Diego De Silva

In a neighbourhood on the outskirts of Taranto, high upon the rooftops framed by the Ilva steel factory, we meet Tonino a.k.a. “Barboncino” (poodle). Tonino has just committed a robbery and, in a moment of foolishness, fled from his accomplices, taking the entire loot for himself. He escapes upward, clambering from roof to roof, until he can go no further and must take refuge in an old water tank. Here he finds Renato, a strange and eccentric man who believes he is an American Indian from the Sioux tribe. Trapped with no other choice, Tonino is forced to team up with Renato. A strange and crazy friendship is formed, and Tonino learns to see things from a very different perspective.

Descargados de la pasión incontrolable de los primeros tiempos, Modesto y Viviana llaman a la puerta de un analista para someterse a una terapia de pareja. Solo hay un problema: no son una pareja. No es un oficial, al menos. Los dos amantes, ambos vestidos en bodas infelices, no saben cómo reaccionar al dilema que probablemente los desvíe: a la deriva en una aventura extramatrimonial e invertir en una nueva vida, como le gustaría a la intrigante Viviana (Ambra Angiolini); o seguir la sugerencia del saliente Modesto (Pietro Sermonti) y continuar con la retorcida doble existencia

Descargados de la pasión incontrolable de los primeros tiempos, Modesto y Viviana llaman a la puerta de un analista para someterse a una terapia de pareja. Solo hay un problema: no son una pareja. No es un oficial, al menos. Los dos amantes, ambos vestidos en bodas infelices, no saben cómo reaccionar al dilema que probablemente los desvíe: a la deriva en una aventura extramatrimonial e invertir en una nueva vida, como le gustaría a la intrigante Viviana (Ambra Angiolini); o seguir la sugerencia del saliente Modesto (Pietro Sermonti) y continuar con la retorcida doble existencia

Vanni and Linda live in a penthouse apartment for rent in the center of Rome. Vanni writes novels, Linda 'cooperates' to his novels. Between a vernissage and an exhibition of Basquiat, thay hang out Alfredo and Constanza, a couple on the verge of a nervous breakdown. Alfredo is a surgeon with the habit of waking up early and has a lover, Constanza is a dermatologist with the same habits. With the intent to vent their frustrations in their friends' living room, Alfredo and Constanza take hostage the couple and recriminate loudly about the past and the present. In an impossible attempt to contain them, Vanni and Linda eventually take the field and also thrash each other. Someone will end up getting hurt by the end of the night.

Vanni and Linda live in a penthouse apartment for rent in the center of Rome. Vanni writes novels, Linda 'cooperates' to his novels. Between a vernissage and an exhibition of Basquiat, thay hang out Alfredo and Constanza, a couple on the verge of a nervous breakdown. Alfredo is a surgeon with the habit of waking up early and has a lover, Constanza is a dermatologist with the same habits. With the intent to vent their frustrations in their friends' living room, Alfredo and Constanza take hostage the couple and recriminate loudly about the past and the present. In an impossible attempt to contain them, Vanni and Linda eventually take the field and also thrash each other. Someone will end up getting hurt by the end of the night.

Vanni and Linda live in a penthouse apartment for rent in the center of Rome. Vanni writes novels, Linda 'cooperates' to his novels. Between a vernissage and an exhibition of Basquiat, thay hang out Alfredo and Constanza, a couple on the verge of a nervous breakdown. Alfredo is a surgeon with the habit of waking up early and has a lover, Constanza is a dermatologist with the same habits. With the intent to vent their frustrations in their friends' living room, Alfredo and Constanza take hostage the couple and recriminate loudly about the past and the present. In an impossible attempt to contain them, Vanni and Linda eventually take the field and also thrash each other. Someone will end up getting hurt by the end of the night.

Marino Pacileo has a soft spot for gambling. When he discovers that Lila's father, the young Chinese girl that he is in love with cannot pay a debt, the gambler steals money from the jail he is in to help the love of his life.

Marino Pacileo has a soft spot for gambling. When he discovers that Lila's father, the young Chinese girl that he is in love with cannot pay a debt, the gambler steals money from the jail he is in to help the love of his life.

Michelangelo, un veterano actor que gusta de interpretar el tradicional personaje napolitano Pulcinella (Polichinela) siempre que encuentra un público dispuesto a oírle, se ve obligado a abandonar Nápoles e irse a París, cuando se entera de que su hijo se ha refugiado en las afueras de la capital francesa después de haber sido testigo de un asesinato cometido por la mafia. Michelangelo rse encuentra con un viejo amigo que da clases en la Sorbona y conoce a Marie, una actriz por la que no parecen pasar los años, que es propietaria de un viejo y decadente teatro de barrio. Con la ayuda de Cecilia, la novia de su hijo, que conoce bien a los jóvenes árabes, franceses e italianos de la zona, Michelangelo y Marie intentan montar una obra sobre Pulcinella, basándose en una idea sin estrenar de Roberto Rossellini. Si lo consiguen, harán realidad el sueño de “les italiens”, los innombrables emigrantes italianos. (zoowoman).

Mario Zonin arrives in Naples to join the barracks where his grandfather served, a brave policeman who died years before. His road is interwoven with that of another boy: Marco Portosalvo, involved in a robbery where a policeman died, now hiding at the home of his neighbor, Teresa.

Siete cortometrajes que retratan la vida de niños anónimos en distintas partes del mundo

Rosario is 11 years old, he lives in the suburbs with his grandmother, a sick woman who spends time watching TV. He is the leader of a small group who spends his days between games rooms, small crimes and dangerous challenges.