: "No!" and read out the name on the poster "Edmond Rostand". He then began to write. Later, he would say: "At sixteen, I realised (or decided) that I was a writer, and I wrote, produced and acted in my first plays at high school." To improve his style, he threw himself with frenzied zeal into exercises of pastiche and re-writing, especially Molière.
After preparatory classes at the Lycée du Parc for France's elite universities, Schmitt passed the entrance exam to the École normale supérieure. He was a student there between 1980 and 1985, leaving with the top French teaching qualification in philosophy (agrégé de philosophie). In 1987, he was awarded the degree of PhD for his thesis "Diderot and Metaphysics" at the Paris-Sorbonne University, which was published in 1997 with the title "Diderot or the Philosophy of Seduction".
He has lived in Brussels since 2002 and obtained Belgian citizenship in 2008.
Schmitt spent his military service teaching at the Saint-Cyr Military Academy, afterwards spending two years as a student teaching assistant at the University of Besançon. He went on to teach at the high school in Cherbourg before being appointed lecturer at the University of Chambéry, where he taught for four years.
On the night of 4 February 1989, he became separated from his companions during an expedition to the Ahaggar Desert and, in the vast expanses of the Sahara, he underwent a spiritual experience that was nothing short of a divine revelation. In that instant, he says that his mind was filled with the words "Everything is justified". Schmitt believes that it was that extraordinary experience that enabled him to break into writing. He describes it in his novel Night of Fire (La Nuit de Feu), published in September 2015. ...
Source: Article "Éric-Emmanuel Schmitt" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Novel
Gilles is suffering from amnesia as the result of a mysterious accident.
Patrick Buisson
Writer
Oscar, un niño de diez años, está internado en un hospital infantil. Ni sus padres ni los médicos se atreven a decirle la verdad sobre su enfermedad. Sólo Rose, la repartidora de pizzas, una mujer de bruscos modales, es capaz de ganarse su confianza y entretenerlo. Un día, le propone un juego: imaginar que cada día que pasa equivale a diez años, de modo que, en unos días, Oscar alcanzaría una larga vida. Además, para conseguir que el niño hable de sí mismo, lo anima a escribirle a Dios. En sus cartas, Oscar confiesa sus alegrías y sus penas, sus miedos, su primer amor, sus sensaciones ante el paso del tiempo. Así, entre Oscar y Rose se va fraguando una amistad muy particular.
Director
Oscar, un niño de diez años, está internado en un hospital infantil. Ni sus padres ni los médicos se atreven a decirle la verdad sobre su enfermedad. Sólo Rose, la repartidora de pizzas, una mujer de bruscos modales, es capaz de ganarse su confianza y entretenerlo. Un día, le propone un juego: imaginar que cada día que pasa equivale a diez años, de modo que, en unos días, Oscar alcanzaría una larga vida. Además, para conseguir que el niño hable de sí mismo, lo anima a escribirle a Dios. En sus cartas, Oscar confiesa sus alegrías y sus penas, sus miedos, su primer amor, sus sensaciones ante el paso del tiempo. Así, entre Oscar y Rose se va fraguando una amistad muy particular.
Author
Screenplay
Odette (Catherine Frot) no tiene, aparentemente, ninguna razón para ser feliz, pero lo es. Balthazar (Albert Dupontel) no tiene, aparentemente, ninguna razón para ser infeliz, pero lo es. Odette es una cuarentona torpe que trabaja en la sección de cosméticos de unos grandes almacenes. Sueña con Balthazar Balsan, su escritor favorito, a quién cree que le debe su felicidad. Balsan es un hombre de éxito, atractivo y seductor que está a punto de aparecer inesperadamente en la vida de Odette. Un cuento mágico sobre dos náufragos de la vida a los que les separa todo...
Director
Odette (Catherine Frot) no tiene, aparentemente, ninguna razón para ser feliz, pero lo es. Balthazar (Albert Dupontel) no tiene, aparentemente, ninguna razón para ser infeliz, pero lo es. Odette es una cuarentona torpe que trabaja en la sección de cosméticos de unos grandes almacenes. Sueña con Balthazar Balsan, su escritor favorito, a quién cree que le debe su felicidad. Balsan es un hombre de éxito, atractivo y seductor que está a punto de aparecer inesperadamente en la vida de Odette. Un cuento mágico sobre dos náufragos de la vida a los que les separa todo...
Author
Screenplay
A version of Ben Johnson's play: A Venetian swindler goes from town to town pretending to be a dying millionaire in order to attract (and dispose of) greedy "friends".
Screenplay
Milady De Winter, a beautiful femme fatale without scruples, plays with the feelings of her suitors. And sometimes very dangerously.
Novel
París, años sesenta. Momo, un adolescente judío resuelto e independiente que vive con su padre, huraño y depresivo, en un barrio popular, traba una entrañable amistad con el señor Ibrahim, un anciano musulmán propietario de una pequeña tienda de ultramarinos.
Screenplay
France, 1920s: An affluent ladies' man finds himself in love with a homely married woman.
Scenario Writer
A stage play by John Murrell, adapted by Eric-Emmanuel Schmitt, performed to perfection by Fanny Ardant and Robert Hirsch about the last days of Sarah Bernhardt. The play concentrates on an uneasy relationship between Sarah and her servant to whom she dictates her memoir, as well as a fragile relationship between her memories, actual history and reality.
Author
Screenplay
Francia, finales del siglo XVIII. El gobierno, con el apoyo de la Iglesia, prohibe la publicación de la Enciclopedia de Diderot. Éste, por su parte, acompañado de algunos amigos, se refugia en un castillo. Allí intenta continuar su obra, pero sus amantes no se lo ponen nada fácil.
Dialogue
Francia, finales del siglo XVIII. El gobierno, con el apoyo de la Iglesia, prohibe la publicación de la Enciclopedia de Diderot. Éste, por su parte, acompañado de algunos amigos, se refugia en un castillo. Allí intenta continuar su obra, pero sus amantes no se lo ponen nada fácil.
Writer
Over the course of five seasons, this film chronicles a young woman's rise to power within a tempestuous all-female office. Employing elements of fantasy, realism, drama and satire, much of the story takes place in the confines of an oppressive looking steel and glass skyscraper owned by a powerful insurance company. Though the office is populated only by women, the place seethes with tension due to office politics and the personal turmoil suffered by the employees, something that the beautiful and outwardly ruthless office supervisor Carabosse does her best to ignore. When the ever business-like Carabosse finally gets promoted, she appoints Agate (the story's true protagonist) as her successor. Power corrupts and it does not take long for the compassionate Agate to transform into a copy of Carabosse.