M.R. Achrekar

Películas

Naina
Set Designer
The poet, Ravi, haunted by the memory of his former lover Naina is drowning his sorrows in alcohol when he meets Jyoti
Sangam
Production Design
Sunder Khanna is an orphan and lives a poor lifestyle in India. He is friendly with wealthy Gopal Verma, the only child of Judge Verma; and a wealthy girl named Radha, who is the daughter of an army Captain. The trio grow up, and Sunder falls head-over-heels in love with Radha, but she as well as her parents reject him.
Mehndi Lagi Mere Haath
Art Direction
After meeting the love of his life at his sister's wedding, Deepak decides to take Rajini to meet his own mother. However, the problem is not with her but with Rajini's mother, who does not approve.
Kaagaz Ke Phool
Art Direction
The film tells, in flashback, the story of Suresh Sinha, a famous film director and his relationship with an aspiring actress.
Journey Beyond Three Seas
Art Direction
This first co-production of the Soviet and Indian cinematographers is dedicated to the Tver merchant Afanasy Nikitin who in 1466-1472 blazed the trade way from Europe to India. The film is based on Nikitin’s travel notes. Starring in the film are popular Russian actor Oleg Strizhenov and India’s 1950s movie star Nargis.
Ab Dilli Dur Nahin
Art Direction
Ab Dilli Dur Nahin is a journey of a small boy, Rattan, from his small village to New Delhi in the hope of meeting the Prime Minister of India and plead for his father's release from Prison. Set in 1951, Hariram lives in a small village with his wife Bela and son Rattan. On Diwali night, Bela dies of a snake bite and Hariram's world falls apart and he takes to Alcohol. Unable to pay bills, he threatens the Money Lender. Coincidentally the Money Lender is killed the same night and Hariram is tried and convicted of the crime. Rattan, now alone, gets help from Con-Man Ghasita and a young bunch of street children in his quest to reach New Delhi and free his father.
Jagte Raho
Art Direction
Entering an apartment block in search of a drink of water, a naive peasant finds himself mistaken for a thief and is chased by the residents. Whilst evading capture, he inadvertently exposes the venality and dishonesty of the building's middle class occupants.
Dil-E-Nadan
Art Direction
1953 Indian Film
Awaara
Art Direction
A petty thief is put on trial for the attempted murder of a lawyer. Through a series of flashbacks, the intertwining lives of the thief, the lawyer, and the thief's defense lawyer are illustrated.