Václav Borovička

The film acquaints us with the work of the senior consultant of pavilion 11 in the Bohnice mental house who endeavours to build up a complex rahabilitation and re-socialising programme for patients with chronic mental illness. One part of her treatment programme is a week's stay outside the institution for selected patients. It is this week which is captured on film

About the help of man to man, about the residence of people in need in the House of Mother Theresa.

Honza and Zuzana are very young husband and wife. They have a little daughter of whom willingly occasionally take care the grandparents and Honza's fifteen-year-old brother Martin. Zuzana continues studying and Honza devotes all weekends as an amateur competitor to the motor-cycles at the speedway. Zuzana is not interested in motor-cycles. Martin holds responsible for his brother's marriage and at the advice of his friend Magda, who is of the same age, invites her sister-in-law to the club of Hucul horses so that she does not feel bored. But by misfortunes and unexplained quarrels both young husband and wife start being jealous of one another.

Honza and Zuzana are very young husband and wife. They have a little daughter of whom willingly occasionally take care the grandparents and Honza's fifteen-year-old brother Martin. Zuzana continues studying and Honza devotes all weekends as an amateur competitor to the motor-cycles at the speedway. Zuzana is not interested in motor-cycles. Martin holds responsible for his brother's marriage and at the advice of his friend Magda, who is of the same age, invites her sister-in-law to the club of Hucul horses so that she does not feel bored. But by misfortunes and unexplained quarrels both young husband and wife start being jealous of one another.

School supply teacher timid folk art Ales Brabec won first prize at a music festival and will therefore offer to work for the Prague little theater in the basement. Its director Soukup just needs a few songs for the upcoming musical, and so is willing to do everything to Alex to create the right atmosphere for composing.

School supply teacher timid folk art Ales Brabec won first prize at a music festival and will therefore offer to work for the Prague little theater in the basement. Its director Soukup just needs a few songs for the upcoming musical, and so is willing to do everything to Alex to create the right atmosphere for composing.

Honza Pavelka (Jan Hrusínský) wins the junior motorbike speed races. His thirteen-year-old brother Martin (Roman Cada), his assistant and biggest fan, answers the questions of his schoolfriend Pavlína in a superior tone. Student Zuzana (Libuse Safránková), who gave her scarf to Honza to wear around his neck for the races as a talisman is Honza's girlfriend. He met her when he came to her parent's home to repair the TV set. Honza declines an invitation to celebration with his friends. He goes off with Zuzana instead, but she refuses his intimate advances. The offended young man, who is about to serve his two years in the army, tries to blackmail her emotionally and the couple breaks up. Martin tries various schemes to bring them together again.

A man, apparently on the run, takes shelter in a dilapidated house. Every day, he drills a hole through a wall and looks into one of the rooms, each time seeing a different surreal vision...

Frank visits his friend Josef, who introduces him to his pedigree rabbits and his wife Mary. Frank is more interested in the slightly unsettling fact that Josef and Mary's garden fence is entirely made up of living people holding hands. Finally, Frank asks Josef how he manages to keep the fence together..

Documentary showing the Czechoslovakian political landscape in March 1968, when president Antonin Novotny, a hardline Stalinist, stepped down and moderate communist Ludvik Svoboda was elected. Five months later, in August 68, the Prague Spring would end with the military intervention of the Warsaw Pact.

"A refined film essay about the loneliness, wisdom and humility of old women. The film, most valued by Jan Špáta, was awarded the Grand Prize at the International Short Film Festival in Oberhausen, the Trilobit Award and Special Mention at the IFF in Karlovy Vary."

This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre Ypsilon play of the same name shot at various bizarre locations such as airport, botanical garden and winter forest.

A leading director of the Czech film renaissance provides a philosophical meditation on life and death, set amidst complex hospital apparatus and the sadness, hope, or resignation of the patients. Existentialist rather than optimist, the approach is one of humanistic atheism, accepting death as part of life. Interviews with doctors and nurses explore their outlook; all speak of death as a fact, without either sentimentality or religiosity. The studied objectivity of the film only imperfectly hides an intense emotionality.

The work of actors on a stage makes a dreamlike parallelism between artistic immagination and the concreteness of everyday life. Tribute to Prague's Divadlo na zàbradlì, theater that has been a point of reference for Theater of the Absurd in Czechoslovakia in Sixties

Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.

The themes of anarchy and individualism that run through Věra Chytilová’s work begin here, in an almost docu-realist look at women finding freedom and joy amid the rigid conformity of life in a communal factory dormitory.