Screenplay
Dialogue
Yolande, the daughter of Commissioner Navarro, pleads her first case. The worthy daughter of the commissioner wins hands down. Her client is exonerated despite the relentlessness of Lieutenant Garrel. Happy with her accomplished duty, she leaves the Palace for the office of Master Rossi, her boss, where her colleagues reserve a small party for her.
Adaptation
Yolande, the daughter of Commissioner Navarro, pleads her first case. The worthy daughter of the commissioner wins hands down. Her client is exonerated despite the relentlessness of Lieutenant Garrel. Happy with her accomplished duty, she leaves the Palace for the office of Master Rossi, her boss, where her colleagues reserve a small party for her.
Screenplay
Yolande, the daughter of Commissioner Navarro, pleads her first case. The worthy daughter of the commissioner wins hands down. Her client is exonerated despite the relentlessness of Lieutenant Garrel. Happy with her accomplished duty, she leaves the Palace for the office of Master Rossi, her boss, where her colleagues reserve a small party for her.
Screenplay
Anna Hermes, esposa de un alto cargo del Ministerio del Interior, sufre desde hace un mes alucinaciones terroríficas y periódicas crisis de amnesia, llegando a no reconocer siquiera el rostro de su marido e incluso comenzando a dudar de su honestidad. Al mismo tiempo, en el barrio turco de París, aparecen los cadáveres sádicamente mutilados de tres inmigrantes clandestinas. El carácter ritual que parecen tener los crímenes obliga a Paul Nerteaux, el inexperto policía encargado del caso, a recurrir a Schiffer, un veterano en el dique seco por su dudosa trayectoria moral, pero perspicaz y buen conocedor de la comunidad turca de París. La caza no ha hecho más que comenzar...
