Gareth Maxwell Roberts

Películas

Oil in the Blood
Director
Lifelong biker Gareth Maxwell Roberts explores the contemporary custom motorcycle culture.
First Born
Co-Producer
Todo padre quiere proteger a sus hijos de los peligros de este mundo... y del de más allá. En Firstborn, una pareja descubre que su hija es un imán de espíritus diabólicos y se alía con un ocultista para enseñar a la niña a controlar las fuerzas que la rodean.
Montana
Producer
En las calles de East End en Londres un ex-comando serbio y un chico de 14 años de edad traman venganza contra un poderoso señor del crimen y sus despiadados lugartenientes. A medida que nuestros héroes se preparan para atacar a sus enemigos el niño es adiestrado en las obscuras artes del asesinato y aprende el verdadero significado de la amistad, el honor y el respeto.
The Mortician
Writer
Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician's attention is pricked by the tattoo of Botticelli's 'Birth of Venus' inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he's forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he's been searching for. He find redemption and peace.
The Mortician
Director
Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician's attention is pricked by the tattoo of Botticelli's 'Birth of Venus' inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he's forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he's been searching for. He find redemption and peace.
Kill Kill Faster Faster
Producer
Recently paroled after serving a long stretch for his wife's murder, Joey One-Way aligns himself with a producer who has optioned the play he wrote in prison. As he sets about adapting his work for the big screen, Joey falls for his new pal's ex-con wife, and enters into a doomed affair.
Kill Kill Faster Faster
Writer
Recently paroled after serving a long stretch for his wife's murder, Joey One-Way aligns himself with a producer who has optioned the play he wrote in prison. As he sets about adapting his work for the big screen, Joey falls for his new pal's ex-con wife, and enters into a doomed affair.
Kill Kill Faster Faster
Director
Recently paroled after serving a long stretch for his wife's murder, Joey One-Way aligns himself with a producer who has optioned the play he wrote in prison. As he sets about adapting his work for the big screen, Joey falls for his new pal's ex-con wife, and enters into a doomed affair.