Céline Samie

Written in 1760, Carlo Goldoni’s comedy has never been performed at the Comédie-Française, perhaps overshadowed by the famousHoliday Trilogy. A satire of the Venetian merchant class, embodied by narrow-minded, complaining and intolerant men whose mistrust of the fairer sex borders on the absurd, The Boors perfectly illustrates Goldoni’s theatre, a “theatre of life with a real content, characters observed in reality, and a natural expression.” Thus, a theatre in which the man Voltaire described as “nature’s son and painter” scrutinises his contemporaries, their relationships and their social behaviour. His work served to entertain while providing posterity with an acute testimony of the morals of his time. Indeed, Jean-Louis Benoit warns against reducing the author to a simple “photographer of reality”.

Charles Chinaski is a guy with many problems and feels responsible for most of them: women, alcohol, his hostility towards certain groups of people. One day, he decides to consult the first doctor he comes across.

Paul may be a successful psychoanalyst but he fails to realize that his own marriage to Carla is failing. One of his patients, Raphaël, confides in him that he is in love with a married woman. In the course of the discussion, Paul understands that the woman in question is his own wife, Carla. Rather than end the consultation, Paul decides to manipulate his patient in an attempt to win back his wife. But Raphaël is not as stupid as he looks...

París, años sesenta. Momo, un adolescente judío resuelto e independiente que vive con su padre, huraño y depresivo, en un barrio popular, traba una entrañable amistad con el señor Ibrahim, un anciano musulmán propietario de una pequeña tienda de ultramarinos.

La secretaria de una constructora (Emmanuelle Devos), una joven sorda y desaliñada, tiene la costumbre de bajar el volumen de su audífono cuando el mundo se vuelve demasiado problemático. Un día, Paul (Vincent Cassel), estafador y expresidiario, visita la oficina en busca de empleo. Su aparición hace que ella se decida a subir el volumen del audífono.

El avión avanza silencioso a través de la noche, de Estados Unidos hacia París. Shane brinda con June, su joven esposa. Una vez que se duerme reclinada en su hombro, éste se deja penetrar un instante por el dolor que le produce la pesadilla que le espera vivir: en París, Léo no sale a recibir a Shane, no sale a recibir a a nadie. Está excluído de los hospitales, de los laboratorios donde se dedicaba a la investigación. Busca cobijo en Corea, en sus andanzas, en su coto de caza.

Simon lives in an affluent intellectual environment, headed by his mother Alice. Raphael, his cousin, belongs to the poor branch of the family, but Simon adores him. So he decides to help him become a writer.

Adrien does not see eye to eye with his patrician father about much. It is 1912, and the old man still believes in the old rules which strait-jacket "men of class." He believes that the elite have the right to conquer where they can, that they should refrain from publicizing their improprieties, and he is rabidly pro-military. Adrian, kicked out of his military school for his own improprieties (and hiding that from his father), is naturally drawn to Vicky a beautiful divorced woman and friend of the family who is staying at their mansion. The family tutor, a man of ordinary background (with some ideas which seem radical in this household) is similarly smitten. On the basis of their shared attraction, the two men form a friendship. Meanwhile, the object of their affection finds it diverting to toy with them.

The name of painter Jean-Honore Fragonard (1732-1806) is synonymous for a kind of painting style which celebrates carefree romantic life, indoors and out. He was a painter during the final decades of the French monarchy. In this story, he and his brother Cyprien (Robin Renucci), who is an early pioneer in medical anatomy (he dissected corpses and made drawings of what he found in them), have fallen in love with the same woman, Marianne (Philippine Leroy-Beaulieu), a laundress. This attraction has not escaped the notice of Salmon d'Anglas (Sami Frey), a conniving nobleman, who has his heart set on getting revenge on Jean-Honore (Joachim de Almeida) for refusing his patronage and becoming the darling of the French court.

In the summer holidays, a group of women stay behind in Paris whilst their husbands and children take a vacation on the sunny Island of Ré. The women – wives, frustrated spinsters and adolescents – profit from their new-found freedom to sort out their love lives and the men indulge their earthy passions with no less enthusiasm. Only the children seems capable of rising above this infantile summer madness...

The life and love affairs of a 12-year-old boy Pierre who lived in France during the Nazi occupation in 1944. We see his family, his chubby friend, the girl who ignores him - and the German defector who hides in the cellar. He suffers from a slightly more prominent nasal appendage than the average of his congeners. This complex initially serving it, will ultimately be the detonator of his success with women and the entire population of the city.