Adam Elliot
Nacimiento : 1972-01-02, Berwick, Victoria, Australia
Historia
From Wikipedia, the free encyclopedia
Adam Elliot (born 2 January 1972 in Berwick, Victoria, Australia) is an independent stop-motion animation writer and director based in Melbourne, Australia. His five films have collectively participated in over six-hundred film festivals and have received over one hundred awards, including an Oscar for Harvie Krumpet[2] and the Annecy Cristal for Mary and Max. Elliot calls himself an auteur filmmaker and each of his films have a bittersweet nature to them. Based loosely on his family and friends, Elliot calls each of his works a Clayography - clay animated biographies - a portmanteau term of the words clay and biography. Utilising a large team of animators and modelmakers each film takes several years to complete. He is noted for his use of traditional 'in-camera' techniques, which means every prop set and character is a 'real' miniature handcrafted object. Elliot does not use digital additions or computer generated imagery to enhance his visual aesthetic. His company, Adam Elliot Pictures, produce the films and Elliot’s work practices adhere to the French auteur methodology. Each film has been voiced by notable actors including, Philip Seymour Hoffman, Toni Collette, Geoffrey Rush, Eric Bana, William McInnes and Barry Humphries. Elliot is also a voting member of the Academy of Motion Picture Arts and Sciences and in 1999 was awarded The Young Achiever of the Year for Victoria.
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Thanks
In a near-future Boston, an amateur stand up comedian with memory problems struggles to maintain his sobriety as he falls for his transgender best friend. After she rejects his affection, he hears of a company that can give him another chance with her. Introducing NuYou: a business that creates human clones for the modern day consumer.
Producer
A bittersweet remembrance of Grace Puddle; a lonely hoarder of ornamental snails living in Canberra.
Director
A bittersweet remembrance of Grace Puddle; a lonely hoarder of ornamental snails living in Canberra.
Writer
A bittersweet remembrance of Grace Puddle; a lonely hoarder of ornamental snails living in Canberra.
Cinematography
El mundo de un solitario y sordo taxidermista parisino da un vuelco cuando una paloma muerta aparece frente a la puerta de su casa.
Screenplay
El mundo de un solitario y sordo taxidermista parisino da un vuelco cuando una paloma muerta aparece frente a la puerta de su casa.
Director
El mundo de un solitario y sordo taxidermista parisino da un vuelco cuando una paloma muerta aparece frente a la puerta de su casa.
Writer
Narra la larga amistad por correspondencia entre un cuarentón judío y obeso de Nueva York, y una niña australiana de 8 años que vive en los suburbios de Melbourne.
Production Design
Narra la larga amistad por correspondencia entre un cuarentón judío y obeso de Nueva York, y una niña australiana de 8 años que vive en los suburbios de Melbourne.
Director
Narra la larga amistad por correspondencia entre un cuarentón judío y obeso de Nueva York, y una niña australiana de 8 años que vive en los suburbios de Melbourne.
Writer
Harvie es un polaco que padece el Síndrome de Tourette, un impulso irrefrenable de tocar con un dedo la punta de la nariz a la gente. Debido a eso, fue marginado en la escuela, razón por la que su madre decidió darle clases en casa. Pero su madre era analfabeta y tenía cierta tendencia a hablar con personas sin que estuvieran presentes. En cualquier caso, trató de transmitirle mediante hechos sus conocimientos sobre la vida. Cortometraje ganador de dieciocho premios internacionales, entre ellos un Oscar y menciones en los festivales de Annency, Toronto, Valladolid, Sundance, Sitges, Montreal o la Academia de cine australiana.
Director
Harvie es un polaco que padece el Síndrome de Tourette, un impulso irrefrenable de tocar con un dedo la punta de la nariz a la gente. Debido a eso, fue marginado en la escuela, razón por la que su madre decidió darle clases en casa. Pero su madre era analfabeta y tenía cierta tendencia a hablar con personas sin que estuvieran presentes. En cualquier caso, trató de transmitirle mediante hechos sus conocimientos sobre la vida. Cortometraje ganador de dieciocho premios internacionales, entre ellos un Oscar y menciones en los festivales de Annency, Toronto, Valladolid, Sundance, Sitges, Montreal o la Academia de cine australiana.
Writer
Adam looks back, with affection, to his childhood in a small suburban house, with his mum, his crippled and alcoholic dad, their bird Jeanette, and his older brother, who wears an eye patch, has asthma, and gets blamed for things even when he's not around. The boys are boon companions, swiping money from their napping dad and heading for Ruby's store to buy lollies. They draw, collect cans, and watch the brother's pet lizard eat flies (occasionally giving it a snail). Adam's brother has a collection of cigarette butts, and he has a dream: to be an acrobat like their father was before his accident. Can dreams come true?
Director
Adam looks back, with affection, to his childhood in a small suburban house, with his mum, his crippled and alcoholic dad, their bird Jeanette, and his older brother, who wears an eye patch, has asthma, and gets blamed for things even when he's not around. The boys are boon companions, swiping money from their napping dad and heading for Ruby's store to buy lollies. They draw, collect cans, and watch the brother's pet lizard eat flies (occasionally giving it a snail). Adam's brother has a collection of cigarette butts, and he has a dream: to be an acrobat like their father was before his accident. Can dreams come true?
Writer
Adam tells us the story of an older cousin, who had cerebral palsy. Adam would go over to play, and they'd dress as superheroes, jump off the shed, and run about the the street with an old shopping trolley. Adam explains his cousin's wayward left arm, his strong right one, his aunt's understanding of her son's rages ("bake a cake," she'd tell him), and the boy's love of swimming. On Adam's eighth birthday, the cousins are separated by tragedy; it's left to Adam to wonder about his cousin, and if he still smells of licorice.
Director
Adam tells us the story of an older cousin, who had cerebral palsy. Adam would go over to play, and they'd dress as superheroes, jump off the shed, and run about the the street with an old shopping trolley. Adam explains his cousin's wayward left arm, his strong right one, his aunt's understanding of her son's rages ("bake a cake," she'd tell him), and the boy's love of swimming. On Adam's eighth birthday, the cousins are separated by tragedy; it's left to Adam to wonder about his cousin, and if he still smells of licorice.
Animation Director
A nephew recalls the sometimes-lonely and often-eccentric life of his beloved uncle.
Editor
A nephew recalls the sometimes-lonely and often-eccentric life of his beloved uncle.
Writer
Adam Elliot's earliest film, Human Behavioral Case Studies, is a drawn animation rather than claymation like his other films. It's about unusual human behaviors or obsessions. At only a minute long, it's just long enough to be memorably, darkly amusing.
Writer
A nephew recalls the sometimes-lonely and often-eccentric life of his beloved uncle.
Narrator
Adam Elliot's earliest film, Human Behavioral Case Studies, is a drawn animation rather than claymation like his other films. It's about unusual human behaviors or obsessions. At only a minute long, it's just long enough to be memorably, darkly amusing.
Animation
Adam Elliot's earliest film, Human Behavioral Case Studies, is a drawn animation rather than claymation like his other films. It's about unusual human behaviors or obsessions. At only a minute long, it's just long enough to be memorably, darkly amusing.
Director
Adam Elliot's earliest film, Human Behavioral Case Studies, is a drawn animation rather than claymation like his other films. It's about unusual human behaviors or obsessions. At only a minute long, it's just long enough to be memorably, darkly amusing.
Director
A nephew recalls the sometimes-lonely and often-eccentric life of his beloved uncle.
