The Black Audio Film Collective’s seventh film envisioned the death and life of the African American revolutionary as a seven part study in iconography as narrated by novelist Toni Cade Bambara and actor Giancarlo Espesito. The stylized tableaux vivants that memorialise Malcolm’s life referenced the early 20th century funeral photography of James Van der Zee’s The Harlem Book of the Dead and the elemental static cinematography of Sergei Paradjanov’s The Colour of Pomegranates.
En los años sesenta, dos hippies se esconden en la jungla huyendo del FBI. Cuando vuelven a Nueva York en los años ochenta, sus compañeros y amigos hippies resulta que se han convertido en ricos yuppies.
