Producer
Un hombre viaja al norte argentino siguiendo las pistas de una mítica entidad precolombina encargada de las penas de los deudos. Las rutas de noche, los hospedajes y la gran salina del poema de Zelarayán reniegan del atajo antropológico y conforman un misterio acaso tan formidable como el propio despenador.
Executive Producer
Un hombre viaja al norte argentino siguiendo las pistas de una mítica entidad precolombina encargada de las penas de los deudos. Las rutas de noche, los hospedajes y la gran salina del poema de Zelarayán reniegan del atajo antropológico y conforman un misterio acaso tan formidable como el propio despenador.
Writer
Un hombre viaja al norte argentino siguiendo las pistas de una mítica entidad precolombina encargada de las penas de los deudos. Las rutas de noche, los hospedajes y la gran salina del poema de Zelarayán reniegan del atajo antropológico y conforman un misterio acaso tan formidable como el propio despenador.
Director
Un hombre viaja al norte argentino siguiendo las pistas de una mítica entidad precolombina encargada de las penas de los deudos. Las rutas de noche, los hospedajes y la gran salina del poema de Zelarayán reniegan del atajo antropológico y conforman un misterio acaso tan formidable como el propio despenador.
Writer
In Rivera 2100, a corner house facing a railway’s warehouse in the suburbs of Buenos Aires, a young newlywed couple built, with its own hands, a house that was the beginning of their own cultural zeitgeist; a safe haven that irradiated music, art and freedom, in the midst of a country that was living its darkest and most violent time.
Director
In Rivera 2100, a corner house facing a railway’s warehouse in the suburbs of Buenos Aires, a young newlywed couple built, with its own hands, a house that was the beginning of their own cultural zeitgeist; a safe haven that irradiated music, art and freedom, in the midst of a country that was living its darkest and most violent time.
Executive Producer
Director Miguel Kohan tries to connect the memories of his Gaucho-Jewish family with the fleeing of the Sephardim from the Iberian Península in 1492. Surinam, New York, Jamaica, and Brazil are some of the places where the untold story of those who escaped inquisition is visibilized.
Producer
Director Miguel Kohan tries to connect the memories of his Gaucho-Jewish family with the fleeing of the Sephardim from the Iberian Península in 1492. Surinam, New York, Jamaica, and Brazil are some of the places where the untold story of those who escaped inquisition is visibilized.
Cinematography
Director Miguel Kohan tries to connect the memories of his Gaucho-Jewish family with the fleeing of the Sephardim from the Iberian Península in 1492. Surinam, New York, Jamaica, and Brazil are some of the places where the untold story of those who escaped inquisition is visibilized.
Writer
Director Miguel Kohan tries to connect the memories of his Gaucho-Jewish family with the fleeing of the Sephardim from the Iberian Península in 1492. Surinam, New York, Jamaica, and Brazil are some of the places where the untold story of those who escaped inquisition is visibilized.
Director
Director Miguel Kohan tries to connect the memories of his Gaucho-Jewish family with the fleeing of the Sephardim from the Iberian Península in 1492. Surinam, New York, Jamaica, and Brazil are some of the places where the untold story of those who escaped inquisition is visibilized.
Writer
Director
Director
Café de los Maestros es un documental de Miguel Kohan, producido por Lita Stantic, Gustavo Santaolalla y Walter Salles. Narra la historia de grandes tangueros de la vieja guardia quienes, convocados por un músico de rock, se proponen grabar un disco para demostrar su vigencia. Esta aventura, plena de remembranzas, humor y momentos conmovedores, culmina con una presentación de los Maestros en el Teatro Colón.
