Susanne Schett

A Greek father, estranged from his German wife, kidnaps his daughter from her busy career mother in Berlin, and brings her home to live with his family. An international custody battle follows.

Two British beauties go to Barbados with a yacht captain who does not know what he's in for.

Two young Europeans - Eva, a journalist, and her cousin, Mike, a filmmaker, want to make a film about the secret cult of the Makonde in Mozambique: "Magic Africa". On the hunt after the secret cult, Eva becomes aware of the heritage of colonialism: unemployment and civil war. Mike has only one thing in mind - to sell their travel film.

A tough cop but his life in ruins. His superiors are only looking for a reason to sack him. The girl is 17 years old and lives on the street. As the cop helps her one night, she steals his gun and flees. He should report the loss of his gun to his boss, so he has to search for the girl. At the Dutch border it falls into the power of the police! Henceforth they are on the run, without a plan and without a goal ..

Vienna in the early eighties: After a suicide attempt, Tina, who comes from a middle-class family, is hospitalized in a psychiatric ward. There she gets to know Gerhard, an apprentice plumber, who also wanted to do away with himself. He comes from a working class family. They fall for each other. A modern love story which is set inside the real life circumstances of the closing of the alternative Youth Center "Gassergasse" in Vienna.

Contemporary love story about the confrontation of French and Austrian culture.

Kurt Gerber is attending his final class and gets into trouble with the math professor, a frustrated self-assured petty bourgeois sadist. The duel ends in catastrophe.

Although he spent a relatively short period of his life in Austria, Canadian-born John Cook (1935–2001) remained, in his own words, "Viennese by choice.” Having worked as a commercial photographer in Paris, Cook’s […] first “regular” production was Schwitzkasten, based on a novel by the leftist writer Helmut Zenker. Today, the film is considered one of the few undisputed masterpieces of the New Austrian Cinema: a freewheeling, tender, and strangely humorous portrait of working-class (and out-of-work) lives.

A man visits a friend's house. They watch a film of an earlier time when they were hanging around, meeting girls.