Jean Butler

This wonderfully entertaining dance documentary tells the extraordinary story of how Irish dance developed over centuries from a traditional peasant dance to a form that has taken the world by storm and is enjoyed by tens of millions. The film shows how Irish dance has both been influenced by and influenced the dance of many cultures and how it developed as an expression of resistance.

Riverdance, the Irish hard-shoe sensation that took PBS viewers by storm, underwent its second incarnation with Live from New York City, a 1996 performance filmed at Radio City Music Hall. While most of the attributes from 1995's Riverdance: The Show remain--the dazzling ensemble choreography, Bill Whelan's energetic score, and the New Age-y view of Celtic mythology--the most significant difference is at the top, where Colin Dunne replaced bombastic lead dancer Michael Flatley. Though lacking Flatley's bravura, Dunne is a superb technician who works well with Flatley's former co-lead, Jean Butler. Flamenco dancer Maria Pagis returns, as do the Riverdance Singers (formerly known as Anuna) with soloist Katie McMahon and the orchestra with fiery fiddler Eileen Ivers.

Introduced by Jean Butler, The Best of Riverdance, brings together the stunning highlights and classic performances from the show filmed at various international venues over the previous 10 years. This special compilation, The Best of Riverdance, features performances from the various Riverdance Troupes who have taken the show to the four corners of the world. Highlights include: Reel Around the Sun performed by Michael Flatley and the Riverdance Troupe at the Poin Theatre in Dublin, Countess Cathleen performed by Joanne Doyle and the Riverdance Troup in Geneva, Thunderstorm performed by Pat Roddy and the Riverdance Troup in Radio City Music Hall, New York, Heartland, performed by Jean Butler and Michael Flatley at the Point Theatre and a very special compilation performance of Riverdance featuring the talents of the shows lead dancers over the past ten years.

Jean Butler knows Irish dance. As the original star of Riverdance, she took Irish dancing to a new level showing just how exciting it can be. Suitable for those just beginning to explore Irish dance to the more accomplished dancer, Jean Butler's Irish Dance is a series of techniques and exercises created by Jean herself. Now you can dance with Jean at home or in the classroom as she shares the methods she developed over the years and honed through endless hours of practice. Using the special menu features you can even create and program your own personal routines. Unique to the DVD is a stunning new dance performance, entitled Blue by Jean Butler, an explosive group jam session to the music of U2, and a behind-the-scenes look at one of Jean's Workshops. Jean takes a holistic view of dancing and stresses the importance of looking after body and mind. Dance with Jean and enjoy becoming the best dancer you can be.

Cuando Clara (Fiona O'Shaughnessy) descubre a su novio besando a Isolde (Fiona Glascott), se produce una reacción en cadena de romances, corazones rotos y relaciones tortuosas. Cada personaje trata de buscar el significado de "una relación perfecta". Mientras unos se casan y otros se separan, algunos solo comparten una semana juntos… En lo único en lo que todos están de acuerdo y los une es que no se puede vivir sin amor. Explorando la naturaleza de las relaciones hetero, gay y bisexual, "La memoria de los peces" nos da algunas pistas en tono de comedia de lo que nos rodea, lo que deseamos y los que nos da miedo aceptar en nuestras vidas.

A film adaptation of the 1606 satirical tragedy by Thomas Middleton, relocated to a post-apocalyptic Liverpool. Christopher Eccleston plays the revenge-obsessed Vindice, who has sworn to kill the evil Duke (Derek Jacobi) who murdered his one true love.

Riverdance, the Irish hard-shoe sensation that took PBS viewers by storm, underwent its second incarnation with Live from New York City, a 1996 performance filmed at Radio City Music Hall. While most of the attributes from 1995's Riverdance: The Show remain--the dazzling ensemble choreography, Bill Whelan's energetic score, and the New Age-y view of Celtic mythology--the most significant difference is at the top, where Colin Dunne replaced bombastic lead dancer Michael Flatley. Though lacking Flatley's bravura, Dunne is a superb technician who works well with Flatley's former co-lead, Jean Butler. Flamenco dancer Maria Pagis returns, as do the Riverdance Singers (formerly known as Anuna) with soloist Katie McMahon and the orchestra with fiery fiddler Eileen Ivers. About a half-hour longer than the 1995 original, Live from New York City expands upon the second act's theme of the Irish leaving their homeland

Riverdance Show is a cultural phenomenon that defies criticism for the enthusiastic and leaves everyone else scratching their heads. The wonderfully talented cast, headed by the Riverdance Irish Dance Company, bewitchingly spins (and stomps) its Celtic folk choreography featuring numerous breathless solos by Michael Flatley (since departed) and Jean Butler. The mellifluous Riverdance Orchestra boasts Davy Spillane, who coaxes plaintive lamentations out of a peculiar instrument that resembles a bagpipe in a metal leg brace. For Enya fans, there is the sound-alike choral group Anuna, who casts a similarly New Age-style vocal spell. Also thrown into the mix are such disparate folk traditions as American gospel and Spanish flamenco. Though it's only 70 minutes long, Riverdance is repetitive by half. But judging from the ecstatic audience ovations and the continued foot-stomping during and after the curtain calls, too much is still not enough.

Riverdance--The Show is a cultural phenomenon that defies criticism for the enthusiastic and leaves everyone else scratching their heads. The wonderfully talented cast, headed by the Riverdance Irish Dance Company, bewitchingly spins (and stomps) its Celtic folk choreography featuring numerous breathless solos by Michael Flatley (since departed) and Jean Butler. The mellifluous Riverdance Orchestra boasts Davy Spillane, who coaxes plaintive lamentations out of a peculiar instrument that resembles a bagpipe in a metal leg brace. For Enya fans, there is the sound-alike choral group Anuna, who casts a similarly New Age-style vocal spell. Also thrown into the mix are such disparate folk traditions as American gospel and Spanish flamenco. Though it's only 70 minutes long, Riverdance is repetitive by half. But judging from the ecstatic audience ovations and the continued foot-stomping during and after the curtain calls, too much is still not enough. --Richard Natale