Florence Maury

After having resigned from his post as President of the Republic, Jeff and his family are happy to be back in their village of Bouzolles. As the end of the year holidays approach, Cathy asks for a unique gift: to reconnect with her sister Maguy, and her husband Jean-Yves, with whom Jeff has been angry for 10 years. The reconciliation could have gone smoothly, except that during a lunch, Jeff and Jean-Yves, will once again find a subject of contention: CHRISTMAS. This family feud, which should never have left Bouzolles, will turn into a standoff between Jeff and a giant of Internet distribution.

Christian is a divorced father who can only see his young daughter Vanessa every other weekend. When he meets the single mother Christine and decides to participate in a summer TV show, his whole life is turned upside down.

French filmmaker Eric Lartigau directs the anarchic buddy comedy Bullit and Riper, originally released as Mais qui a tue Pamela Rose? French comedic television stars Kad Merad and Olivier Barroux are both the protagonists and the screenwriters. As a parody of Hollywood cop films, the story is set somewhere in the American Midwest as fabricated by the French. After losing his regular partner, FBI agent Richard Bullit (Merad) gets assigned to the book-learned cop Riper (Barroux) to investigate the death of a stripper. American movie stereotypes abound, such as shock jock Phil Canon (Gérard Darmon) and sheriff Steve Marley (Jean-Paul Rouve).

Everyone in the village of Bouzolles knows the Tuche family, who live by the philosophy "Man is not made to work." Despite their lack of money, they strive to be happy... that is, until their hand-to-mouth existence is turned on its head. After winning the lottery, the Tuches get rich beyond their wildest dreams and move to Monaco. And while attempting to fit in in their swanky new homeland, they struggle to stay true to the same principles by which they've always lived.

Loosely based on "4.50 from Paddington" by Agatha Christie.

Ya lo decía el productor Val Lewton (artífice de algunos de los hitos de Jacques Tourneur): lo que más teme el hombre es la oscuridad. La crème de la crème del cómic y la ilustración se ponen al servicio del cine para crear una película colectiva centrada en el miedo a aquello que no se ve. La variedad de nombres se traslada al plano estético que va desde la geometría pura a trazos más figurativos y las historias transcurren por distintos senderos del terror: un hombre atrapado en una casa, niños que desaparecen, pesadillas e insectos devoradores. El resultado, sin embargo, posee una misteriosa unidad, el secreto de toda una revolución de la animación. (FILMAFFINITY)

The king is walking around, the queen is giving birth. To her great despair, however, she does not give birth to a valiant warrior, but to a frail little girl with a pale complexion. Being very pale and her mother being Persian, the child will be called Snow White. Having lost his wife during childbirth without having obtained the hoped-for son, the king decides to chase away the child, the maid and the constable. To top it all off, a wicked fairy decides to cast a spell on the young Snow White: she will be "sexually obsessed".