Fernando Eiras

Augusto moves with his family to an abandoned farm, inherited from his grandfather, hoping to put his life back on track. The property, however, carries the karma of the betrayal of the slave Couraça who seeks revenge against Augusto's family.

Hebe Camargo is one of the most emblematic entertainments in Brazil. At her 60s, she went on to control her own career and, despite the criticism, the dreadful husband and the powerful and sexist bosses, she revealed herself to the public as an extraordinary woman, capable of overcoming any personal or professional crisis.

A history of vendetta and redemption occurs in the vicinity of a road, when the trajectory of a young policeman from the Capital intersects with a sergeant.

In May 1993, Brazil experienced one of the worst economic crises in its history. The government then decides to set up a real task force to solve the problem. Confined to a bunker as a way of shielding the operations of growing political pressures, the special economic team will have to do its best to reach agreement and create the Plano Real.

A curious couple, whose existence takes place where art arises along a singular metaphysical desire. They search for it through repeated and varied representations, in a setting of light where hope and desperation blend together.

Después de ser liberado de la prisión, el Dr. Nise da Silveira está de vuelta en el trabajo en un hospital psiquiátrico en las afueras de Río de Janeirom donde ella se niega a emplear la nueva y violenta de electroshock en el tratamiento de los esquizofrénicos. Ridiculizado por los médicos, se ve obligada a asumir el Sector abandonada de terapia ocupacional, donde comenzaría una revolución a través de pinturas, los animales y el amor.

They live, they act, they love. Today they remember, they relive, they live through cinema and life.

An essay around the streets, as an homage to Fernando Pessoa

In his film Rua Aperana 52 Júlio Bressane describes the invention of a landscape, the topology of a corner of Rio de Janeiro. The film consists of a series of photographs taken between 1909 and 1955 by, among others, Bressane's parents at and around the address used as a title. These are interlarded with scenes from films made between 1957 and 2005, bringing the total fictional time the film covers to almost a century; one hundred years in which the winding road featured in almost every shot structures the new landscape behind the Aperana, which means 'wrong road'. Rua Aperana 52 is autobiographical, as it is a landscape from Bressane's youth, but it is also not so; it is more a multi-subjective mythology of a place seen through all those films and photographs. Bressane refers to his editing as an intuitive form of thinking aimed at evoking moods which make the viewer the new witness of the fictional landscape. A fiction about a fiction,

The singer Dalva de Oliveira and the composer Herivelto Martins lived intensely on the stage and in life. The 13 years of marriage and the disagreements, which gained emphasis with the separation, contributed to an important artistic and cultural production.

Mixed with fiction and documentary, the film relives the interviews conducted by the writer Clarice Lispector published in the magazines "Manchete" and "Fatos and Fotos" in the 1970s.

Betty, a famous brasilian 'telenovelas' star, is in search of her twin sister Marlene, who vanished when the kids were four years old (Marlene is now a prostitute). Fragments of other stories, like that of an italian traveller Filippo who left in Italy Giuli, pregnant, and claims to have a split-personality, are inter-twined with the main one

Tres amigos, Hilda, Matilda y Gaspar, se encuentran en un pequeño apartamento del centro de la ciudad durante un fin de semana para hablar, beber y obtener placer. (FILMAFFINITY)

A cinematographic essay, without dialogues, about the months Nietszche spent in Turin, Italy, with narration quoted by his original writings.

Policarpo is a chauvinistic patriot, a major who tries to find solutions for Brazilian problems using only the resources of his own country. His visionary and idealistic temperament is behind his strange ideas about how to build a great nation.

The history of Brazilian popular music in the 20th Century, focusing specially on the life and works of intriguing singer Mário Reis, a loner who, with his special way of singing - whispering and softly saying the words - in a time when singers with potent voices ruled, was in a way a forerunner of Bossa Nova style.