Producer
Cheyenne, una joven periodista en paro cuyas prestaciones de la seguridad social están a punto de ser cortadas, decide dejar Paris para vivir una vida marginal en el país. Ella se marcha dejando detrás a Sonia, la mujer que ama. Sonia es física y profesora de química en un instituto parisino. Ella intenta olvidar a Cheyenne, pero no es fácil. ¿Cómo reconciliamos lo que queremos con lo que somos en realidad capaces de hacer, lo que pensamos y como actuamos? ¿Cómo nos enfrentamos a la persona que amamos pero la tenemos que rechazar?. “Oublier Cheyenne” es una fábula contemporánea sobre los estados precarios creados por la sociedad moderna, la necesidad del cambio y el poder del amor.
Editor
Why did Ariane Fisher, a young woman in her thirties, come to the hospital to die without telling anyone? To whom should this disappearance be reported? This is what Alice, the night nurse, and Prudence, the social worker, will try to find in the bag containing the few personal belongings brought by Ariane.
Writer
Why did Ariane Fisher, a young woman in her thirties, come to the hospital to die without telling anyone? To whom should this disappearance be reported? This is what Alice, the night nurse, and Prudence, the social worker, will try to find in the bag containing the few personal belongings brought by Ariane.
Director
Why did Ariane Fisher, a young woman in her thirties, come to the hospital to die without telling anyone? To whom should this disappearance be reported? This is what Alice, the night nurse, and Prudence, the social worker, will try to find in the bag containing the few personal belongings brought by Ariane.
Director
Emilie, a brilliant American violinist, abandons her passion and leaves her country for no apparent reason. Daniel, an engineer and convinced pacifist, tries to fix military computer programs. They meet and live a crazy love. They know nothing about each other.
Executive Producer
A film about the rebellion that took place in the French department of Ariège from 1829 to 1832, and continued in a less intense fashion until 1872.
Director
Between six and eight o'clock in the morning, two young women go from a diffuse but different discomfort for each of them, understand this discomfort, and discover the fragility of the movement. (CJC)
