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Ambientada en una base militar de tránsito secreta en la remota región de Chukotka, los aviones de las fuerzas aliadas llegan desde Alaska con un buen número de mujeres pilotos que atraerán la atención de la tripulación rusa en su mayoría varones
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Director Andrey Kalistratov is making a multi-part television film about the literary life of Petrograd after the Civil War, about the House of Arts, which was created by the Bolsheviks to control the creative intelligentsia. Modern Petersburg and Petrograd of 1921 are intricately intertwined in the director's mind. The cruel, bloody, but romantic world of the first years of the revolution and the artistic and everyday environment of modern cinema coexist in one space. The main characters of the film that Kalistratov is shooting - the poet and former officer Pyotr Versilov, his girlfriend Olga, the French documentary cameraman Etienne Faberge and his wife Francoise - are as real to the director as the people around him-the film's producer Semyon Mikhailovich, the film crew, actors, friends, acquaintances, relatives. Despite the demands of the producer to be "simpler" and "more economical", Kalistratov wants to make a real historical film, not a standard TV series "soap".
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Original Music Composer
September of 1944, a few days before Finland went out of the Second World War. A chained to a rock Finnish sniper-kamikadze Veikko managed to set himself free. Ivan, a captain of the Soviet Army, arrested by the Front Secret Police 'Smersh', has a narrow escape. They are soldiers of the two enemy armies. A Lapp woman Anni gives a shelter to both of them at her farm. For Anni they are not enemies, but just men.
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Srubov forma parte de la CHEKA, la policía secreta que Lenin creó después de la revolución Bolchevique y que se encarga de arrestar, interrogar y hacer desaparecer a intelectuales opositores, aristócratas, clérigos y a sus familias. Ejecutados en el sótano del edificio, nadie recordará sus últimas palabras, son solo cuerpos anónimos. Diariamente la misma rutina, el tribunal improvisado, las ejecuciones... cargar los cuerpos en vagones. Srubov es frio, distante, sexualmente disfuncional y odiado por sus antiguos amigos y familia. Mientras intenta razonar sobre la naturaleza de la revolución y el propósito de la CHEKA, va enloqueciendo poco a poco.
