Executive Producer
When layoffs are announced at a remote oilfield office, team morale deteriorates with both humorous, and heartbreaking, results. With support, and often-questionable guidance from her co-workers, new engineer Wendy must navigate personal ethics and corporate industry within one of the world's most controversial industries.
Writer
Facing the grueling physical and mental tolls of participating in an ultramarathon, a doctor relives his struggles to treat a terminally-ill, 14-year-old patient.
Editor
Facing the grueling physical and mental tolls of participating in an ultramarathon, a doctor relives his struggles to treat a terminally-ill, 14-year-old patient.
Director
Facing the grueling physical and mental tolls of participating in an ultramarathon, a doctor relives his struggles to treat a terminally-ill, 14-year-old patient.
Writer
A journalist (Liane Balaban) meets “Man of Today” (Paul Ahmarani) who, while a responsible citizen, is disengaged from greater society. He believes once he’s dead nothing more matters. As an experiment to see if she can turn his pessimistic view around, the journalist sends him on a journey of enlightenment to prove that the future does matter. Travelling the globe, he finds himself in surprising encounters with great minds in the arts and sciences. Starting with an unexpected poetry reading and conversation with experimental poet Christian Bök, Man of Today engages with architect Shigeru Ban, activist Francis Dupuis-Déri, philosopher Alain de Botton, artist Marlene Dumas, novelist Rivka Galchen, leading scientists and a ghost. Will the journalist succeed in turning a cynic into an optimist? Will it matter? What can one person do?
Director
A journalist (Liane Balaban) meets “Man of Today” (Paul Ahmarani) who, while a responsible citizen, is disengaged from greater society. He believes once he’s dead nothing more matters. As an experiment to see if she can turn his pessimistic view around, the journalist sends him on a journey of enlightenment to prove that the future does matter. Travelling the globe, he finds himself in surprising encounters with great minds in the arts and sciences. Starting with an unexpected poetry reading and conversation with experimental poet Christian Bök, Man of Today engages with architect Shigeru Ban, activist Francis Dupuis-Déri, philosopher Alain de Botton, artist Marlene Dumas, novelist Rivka Galchen, leading scientists and a ghost. Will the journalist succeed in turning a cynic into an optimist? Will it matter? What can one person do?
Director
Since the end of World War II, one of kind of urban residential development has dominate how cities in North America have grown, the suburbs. In these artificial neighborhoods, there is a sense of careless sprawl in an car dominated culture that ineffectually tries to create the more organically grown older communities. Interspersed with the comments of various experts about the nature of suburbia
Writer
Since the end of World War II, one of kind of urban residential development has dominate how cities in North America have grown, the suburbs. In these artificial neighborhoods, there is a sense of careless sprawl in an car dominated culture that ineffectually tries to create the more organically grown older communities. Interspersed with the comments of various experts about the nature of suburbia
Director
El carismático ladrón Bobby Comfort se escapa de la cárcel, limpia su pasado y vuelve a una vida hogareña que encuentra insatisfactoria. Aunque está francamente comprometido con su mujer y su hija, su antigua vida lo llama en la figura de Sammy Nalo. Comienzan robando hoteles de lujo de Nyeva York, mientras tanto Phil Parris, un policía primo de Bobby, piensa que podrá hacerlo volver al buen camino.
Writer
A young man in Calgary, Alberta is multiphobic: nonetheless, he believes that he is the cause of the fear which is killing people around him.
Director
A young man in Calgary, Alberta is multiphobic: nonetheless, he believes that he is the cause of the fear which is killing people around him.
Producer
Four young office workers have a bet going to see who can last the longest without going outside. In the maze that is the downtown core of a large city, glass skywalks connect apartment buildings, office towers and shopping malls. Its day 28 of the bet and over the lunch hour, as the office prepares for the company founder's retirement party, things start to seriously unravel.
Writer
Four young office workers have a bet going to see who can last the longest without going outside. In the maze that is the downtown core of a large city, glass skywalks connect apartment buildings, office towers and shopping malls. Its day 28 of the bet and over the lunch hour, as the office prepares for the company founder's retirement party, things start to seriously unravel.
Director
Four young office workers have a bet going to see who can last the longest without going outside. In the maze that is the downtown core of a large city, glass skywalks connect apartment buildings, office towers and shopping malls. Its day 28 of the bet and over the lunch hour, as the office prepares for the company founder's retirement party, things start to seriously unravel.
Writer
A group of teenagers come together to indulge in that great Canadian pastime, the house-party, and find themselves literally confined to the kitchen trapped by an extraordinary well manicured carpet in the living room. Elsewhere, the parents of these kids have a dinner party of their own, where suburban pretense slowly melts away exposing childish obsessions.
Director
A group of teenagers come together to indulge in that great Canadian pastime, the house-party, and find themselves literally confined to the kitchen trapped by an extraordinary well manicured carpet in the living room. Elsewhere, the parents of these kids have a dinner party of their own, where suburban pretense slowly melts away exposing childish obsessions.
Writer
Follows three groups of guys hanging out in Calgary.
Director
Follows three groups of guys hanging out in Calgary.
Director
A 1999 short film directed by Gary Burns.
