Denis Jutzeler

Sábado 1 de marzo de 2008. El comandante Raúl Reyes, número 2 de las FARC, murió en la selva bajo la tonelada de bombas lanzadas por la CIA y el ejército colombiano. Junto a su cadáver, los soldados recuperaron sus computadoras: diez años de correos electrónicos escritos por el hombre encargado de negociar la liberación de un centenar de rehenes (entre ellos Ingrid Betancourt), quien también se desempeñaba como jefe de relaciones exteriores de la guerrilla comunista más antigua. en el mundo. Un testimonio asombroso donde nos encontramos con políticos, periodistas, traficantes de armas, diplomáticos, sicarios, sus allegados y hasta sus hijos. “SELVA ROJA” ahonda en la mentalidad de este hombre que gobernaba a las FARC con mano de hierro, mientras la utopía revolucionaria se hundía lentamente en la pesadilla.

Driss and Zahra leave their fisherman's village to take their six-year-old son, Ayoub, to the emergency room of the Casablanca's public hospital. There they meet Driss' brother, Houcine, with whom they have been in conflict for years. The doctor diagnoses a brain problem requiring immediate action. This is the starting point of a painful journey exhausting each one. Are they ready to do everything to save Ayoub's life?

Frank, el antihéroe de esta historia, en muchos sentidos trágico pero ante todo extremadamente real, se camufla a la perfección en esta decoración de belleza impersonal. Su vida está consagrada únicamente al trabajo. Cada uno de sus gestos está escrupulosamente programado, marcado por una rutina que se convierte en una obsesión. En su vida no hay lugar para la improvisación ni la imaginación; a sus ojos solo el materialismo y una adicción al trabajo masoquista merecen su respeto.

Aïcha is a troubled teenage girl who cannot forgive her mother for kicking out the stepfather she adored. Aïcha longs for him to come back and take her away. When she meets Baz, a man twice her age, it’s love at first sight for her; the real kind, the one that hurts. Baz wants to help this lost little girl, but she wants much more from him, and is ready to do anything to get it.

Melanie y Maxime son dos adolescentes de quince años que exploran su sexualidad. Con el tiempo, ella se queda embarazada y, junto a su pareja, acaba decidiendo que va a tener al bebé. Esta decisión supondrá tener que lidiar con sus padres y cambiar muchos de los aspectos de sus vidas cotidianas.

Cuando una joven, después de siete años, sale de la cárcel se dirige a casa de su padre. La llegada inesperada de su hija le produce a este una evidente incomodidad porque no se ven desde que se divorció de su madre. Su relación es tensa y fría.

The film recounts the fates of five of the protagonists of the film “Special Flight” following their expulsion from Switzerland. Having been wrenched away from the country in which they had lived and from their children because they had no papers, they are found again in Senegal or Kosovo, in Gambia or Cameroun, destitute and cut off from their families, sometimes even having been tortured upon arrival. This film broaches the private lives of these broken men and testifies to the brutality of a migration policy that is common in Switzerland and in Europe.

Switzerland still carries out special flights, where passengers, dressed in diapers and helmets, are chained to their seats for 40 hours at worst. They are accompanied by police officers and immigration officials. The passengers are flown to their native countries, where they haven't set foot in in up to twenty years, and where their lives might be in danger. Children, wives and work are left behind in Switzerland. Near Geneva, in Frambois prison, live 25 illegal immigrants waiting for deportation. They are offered an opportunity to say goodbye to their families and return to their native countries on a regular flight, escorted by plain-clothes police officers. If they refuse this offer, the special flight is arranged fast and unexpectedly. The stories behind the locked cells are truly heartbreaking.

Follow the daily lives of 11 12-year-olds in the city of Yverdon. What do teens do in Yverdon-les-Bains? What are their dreams, their revolts? How do they see their future? Which society would they want to build? In which Switzerland would they like to live?

Lucy, a 19-year old law student and intern at a Swiss television network in Geneva, comes across her double in archival footage about the woman’s liberation movement in the 70’s. Her family’s resistance to talk about this time convinces Lucy that a secret lurks behind this mysterious woman, named Genevieve.

