Self
Joe Corré, son of punk visionaries Vivienne Westwood and Malcolm McLaren, burns an estimated £5M worth of punk memorabilia protesting the commodification of punk. The film takes this incendiary act of ‘cultural terrorism’ and the questions it raised to explore the lifespan and true worth of punk - the 20th century's most volatile movement.
Self - Film Critic
Un viaje de años a través de muchos países y festivales de cine; una inmersión nostálgica, adrenalínica y rockera en el universo de la cinefilia, en busca de especialistas del género, aficionados y cineastas que hablan de su pasión compartida por el cine fantástico; toda una comunidad espiritual internacional unida bajo la sombra catártica del horror.
Self
The highly anticipated follow-up to their critically acclaimed VIDEO NASTIES: MORAL PANIC, CENSORSHIP & VIDEOTAPE documentary, director Jake West and producer Marc Morris continue uncovering the shocking story of home entertainment post the 1984 Video Recordings Act. A time when Britain plunged into a new Dark Age of the most restrictive censorship, where the horror movie became the bloody eviscerated victim of continuing dread created by self-aggrandizing moral guardians. With passionate and entertaining interviews from the people who lived through it and more jaw dropping archive footage, get ready to reflect and rejoice the passing of a landmark era.
Himself
The focus is on the eighty-two Section 3 titles, those advised by the DPP not to be obscene, but still known to have been seized. After a short introduction, each film is discussed in turn by an expert, followed by the film's trailer.
Himself
The focus is on the eighty-two Section 3 titles, those advised by the DPP not to be obscene, but still known to have been seized. After a short introduction, each film is discussed in turn by an expert, followed by the film's trailer.
A film about how a much-derided music actually changed the world. Between 1969 and 1979 disco was born through gay liberation, female desire in the age of feminism and led to the birth of modern club culture before taking the world by storm. This in turn led to the 'Disco Sucks' movement and the inevitable backlash. With contributions from Nile Rodgers, Robin Gibb, Kathy Sledge and Ian Schrager.
Film critic Kim Newman, Total Film news editor Rosie Fletcher, and film critic Alan Jones discuss Heavenly Creatures and the story the film chronicles, as well as Peter Jackson and his legacy.
Himself
Every Video Nasty from the DPP list of dropped 33 titles is critiqued and explored, followed by the original trailers.
Himself
Every Video Nasty from the DPP list of 39 is critiqued and explored, followed by the original trailers.
Himself
Documentary that explores Argento's film career.
Cinematography
Matt y Eddie son dos jóvenes del centro-oeste, viajan a California para ver los lugares de interés, sobre todo las mujeres semidesnudas en las playas. Salen en su coche y se dirigen a través del desierto en su búsqueda. Tras horas en el desierto chocan con el único coche visto en millas. La conductora del otro coche es Tuesday, la mujer más bella que han visto nunca. Abandonados en el desierto, Matt y Eddie fantasean sobre Tuesday, mientras que esperan a que alguien les ayude. Una colección heterogénea de la humanidad pasar por ahí, pero pocos están dispuestos a ayudar.
Record Executive
Es un documental de ficción (un falso documental), trata sobre la banda de punk rock británica Sex Pistols. La película cuenta una versión estilizada y ficticia de la formación, fama y ruptura de la banda, desde el punto de vista del mánager Malcolm McLaren.
Patrolman
A soldier at an elite military institution is sent on a strange and increasingly nightmarish errand in this full-on fever-dream thriller from long-time Pete Walker collaborator David McGillivray (House of Whipcord).