Johanna Demetrakas

Este documental dirigido por Johanna Demetrakas (Crazy Wisdom: The Life & Times of Chogyam Trungpa Rinpoche, Some Nudity Required) revisita esas fotos, a esas mujeres y esos momentos, y además apunta a nuestra cultura actual que muestra alarmantemente la necesidad de un cambio continuo.

Este documental dirigido por Johanna Demetrakas (Crazy Wisdom: The Life & Times of Chogyam Trungpa Rinpoche, Some Nudity Required) revisita esas fotos, a esas mujeres y esos momentos, y además apunta a nuestra cultura actual que muestra alarmantemente la necesidad de un cambio continuo.

CRAZY WISDOM explores the arrival of Tibetan Buddhism in America through the story of Chögyam Trungpa, who landed in the U.S. in 1970. Trungpa became renowned for translating ancient Buddhist concepts into language and ideas that Westerners could understand and shattered preconceived notions about how an enlightened teacher should behave. Initially rejected, his teachings are now recognized by western philosophers and spiritual leaders as authentic and profound.

CRAZY WISDOM explores the arrival of Tibetan Buddhism in America through the story of Chögyam Trungpa, who landed in the U.S. in 1970. Trungpa became renowned for translating ancient Buddhist concepts into language and ideas that Westerners could understand and shattered preconceived notions about how an enlightened teacher should behave. Initially rejected, his teachings are now recognized by western philosophers and spiritual leaders as authentic and profound.

CRAZY WISDOM explores the arrival of Tibetan Buddhism in America through the story of Chögyam Trungpa, who landed in the U.S. in 1970. Trungpa became renowned for translating ancient Buddhist concepts into language and ideas that Westerners could understand and shattered preconceived notions about how an enlightened teacher should behave. Initially rejected, his teachings are now recognized by western philosophers and spiritual leaders as authentic and profound.

This rousing world-famous concert is regarded by critics to be one of Jimi Hendrix's finest performances ever. Taking footage from two separate performances at the Berkeley Community Theater on May 30th, 1970, these incendiary shows help illustrate the student uprisings in Berkeley, by setting footage to the stunning backdrop of some awe-inspiring Hendrix material. Tracks include "Purple Haze," "Voodoo Child (Slight Return)," "Star Spangled Banner," "Hey Joe," and many others. This is a never-to-be-forgotten musical experience you will enjoy over and over again.

The struggle to eradicate apartheid in South Africa has been chronicled over time, but no one has addressed the vital role music plays in this challenge. This documentary by Lee Hirsch recounts a fascinating and little-known part of South Africa's political history through archival footage, interviews and, of course, several mesmerizing musical performances.

Henry, a hitman hired to take out a socialite, finds himself falling for Jenny, a parole officer, instead.

A 1998 editorial in Time magazine made the claim that the city of Los Angeles "might just have the most inept public-transport system on the planet earth. . . . The neglected bus system, which still handles 91% of all transit riders,is now roughly as efficient as travel by burro." Academy Award–winning cinematographer and director Haskell Wexler (Medium Cool, Latino) has now fashioned a new documentary tracing three years in the life of a group of bus-rider activists passionately engaged in the struggle to bring affordable, safe, and adequate mass transit back to their city. What might at first sound like a well-intentioned but rather parochial subject for a film has resulted in a truly inspiring lesson in how working-class, predominantly minority citizens forge an effective social movement and how, like Rosa Parks and the Montgomery, Alabama, bus boycotters of the 1950s, a group of committed individuals can successfully challenge the powers that seek to control their lives.

A woman working in the B movie industry begins examining the industry and the damaged, desperate people who work in it.

A woman working in the B movie industry begins examining the industry and the damaged, desperate people who work in it.

Sam y Maggie (Matthew Broderick & Meg Ryan) acaban de ser abandonados por sus respectivas amantes (Kelly Preston & Tcheky Karyo), que se han ido a vivir juntos a un apartamento. Maggie quiere vengarse y Sam desea recuperar a su novia, así que los dos se van a vivir a un edificio abandonado enfrente de la casa de la ex-novia de Sam para poder elaborar un plan de venganza. Pero la hostilidad inicial que hay entre ambos empezará a dar paso al amor.

For five years, feminist artist Judy Chicago worked with a community of four hundred other artists, craftspeople and researchers to create The Dinner Party, a monumental tribute to women of spirit and accomplishment throughout the ages -- women whose names have been banished "right out of history". For over four of those five years, filmmaker Johanna Demetrakas followed the progress of The Dinner Party, recording for posterity the alternately painstaking and exhilarating process of creating this work of unprecedented scale and beauty.

A mentally-challenged delivery boy indulges in fantasies that he is a superhero in the tough streets of Brooklyn. He lives a life marked with torments from the gang of deadbeats at the corner, overbearing concern from his mother and older brother, and general confusion about women and his burgeoning desires for them.

Una chica es enviada a la cárcel por tráfico de drogas, y allí comprobará que la vida en prisión es un verdadero calvario: la inflexible superintendente McQueen se encarga de castigar duramente a las reclusas; para ello cuenta con la colaboración de un sádico médico que, además de violarlas, hace experimentos con ellas, aplicándoles el electroshock. La situación es tan insoportable que las reclusas deciden preparar un plan de fuga. (FILMAFFINITY)

Held in 1972 at 533 N. Mariposa Street, Los Angeles was one of the most important cultural events in the United States: "Womanhouse," a feminist art installation and performance space organized by Judy Chicago and Miriam Schapiro.

Star-studded show recorded at the Big Sur Folk Festival, Big Sur, California, September 13th and 14th, 1969. Joan Baez, Crosby, Stills, Nash & Young, Joni Mitchell, John Sebastian, and others. This film captures a remarkable moment in folk, rock, and pop history - the famous folk festival that brought traditional acts like Dorothy Morrison & The Combs Sisters and Carol Ann Cisneros together with the psychedelic rockers of the day who were most deeply rooted in the folk revival. Older songs like ‘Oh Happy Day,’ ‘Rise And Shine,’ ‘All God’s Children,’ and ‘Swing Down, Sweet Chariot’ meet Joni Mitchell’s ‘Woodstock,’ Joan Baez’s ‘Sweet Sir Galahad,’ ‘Bob Dylan’s ‘I Shall Be Released,’ CSNY’s ‘Down By The River,’ and many more of the now-classic songs of what was then called the ‘new rock.’ The scene is notably intimate and - aside from one fan’s dustup with Stephen Stills - mellow, with many rare, close-up moments with the stars.