Al llegar a Mont Blanc, un inspector topa con un extraño caso: aparece el cuerpo de un hombre que quedó atrapado en el hielo 15 años atrás, mientras sus padres pensaban que estaba en Australia.

A disturbing exploration of what it means to be a man Desert Wind unveils the innermost thoughts of 13 men about their lives and male identity, making a clean sweep of clichés. Their revelations -- a glimpse of the hidden side that few men spontaneously reveal -- are of equal interest for women.

Two guys against globalization want to plant a virus in the network of a finance corporation. On the day of the attack Alex has an accident and cannot remember anything.

Este reportaje perfila los cuarenta años de historia de la subcultura skinhead, que comienza con las versiones más recientes de la cultura. Uno de los asuntos que analiza el documental, es el componente político, que va desde los pensamientos de extrema derecha, a los totalmente opuestos de extrema izquierda. La película describe la transformación y radicalización de esta subcultura juvenil.

Jean-Pierre is a literature professor in Switzerland. Due to the vagarities of Swiss law, he is selected, basically at random, to be the guardian of a parentless teenage boy named Antoine. Conflict comes into the story as Jean-Pierre, who has just accepted a major promotion, must now deal with caring for a teenage boy he doesn't want to care for, as well as handling his own jealous boyfriend. Then his wife steps into the picture. Things get complicated from there as Jean-Pierre tries to get out of his guardianship.

In custody after she murders her middle aged photographer lover, a fourteen year old Pam reflects back on the bohemian life she spent with her mother Lily, a free spirited cabaret performer. Lily tried to elevate her stripper performances from the level of erotic spectacle to artistic expression as she dragged her young daughter from nightclub to nightclub and hotel to hotel, but ultimately lost her at nine to the Paris child authorities.

It’s December 1999, and 25-year-old Jonah has just graduated from film school. As the new millennium begins, Jonah marries his longtime sweetheart Lila. Over the course of six months, the couple meet a number of interesting people, including Irina, an exiled Russian actress, as well as spending their time with Jonah’s sister Cecile and his filmmaking mentor Anziano. The discussions Jonah has with these friends and strangers help him to gain some perspective on his life and the new millennium.

Six years before this story begins, Rosemonde killed a would-be rapist. She was acquitted and returned to working part-time in a Geneva bar. Back in the present, a brand new television station seeks to create a television film about Rosemonde's life. The project is helmed by independent producer Kevin assigns his screen-writing pal Paul to interview Rosemonde and use it for the basis of a fictionalized teleplay. Unfortuantely for him, the taciturn and cynical barmaid wants nothing to do with project and refuses to speak to Paul. This satirical French-Swiss drama follows Paul as he simultaneously attempts to get her story and into her bed. Since Rosemonde refuses to speak to him, Paul decides to pay his ex-lover Marie, a serious stage actress, become the bar maid's friend.

After 40 years Alain Tanner again travels to the port of Genoa, where he worked for a shipping company as a 22-year-old. On the back of his own memories he depicts the rough world of the dockworkers, another of those trades that has undergone fundamental changes as a result of recessions, modernisation and liberalisation. “The visual impression of the harbour and the city has changed very little, but what goes on there nowadays is completely different. The city is still as beautiful and alien and somewhat sad as before. But the port is dying, like so many other major ports. In Genoa, as elsewhere in Italy, the economic, social and political climate is highly explosive. But you also feel that things are in flow and the country is on the verge of some far-reaching changes. (...) In this film I wanted to explore my own memories of Genoa, uncover its present and guess at its future. Genoa, this beautiful, this sad, this alien town has become for me a metaphor for society in change.”

En París, una noche de tormenta, Diego, un pintor catalán, conoce a M., cantante de un grupo musical femenino. Dos semanas después, M., que no ha podido olvidar a Diego, va a buscarlo a Barcelona. Le abre la puerta de la casa una chica negra. En cuanto Diego la ve, decide irse de viaje con ella, y viven un romance apasionado mientras recorren carreteras y pequeños pueblos catalanes. Sin embargo, un día, M. descubre que la chica negra es la mujer de Diego y, además, que el pintor tiene una hija.